Marantz SR6013 (USA version)
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Marantz SR6013 was introduced in 2018. It is equipped with 9 channel amplifier and is capable of 11.2 maximum channel processing.
We evaluated the Receiver and gave 91 overall score out of 100. Our ranking system is based on the amplifier specifications, audio and video features, connectivity, multizone capabilities, radio and many other details.
Amplifier score is based on power ratings, minimum impedance load, power supply, transformer type, total harmonic distortion, damping factor, signal to noise ratio and other small details. Audio score depends on the number of channels, front wide channel support, maximum channel processing, support of audio formats, DAC specifications, room calibration algorithm... Video score is based on HDR, Dolby Vision and video signal passthrough and upscaling, analog to HDMI upconversion. Connectivity score is defined from all wired and wireless inputs and outputs, internet and bluetooth connections, HEOS, SONOS and others. Multizone score depends on the number of zones with their outputs. Radio score is evaluated form digital radio support and analog tuner with its frequency range, signal to noise ratio, harmonic distortion...
Pros and Cons
In this section we present pros and cons of Marantz SR6013.
|👍 Certified 4 Ω Performance|
|👍 Bi-amp Capability|
|👍 Many Channel Processing|
|👍 Dolby Atmos|
|👍 Dolby TrueHD|
|👍 Dolby Digital Plus|
|👍 Dolby Surround Upmixer|
|👍 Dolby Digital EX|
|👍 DTS Neural:X|
|👍 DTS Virtual:X|
|👍 DTS-HD Master Audio|
|👍 DTS-HD High Resolution Audio|
|👍 DTS 96/24|
|👍 DTS Express|
|👍 IMAX Enhanced|
|👍 High Resolution Music Playback via USB and/or Network|
|👍 Gapless Playback|
|👍 DSD via HDMI|
|👍 DSD via USB|
|👍 DTS Dialog Control|
|👍 Dialog Level Adjustment|
|👍 Dialog Normalization|
|👍 Compressed Music Enhancer|
|👍 Audyssey Dynamic EQ|
|👍 Audyssey Dynamic Volume|
|👍 Audyssey LFC|
|👍 Audyssey Sub EQ HT|
|👍 Auto Speaker Calibration System with Mic.|
|👍 Audyssey App Support|
|👍 Optimized Bass Redirection|
|👍 BT.2020 color space|
|👍 Dolby Vision|
|👍 3-D Ready|
|👍 4K or 8K Video Passthrough|
|👍 4K or 8K Signal Upscaling|
|👍 Analog To HDMI Upconversion|
|👍 DLNA 1.5|
|👍 Works with Amazon Alexa|
|👍 New HDCP Version|
|👍 Many HDMI Inputs|
|👍 Many HDMI Outputs|
|👍 USB Input|
|👍 Many Analog Audio Line Inputs|
|👍 Phono Input|
|👍 Composite Video Inputs|
|👍 Composite Video Outputs|
|👍 Component Video Inputs|
|👍 Component Video Outputs|
|👍 Multi-Channel Input|
|👍 Analog Pre-Outs|
|👍 Detachable Power Cord|
|👍 Analog Tuner|
|👍 SiriusXM Internet Radio|
|👎 No Front Wide Channel Support|
|👎 No Dolby Atmos Height Virtualization|
|👎 No Auro 3D with Auro-Matic Upmixer|
|👎 No High-resolution Music Enhancer|
|👎 No HDR10+|
|👎 No Chromecast Built-In|
|👎 Does Not Work with SONOS|
|👎 Old Bluetooth Version|
Major Changes from its predecessor
Here we are comparing Marantz SR6013 to its predecessor SR6012 and displaying the major changes.
|UPGRADES||Marantz SR6013||vs||Marantz SR6012|
For more detailed comparison between the models please visit Marantz SR6013 vs Marantz SR6012.
Marantz SR6013 has 9 channel amplifier and delivers 110 W (8 Ω, 20 Hz - 20 kHz, 2 channel driven) and also has a stable performance at 4 Ω load.
The Receiver has 4K passthrough up to 60p and 4K upscaling up to 60p. It can bypass HDR10, Dolby Vision.
High-dynamic-range (HDR) video has greater dynamic range than standard-dynamic-range (SDR) video with brigter whites and deeper blacks. HDR10 was announced on August 27, 2015, by the Consumer Technology Association and uses the wide-gamut Rec. 2020 color space. It sends static metadata via video stream to the TV which calibrates its screen brightness and color according to that. HDR10 supports up to 1000 nits of brightness and 10-bit color which corresponds to 1024 shades of the primary RGB colors.
Dolby Vision is an update to HDR10 by adding dynamic metadata that can be used to more accurately adjust brightness levels up to 10,000 nits maximum brightness on a scene-by-scene or frame-by-frame basis and supports up to 12-bit color depth (4096 shades of RGB) and 8K resolution.
Dolby Atmos and Dolby Surround upmixer
Marantz SR6013 supports Dolby Atmos with its Dolby Surround upmixer. It can be configured upto 7.1.2 or 5.1.4 channels using internal amplifiers or upto 7.1.4 channels by adding 2 channel external amplifier.
Dolby Atmos is the first cinematic audio format in which sounds exist as individual entities, called audio objects. In Dolby Atmos, any sound - the helicopter, a car screeching around a corner, a melodic bird call - can exist as an independent audio object, free of channel restrictions. They can be precisely placed and moved anywhere in your room, including overhead, to flow above and around you in three-dimensional space. Through the use of audio objects, overhead sound, and all the richness, clarity, and power of Dolby sound, Dolby Atmos turns your room into an amazing place for entertainment. You'll feel like you're inside the action, in ways you've never experienced before.
Dolby Atmos for the home represents every sound in the original cinema mix as an audio object. Extensions to the Dolby Audio™ codecs, along with an advanced scalable algorithm, allow Dolby Atmos to be delivered via Blu-ray Disc and streaming media. A spatially-coded substream is added to Dolby TrueHD or Dolby Digital Plus. A Dolby Atmos audio/video receiver (AVR) adapts the cinema experience to your home theater from seven speakers to as many as 34 in 24.1.10 configuration, recreating the original artistic concept. The format supports up to 128 simultaneous independent audio objects in a mix for rich, realistic, and breathtaking sound. It recreates the director's original concept through descriptive metadata to provide customized playback for home theater and delivers sounds above you through overhead speakers, special upward-firing Dolby Atmos speakers, or a Dolby Atmos enabled sound bar.
If the content is not mixed in Dolby Atmos then the Dolby surround upmixer will expand the audio to all channels including ceiling speakers. The upmixer has replaced the Dolby Pro Logic II family with improved upmixing algorithms.
DTS:X and Neural:X upmixer
Marantz SR6013 supports DTS:X with its Neural:X upmixer. It can be configured upto 7.1.2 or 5.1.4 channels using internal amplifiers or upto 7.1.4 channels by adding 2 channel external amplifier.
A technique used in DTS:X is similar to the one used in Dolby Atmos. Instead of a fixed number of channels, DTS:X defines object locations from the listener in polar coordinates. An a/v receiver then dynamically renders sound according to the current speaker configuration. The speaker layout employed by DTS:X is the sum of Dolby Atmos and Auro-3D. It has standard 7.1 channel base layer, a 5 channel height layer above the base layer on the front and side walls, and 3 rows of speakers on the ceiling.
DTS Neural:X is a new upmixer that can take non DTS:X content and upmix it to the DTS:X speaker layout. It has replaced the DTS Neo family with improved flexibility.
Current Feedback Topology
Marantz SR6013 features Current Feedback Topology which is a well known, Marantz’ original circuit technology. The Current Feedback amplifier technology fits perfectly with the high requirements set for Super Audio software providing wide-bandwidth, high-speed reproduction. The impedance at the Current Feedback point is limited resulting in a very low phase shift. Marantz receivers and amplifiers equipped with Current Feedback can keep the phase compensation via Negative FeedBack (NFB) to a minimum, resulting in high through-rate, excellent transient response and superb sonic transparency for the full bandwidth. Unlike conventional Voltage Feedback amplification, the Current Feedback amplification makes the power amplifier in-sensitive to difficult loudspeaker loads.
Marantz SR6013 features exclusive Marantz HDAM (Hyper Dynamic Amplifier Module) technology found on their Reference Series components. Marantz developed its own discrete circuit boards to replace standard IC's. These HDAM's consist of discrete surface mount components with short mirror image L/R signal paths. Those devices are doing exactly the same thing as the Op-Amps, but outperform the regular IC Op-amps dramatically in terms of the Slew Rate and reduced noise level, resulting in a much more dynamic, accurate and detailed sound. Over the years Marantz developed different types of the HDAM to improve quality and to fit to the special requirements of a product category like CD or amplifier.
Compressed music enhancement in Marantz SR6013 is done by Marantz’ MDAX2 technology. The use of compressed audio files like MP3, Windows Media™ Audio or AAC is getting more and more popular. The audio quality of these compressed files however is less than the original lossless files that are on a CD, especially lacking the higher frequencies and affecting the lower frequencies which make the audio image less wide and deep. The Marantz Digital Audio Expander 2, also called M-DAX2, recalculates the outputted frequency range. This enables you to get a more detailed and clearer sound.
Marantz SR6013 comes with Audyssey Dynamic EQ, Audyssey Dynamic Volume, Audyssey LFC and Audyssey Sub EQ HT.
Audyssey Dynamic EQ selects the best possible frequency response and surround volume levels moment-by-moment. This ensures that the bass response, tonal balance and surround impression remain constant despite changes in volume. This is the first technology that carefully combines information from incoming source levels with actual output sound levels in the room, a pre-requisite for delivering a dynamic volume solution.
Your Listening experience can be greatly diminished when there are significant shifts in volume between television programs, commercials and within the program material itself. When this happens you must constantly adjust the volume to maintain your desired listening level. Audyssey Dynamic Volume monitors the volume of program material moment-by-moment and automatically adjusts it, maintaining the desired listening level for all content while optimizing the dynamic range to preserve impact.
While high frequencies are easily stopped by walls low frequencies pass right through. After identifying the frequency range that most readily passes through walls Audyssey developed a technique, called Audyssey LFC (Low Frequency Containment) that reduses the volume at those frequencies and applies psychoacoustic processing to restore the perception of low bass for listeners in the room. The result is no more angry neighbors and no loss of enjoyment for listeners.
Placing two subwoofers in the room can cause problems, they can create standing waves or even cancel each other out resulting in even less bass than a single sub can produce. Audyssey Sub EQ HT allows two subwoofers to be properly used in a home theater system. The process is automated and takes only a few minutes. The result is rich, full bass for everyone in the room.
Marantz SR6013 comes with Audyssey MultEQ XT32 room correction system and includes the calibration microphone. It also supports Audyssey App.
Audyssey is an acoustic measurement technology which automatically restores the acoustic distortion caused by the acoustic behaviour of a room with only a push on a button. Audyssey equalization provides an clear, accurate, natural sound with voices and dialog that become focused and intelligible, restoring the musical balance. Musical instruments and sound effects become precisely localized and the surround soundstage is made seamless and enveloping.
Marantz SR6013 can be connected to internet using ethernet cable or built-in wi-fi adapter. It can also connect to bluetooth devices via built-in bluetooth adapter. The Receiver works with Amazon Alexa and supports AirPlay 2. It has 8 HDMI inputs and HDCP 2.2 copy protection. There is a phono input with built-in phono stage for connecting the cartridge output of the turntable directly to the Receiver. There are 7.1 multi-channel analog inputs and 11.2 channel analog pre-outs for external amplification.
Front panel has HDMI, USB, Composite and L/R Audio inputs.
Here we list all the available features and specifications of Marantz SR6013.
|Front Wide Channel Support|
|Current Feedback Topology|
|Continuous 6 Ω Rated|
|Certified 4 Ω Performance|
|Maximum Channel Processing||11.2|
|Air Studios Monitor Certification|
|Dolby Atmos||up to 7.1.4 with external amp|
|Dolby Atmos Height Virtualization|
|Dolby Digital Plus|
|Dolby Surround Upmixer|
|Dolby Pro Logic|
|Dolby Digital EX|
|DTS:X||up to 7.1.4 with external amp|
|DTS-HD Master Audio|
|DTS-HD High Resolution Audio|
|DTS-ES||Discrete 6.1, Matrix 6.1|
|Auro 3D with Auro-Matic Upmixer|
|Music Playback via USB||MP3, WMA, AAC, Apple Lossless, WAV, FLAC, DSD|
|High Resolution Music Playback via USB and/or Network||up to 192 kHz|
|High Resolution Audio Formats via USB||Apple Lossless, WAV, FLAC, DSD|
|Multi-Channel Music File Playback via USB|
|DSD via HDMI||2-ch/Multi-ch Input|
|DSD via USB||2-ch Input|
|DSD to PCM Converter|
|Jitter Reduction||Hybrid PLL Clock Jitter Reducer|
|DTS Dialog Control|
|Dialog Level Adjustment|
|Compressed Music Enhancer||MDAX2|
|High-resolution Music Enhancer|
|Audyssey Dynamic EQ|
|Audyssey Dynamic Volume|
|Audyssey Sub EQ HT|
|Pure Direct Mode|
|Independent Dual Subwoofer Output|
|Auto Speaker Calibration System with Mic.||Audyssey MultEQ XT32|
|Audyssey App Support|
|Optimized Bass Redirection|
|BT.2020 color space|
|HLG (Hybrid Log Gamma)|
|QMS (Quick Media Switching)|
|ALLM (Auto Low Latency Mode)|
|VRR (Variable Refresh Rate)|
|QFT (Quick Frame transport)|
|Video Signal Passthrough||up to 4K 50/60Hz 4:4:4|
|Video Signal Upscaling||up to 4K 50/60Hz 4:4:4|
|Analog To HDMI Upconversion||Component**, Composite|
|Component Video Upscaling|
|Analog to Analog Video conversion|
|isf Certified Calibration Control|
|Domotz Pro Compatible|
|Remote Monitoring with ihiji|
|Works with Amazon Alexa|
|Works with SONOS|
|Apple Product Connection||iPod, iPhone and iPad|
|Remote App||Marantz 2016 AVR Remote App for iOS and Android devices|
|InstaPrevue Input Source Prevue|
|HDMI Input||8 (1 front)|
|HDMI Output||3 (2 for MAIN, 1 for ZONE2)|
|USB Input||1 (Front) for USB memory|
|USB DC Out Port|
|Analog Audio Line Input||6 (1 front)|
|Analog Audio Line Output|
|Coaxial In/Out||2 /|
|Composite Video Input||4 (1 front)|
|Composite Video Output||1|
|Component Video Input||2|
|Component Video Output||1|
|Front A/V Inputs||HDMI, USB, Composite, L/R Audio|
|Headphone Out||6.3 mm|
|Zone 2||HDMI, Pre Out|
|+12V Trigger Output||1|
|On-Screen Display||Advanced Graphic User Interface|
|Web Browser Control|
|IP Control for CI|
|FL Display||port hole|
|Pre-programmed / Learnable / LCD Display||/ /|
|Detachable Power Cord|
|Remote Control In/Out||1 / 1|
|SiriusXM Internet Radio|
|Large Speaker Terminals||11|
|Color-Coded Speaker Terminals|
|Transparent High-Grade Speaker Terminals|
|High Grade Audio Components|
|Gold plated RCA terminals|
|Power Supply||AC 120 V, 60 Hz|
|Power Consumption||680 W|
|No Sound Power||ECO On/Off: 60 W/100 W|
|Standby Power||0.2 W|
|ECO Mode / Hybrid Standby Function|
|Auto Power off|
|Dimensions (W x H x D)||440 mm x 161 mm x 398 mm (with antenna: 440 mm x 229 mm x 398 mm)|
17-3/8" x 6-3/8" x 15-3/4" (with antenna: 17-3/8" x 9-1/8" x 15-3/4")
|Weight||12.8 kg (28 lbs 4 oz)|
|Power Output (8 Ω, 20 Hz - 20 kHz, 2||110 W (0.08% THD)|
|Power Output (6 Ω, 1 kHz, 2||150 W (0.7% THD)|
|Maximum Effective Power Output (6 Ω, 1 kHz, 1 channel driven, JEITA)||220 W (10% THD)|
|Rated Power Output (6 Ω, 1 kHz, 1 channel driven, IEC)||185 W (1% THD)|
|THD digital||0.008% (1 kHz, at 0 dB)|
|Analog Distortion||0.005% (20 Hz-20 kHz, Direct mode)|
|Phono Distortion||0.03% (1 kHz, 3 V)|
|Input Sensitivity and Impedance (Line)||200 mV/47 kΩ|
|Input Sensitivity and Impedance (Phono MM)||2.5 mV|
|Rated Output digital||2 V (at 0 dB playback)|
|S/N Ratio (Line, IHF-A)||100 dB|
|S/N Ratio (Phono MM, IHF-A)||74 dB|
|S/N Ratio (digital)||102 dB|
|Dynamic Range (digital)||100 dB|
|Phono RIAA Deviation||±1 dB (20 Hz to 20 kHz)|
|Frequency Response (Analog In)||+1/-3 dB (10 Hz to 100 kHz, Direct mode)|
|DSD Sampling Rates via HDMI||2.8 MHz|
|DSD Sampling Rates via USB||5.6 MHz, 2.8 MHz|
|Video Input Sensitivity/Output Level and Impedance||1 Vp-p/75 Ω (Component Y)|
0.7 Vp-p/75 Ω (Component PB/CB, PR/CR)
1 Vp-p/75 Ω (Composite)
|Video Frequency Response||5 Hz - 60 MHz, 0, -3 dB (Component)|
5 Hz - 10 MHz, 0, -3 dB (Composite)
|Wi-Fi Standard||IEEE 802.11 a/b/g/n|
|Wi-Fi Terminal Frequency||5 GHz, 2.4 GHz|
|Bluetooth Version||3.0 + EDR|
|Bluetooth Frequency||2.4 GHz|
|USB Terminal||USB2.0 5V, 1 A|
|FM Frequency||87.5 MHz - 107.9 MHz|
|FM 50 dB Quiet Sensitivity (IHF, 1 kHz, 100% MOD.)||Mono: 2.8 µV (20.2 dBf)|
|FM Effective Sensitivity||1.2 µV (12.8 dBf)|
|FM S/N Ratio||Mono/Stereo: 70 dB/67 dB|
|FM Harmonic Distortion (IHF, 1 kHz)||Mono/Stereo: 0.7%/1.0%|
|AM Frequency||520 kHz - 1710 kHz|
|AM Effective Sensitivity||18 µV|
* - 480i/576i and 480p/576p only
** - 480i/576i only
*** - no 1080p/24 upconversion
**** - 1080p signal is not converted
In 2019 Marantz SR6013 was replaced by SR6014. Let us now have a look at some important changes that the successor brought.
|UPGRADES||Marantz SR6014||vs||Marantz SR6013|
|Dolby Atmos Height Virtualization||vs|
|Auto Low Latency Mode Pass-through||vs|
|Domotz Pro Compatible||vs|
|Remote Monitoring with ihiji||vs|
|Newer HDCP Version||2.3||vs||2.2|
|Newer Bluetooth Version||4.1||vs||3.0 + EDR|
For more detailed comparison between the models please visit Marantz SR6014 vs Marantz SR6013.