This section shows those features and specifications which are the reason to choose Yamaha RX-A3010 over Yamaha RX-A810.
|
Yamaha RX-A810 |
vs |
Yamaha RX-A3010 |
More Channels |
7.2 |
vs |
9.2 |
Higher Power Output |
100 W (8 Ω, 20 Hz - 20 kHz, 2 channel driven) |
vs |
150 W (8 Ω, 20 Hz - 20 kHz, 2 channel driven) |
More Channel Processing |
7.1 |
vs |
11.1 |
CINEMA DSP |
3D |
vs |
HD3 |
DSP Programs |
17 |
vs |
23 |
More Advanced Auto Speaker Calibration System |
YPAO sound optimization (Multipoint measurement) |
vs |
YPAO sound optimization (R.S.C. with Angle measurement) |
Analog to Analog Video conversion |
(Component**, Composite) to (Component, Composite) |
vs |
(Component**, S-Video, Composite) to (Component, S-Video, Composite) |
Video Parameter Adjustments |
|
vs |
with variable parameters |
More Optical Inputs |
2 |
vs |
4 (1 front) |
More Optical Outputs |
|
vs |
1 |
More Coaxial Inputs/Outputs |
2 |
vs |
3 |
More RCA Line Inputs |
5 (1 front) |
vs |
9 (1 front) |
Multi-Channel Input |
|
vs |
7.1 |
More RCA Pre-Outs |
7.2 |
vs |
11.2 |
More S-Video Inputs |
|
vs |
5 (1 front) |
More S-Video Outputs |
|
vs |
2 |
More Component Video Inputs |
2 |
vs |
4 |
Front A/V Inputs |
HDMI, USB, Analog Audio and Composite |
vs |
HDMI, USB, Analog Audio, Optical, Composite and S-video |
More Zones |
2 |
vs |
4 |
More Powered Zones |
Zone 2 |
vs |
Zone 2/3 (Zone 4 Optical) |
Zone 2 Outs |
Line Out |
vs |
Component, S-Video, Composite, Pre Out |
Zone GUI |
|
vs |
|
+12V Trigger Output |
1 |
vs |
2 |
Remote (IR) Input/Output |
1 / 1 |
vs |
2 / 2 |
More Scenes |
SCENE (4 sets) |
vs |
SCENE PLUS (12 sets) |
Pandora |
|
vs |
|
More Speaker Terminals |
9 |
vs |
11 |
More Large Speaker Terminals |
9 |
vs |
11 |
Bigger Power Supply |
330 W |
vs |
400 W/510 VA |
Higher Power Output (8 Ω, 20 Hz - 20 kHz, 2 channel driven, FTC) |
100 W (0.09% THD) |
vs |
150 W (0.06% THD) |
Higher Power Output (8 Ω, 1 kHz, 2 channel Driven, FTC) |
110 W (0.9% THD) |
vs |
165 W (0.9% THD) |
Higher Rated Power Output (8 Ω, 1 kHz, 1 channel Driven) |
130 W (0.9% THD) |
vs |
185 W (0.9% THD) |
Higher Maximum Effective Output Power (8 Ω, 1 kHz, 1 channel Driven, JEITA) |
160 W (10% THD) |
vs |
230 W (10% THD) |
Higher Rated Power Output (4 Ω, 1 kHz, 1 channel Driven) |
160 W (0.9% THD) |
vs |
230 W (0.9% THD, Front) |
Higher Dynamic Power per Channel, 2 Ω, Front) |
250 W |
vs |
410 W |
Higher Dynamic Power per Channel, 4 Ω, Front) |
210 W |
vs |
295 W |
Higher Dynamic Power per Channel, 6 Ω, Front) |
180 W |
vs |
220 W |
Higher Dynamic Power per Channel, 8 Ω, Front) |
140 W |
vs |
175 W |
Lower THD |
0.06% (AV 5 etc. to Front, Pure Direct, 20 Hz - 20 kHz, 50 W, 8 Ω) |
vs |
0.04% (MULTI CH INPUT to Speaker Out, Pure Direct, 70 W, 8 Ω) |
Higher Damping Factor |
100 (Front, 20 Hz - 20 kHz, 8 Ω) |
vs |
150 (Front, 1 kHz, 8 Ω) |
Higher Maximum Input Sensitivity (Line) |
2.3 V |
vs |
2.4 V |
Rated Headphone Jack Output Level and Impedance |
100 mV/560 Ω (AV 5 etc., 1 kHz, 50 mV, 8 Ω) |
vs |
150 mV/100 Ω |
Higher S/N Ratio (Phono MM, IHF-A) |
81 dB |
vs |
86 dB |
Higher Video S/N Ratio |
50 dB |
vs |
60 dB |
Higher FM S/N Ratio |
Mono/Stereo: 71 dB/69 dB |
vs |
Mono/Stereo: 72 dB/ 70 dB |
Wider AM Frequency Range |
531 MHz - 1611 MHz |
vs |
530 MHz - 1710 MHz |