Yamaha Aventage RX-A4A
- 9.2 channels
- 11.2 channel processing
- 120 W (8 Ω, 20 Hz - 20 kHz, 2 channel driven)
- HDMI 2.1
- THX Select™ certified
- Dolby Atmos, DTS:X capable
- HDR10, HDR10+, Dolby Vision, 8K Upscaling, 8K Passthrough
- AirPlay 2, Chromecast
- Ethernet, Wi-Fi, Bluetooth
- USB and Phono inputs
- 7.2 channels
- 7.1 channel processing
- 110 W (8 Ω, 20 Hz - 20 kHz, 2 channel driven)
- HDMI 2.1
- Dolby Atmos, DTS:X capable
- HDR10, HDR10+, Dolby Vision, 4K Upscaling, 8K Passthrough
- AirPlay 2, MusicCast
- Ethernet, Wi-Fi, Bluetooth
- USB and Phono inputs
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Here we are comparing Onkyo TX-RZ50 to Yamaha Aventage RX-A4A to reveal their common strengths and weaknesses as well as the differences between them which will help you in making a correct decision before the purchase. The Onkyo TX-RZ50 has 9 channel and the Yamaha Aventage RX-A4A has 7 channel amplifiers with Onkyo TX-RZ50's being more powerful.
Advantage of Onkyo TX-RZ50
This section shows those features and specifications which are the reason to choose Onkyo TX-RZ50 over Yamaha Aventage RX-A4A.
Onkyo TX-RZ50 has more channels, more power per channel, more channel processing, more zones and bigger power supply. It supports IMAX Enhanced and SONOS.
|Onkyo TX-RZ50||vs||Yamaha Aventage RX-A4A|
|THX™ Certification||Select™ (previously known as Select2)||vs|
|More Channel Processing||11.2||vs||7.1|
|Music Playback via USB||FLAC, WAV, Apple Lossless, WMA, MP3, DSD, AIFF, AAC, Dolby TrueHD||vs||MP3, WMA, MPEG-4 AAC, Apple Lossless, WAV, FLAC, AIFF, DSD|
|High Resolution Audio Formats via USB||FLAC, WAV, Apple Lossless, DSD, AIFF, AAC, Dolby TrueHD||vs||Apple Lossless, WAV, FLAC, AIFF, DSD|
|Video Signal Upscaling||1080p to 4K/8K and 4K to 8K||vs||up to 4K 60p 4:4:4|
|Analog To HDMI Upconversion||Component**, Composite||vs|
|DTS Play-Fi||via Onkyo Music Control app||vs|
|Works with SONOS||vs|
|More RCA Line Inputs||6||vs||3|
|More Composite Video Inputs||2||vs|
|More Component Video Inputs||1||vs|
|More RCA Pre-Outs||11.2 (barter to Zone 3 Pre/Line Out)||vs||7.2|
|Front A/V Inputs||HDMI||vs||USB|
|More Powered Zones||2 and 3||vs||Zone 2|
|Zone 2 Outs||HDMI, RCA Pre/Line Out (shared with Zone B Line out)||vs||RCA Preout|
|More Speaker Terminals||11||vs||9|
|More Large Speaker Terminals||11||vs||9|
|Bigger Power Supply||850 W||vs||410 W|
|Higher Power Output (8 Ω, 20 Hz - 20 kHz, 2 channel driven, FTC)||120 W (0.08% THD)||vs||110 W (0.06% THD)|
|Higher Power Output (6 Ω, 1 kHz, 1 channel driven, JEITA)||250 W (10% THD)||vs||170 W (10% THD)|
Advantage of Yamaha Aventage RX-A4A
This section shows those features and specifications which are the reason to choose Yamaha Aventage RX-A4A over Onkyo TX-RZ50.
Yamaha Aventage RX-A4A has higher DAC specs, lower total harmonic distortion and higher signal to noise ratio. It supports Napster and SiriusXM.
|Onkyo TX-RZ50||vs||Yamaha Aventage RX-A4A|
|Higher DAC Specs||192 kHz/24 Bit||vs||384 kHz/32 Bit|
|Higher Resolution Music Playback via USB||up to 192 kHz||vs||up to 384 kHz/32 Bit|
|High-resolution Music Enhancer||vs|
|More HDMI Outputs||2 (1 Main, 1 Sub/Zone2)||vs||3 (2 for MAIN, 1 for ZONE2)|
|More Optical Outputs||vs|
|+12V Trigger Output||1 (MAIN, 100 mA)||vs||2|
|Remote (IR) Input/Output||1 / 0||vs||1 / 1|
|SiriusXM Internet Radio||vs|
|Lower THD||0.08% (20 Hz - 20 kHz, Half power)||vs||0.05% (AUDIO 2 etc. to Speaker Out, 20 Hz - 20 kHz, 55 W, 8 Ω)|
|Higher S/N Ratio (Line, IHF-A)||106 dB||vs||110 dB|
|Higher S/N Ratio (Phono MM, IHF-A)||80 dB||vs||95 dB|
Common Strengths and Weaknesses
Here we list common strengths and weaknesses of both receivers.
|Dolby Atmos Height Virtualization|
|DSD via HDMI|
|Auto Speaker Calibration System with Mic.|
|New HDCP Version|
|Auto Low Latency Mode Pass-through|
|4K or 8K Video Passthrough|
|4K or 8K Signal Upscaling|
|Works with Amazon Alexa|
|Many HDMI Inputs|
|Many 8K Inputs|
|Many Optical Inputs|
|New Bluetooth Version|
|No Front Wide Channel Support|
|No Auro 3D with Auro-Matic Upmixer|
|Onkyo TX-RZ50||Yamaha Aventage RX-A4A|
9 channel Amplifier: Onkyo TX-RZ50 features 9 channel power amplifier. It is rated at 120 W (8 Ω, 20 Hz - 20 kHz, 2 channel driven) and is able to drive 4 ohm speakers.
7 channel Amplifier: Yamaha Aventage RX-A4A features 7 channel power amplifier. It is rated at 110 W (8 Ω, 20 Hz - 20 kHz, 2 channel driven) and is able to drive 4 ohm speakers.
- Dynamic Audio Amplification: Onkyo TX-RZ50 features Dynamic Audio Amplification which is Onkyo’s amplification philosophy that focuses on capturing the energy and dynamism contained in the audio signal and reproducing it without loss. Audio signals are not static like a test tone, but rather a countless collection of constantly moving waves. While static measurements such as S/N ratio and Total Harmonic Distortion are important, Onkyo believes that excellent dynamic and transient response is the key to emotionally involving sound. Dynamism - the “life” in music - is achieved when the amp can respond to changes in the signal instantaneously, so notes start and stop naturally and the nuances in attack, decay, sustain, and release are voiced with conviction. Onkyo home theater receivers represent the culmination of almost 70 years’ experience in amplifier design. The unique elements of their amplification system comprise high-current, low-impedance architecture to accurately control large speaker cones while enabling instantaneous response to dynamic changes, and discrete wide-range amplifier circuit topology to eliminate phase shift for clear and accurate audio imaging.
THX Select™ (previously known as Select2) certification
Onkyo TX-RZ50 is THX Select™ (previously known as Select2) certified. This means that it is for medium sized rooms, up to 2,000 cubic feet in size, with a 10-12 foot viewing distance from the screen.
- THX™ Certification: THX™ Certification offers optimal performance, superior quality and seamless integration. THX works with partners from the ground up, so that certified products deliver professional quality audio-visual experiences right out of the box. They only certify the very best products with uncompromised quality, performance and consistency. They ensure that THX certified devices play well with lower performing devices and components. THX listening modes make the receiver to have one speaker set up for movies, music and games. They are tested for power output, bass management, signal-to-noise ratio and feature THX Loudness Plus, Boundary Gain Compensation, Timbre Matching and RE-EQ.
- Power Output: Power output is tested to ensure the receiver accurately plays source material at THX Reference Level in every input and mode and at every sampling rate for all possible playback combinations selected by the listener.
- Frequency Response: THX has strict requirements for frequency response to ensure that you hear all the details in high-resolution tracks, ensures dialog in movies, and vocals in music are clear while maintaining deep, impactful bass output that doesn’t overpower the listening experience.
- Signal-to-Noise Ratio: THX tests the signal-to-noise ratio to ensure the unit is designed to have low noise performance with very little to no audible hiss from the speakers.
- Bass Management: THX requires an 80Hz crossover point in the setup menu to ensure proper bass management in every THX Certified AVR. This setting confirms that the subwoofer handles low frequencies, freeing up the loudspeakers to handle mids and highs.
- THX Loudness Plus™: THX Loudness Plus™ is a volume control technology featured in THX Certified Dominus, THX Certified Ultra and THX Certified Select AV Receivers, and preamplifiers that automatically adjusts the front-to-back speaker level relationship as you turn the volume down. With THX Loudness Plus, home theater audiences can now experience the rich details of surround sound at any volume level.
- Boundary Gain Compensation: Sitting near a wall may result in increased acoustic levels at the lower frequencies. BGC corrects the way low frequency sound is perceived when seated near a wall. This results in a more accurate bass response.
- Timbre Matching: Your ears hear different tonal qualities in sounds coming from different directions. Timbre Matching restores the frequency balance between your front and surround speakers ensuring seamless and smooth panning between the front to back of the room.
- RE-EQ: Many movie soundtracks are mixed in studios for playback in large cinema auditoriums with an array of speakers. When played on home systems, they may appear abrasive and edgy. Re-EQ establishes a more accurate tonal balance when enjoying movies in your home.
Onkyo TX-RZ50's and Yamaha Aventage RX-A4A's amplifiers can be assigned for different speaker configurations.
- Dolby Atmos Configurations: The following speaker configurations are supported for Dolby Atmos:
- Onkyo TX-RZ50: 5.2.2, 5.2.4, 7.2.2 with internal amplifier and 7.2.4 with addition of external 2 channel amplifier.
- Yamaha Aventage RX-A4A: 5.2.2 with internal amplifier.
- DTS:X Configurations: The following speaker configurations are supported for DTS:X:
- Onkyo TX-RZ50: The speaker configurations for DTS:X are the same as for Dolby Atmos - 5.2.2, 5.2.4, 7.2.2 with internal amplifier and 7.2.4 with addition of external 2 channel amplifier.
- Yamaha Aventage RX-A4A: The speaker configurations for DTS:X are the same as for Dolby Atmos - 5.2.2 with internal amplifier.
- Configurations without height channels: There are also other speaker configurations available which do not include height channels:
- Onkyo TX-RZ50: 5.2, 7.2 with internal amplifier.
- Yamaha Aventage RX-A4A: 5.2, 7.2 with internal amplifier.
- 2-ch Bi-Amp: Both models are able to bi-amp up to 2 main channels simultaneously. During bi-amplification two amplifiers are used for one speaker. One amplifier powers the midrange and tweeter section of the speaker and another amplifier powers the low frequency woofers. Each amplifier is less loaded and performs better. In order to use this feature speakers must have 2 pairs of connectors.
- Dolby Surround Upmixer: Both models support Dolby Surround Upmixer. If the content is not mixed in Dolby Atmos then the Dolby surround upmixer will expand the audio to all channels including ceiling speakers. The upmixer has replaced the Dolby Pro Logic II family with improved upmixing algorithms.
- Dolby Atmos Height Virtualization: Both models support Dolby Atmos Height Virtualization which is a digital signal processing solution that leverages Dolby's deep understanding of human audio perception to create the sensation of overhead sound from the listener-level speakers.
- DTS Neural:X: Both models feature DTS Neural:X which is an advanced upmixer that can take non DTS:X content and upmix it to the DTS:X speaker layout. It has replaced the DTS Neo family with improved flexibility.
- DTS Dialog Control: Both models have DTS Dialog Control. This function adjusts the dialog levels during playback of the DTS:X stream. It allows you to separately increase the dialog levels in contrast with the background sound and hear dialog easily even under noisy circumstances.
- Surround:AI: Yamaha Aventage RX-A4A features Surround:AI artificial intelligence which in real time, automatically optimizes surround-sound performance for each scene in a movie or any piece of content. Surround:AI analyzes a scene's audio characteristics, focusing on soundtrack elements such as dynamic range, amount of dialog, the degree of sound effects, background music, and channel balance. Surround:AI then compares the scene's audio characteristics to a reference database of movie scenes and automatically processes the scene's sound to optimize performance. Surround:AI makes dialog more intelligible in scenes with lots of background noise, delivers massive, full-bodied sound for scenes with immersive sound effects, and ensures that you hear softly spoken dialog and soft background sounds. Scenes with big musical scores deliver the best possible musical experience.
- Compressed Music Enhancer: Onkyo TX-RZ50 and Yamaha Aventage RX-A4A feature Compressed Music Enhancer which enhances the quality of the music files with lossy compression.
- Advanced Music Optimizer: Compressed music enhancement in Onkyo TX-RZ50 is done by Onkyo’s Advanced Music Optimizer. While MP3 or AAC files may sound fine through the headphones of your portable digital player, the limitations of these files can be exposed when played back through a quality home entertainment system. This is because a significant amount of high-frequency bit information is lost during the file-compression process. To counter this, Onkyo has designed the Advanced Music Optimizer to compensate for lost bit information and improve the quality of compressed audio signals. This results in a clearer and more expansive sound. Also included in this technology is a loudness correction feature that further improves the audio character of compressed files.
- YPAO: The Yamaha Parametric room Acoustic Optimizer (YPAO) function detects speaker connections, measures the distances from them to your listening position(s), and then automatically optimizes the speaker settings, such as volume balance and acoustic parameters, to suit your room.
- AccuEQ: First, AccuEQ detects the presence of speakers and evaluates the impedance of each. Next, it pinpoints their distance relative to the main listening position using the mic and sets suitable sound-pressure levels. Then it selects the optimal crossover frequency so that deeper bass rolls smoothly off to the subwoofer. Finally, AccuEQ performs frequency response equalization based on room-acoustic and speaker data collected via microphone. The sound-field is now tailored around the listening position, resulting in a more immersive and realistic in-film experience.
- Dirac Live: The interaction between your sound system and the physical layout of your room has a huge impact on sound quality. Dirac Live™ Room Correction applies state-of-the-art, patented algorithms to analyze and digitally reduce room impact and enhance speaker performance. Dirac Live delivers a larger sweet spot, accurate staging, clarity, voice intelligibility, and a deeper, tighter bass not otherwise possible. Fully tunable to your preference.
Onkyo TX-RZ50 and Yamaha Aventage RX-A4A support Dolby Atmos. It is a cinematic audio format in which sounds exist as individual entities, called audio objects. In Dolby Atmos, any sound can exist as an independent audio object, free of channel restrictions. They can be precisely placed and moved anywhere in your room, including overhead, to flow above and around you in three-dimensional space. Through the use of audio objects, overhead sound, and all the richness, clarity, and power of Dolby sound, Dolby Atmos turns your room into an amazing place for entertainment. The format supports up to 128 simultaneous independent audio objects in a mix for rich, realistic, and breathtaking sound. It recreates the director's original concept through descriptive metadata to provide customized playback for home theater and delivers sounds above you through overhead speakers, special upward-firing Dolby Atmos speakers, or a Dolby Atmos enabled sound bar.
Onkyo TX-RZ50 and Yamaha Aventage RX-A4A support DTS:X. A technique used in DTS:X is similar to the one used in Dolby Atmos. Instead of a fixed number of channels, DTS:X defines object locations from the listener in polar coordinates. An a/v receiver then dynamically renders sound according to the current speaker configuration. The speaker layout employed by DTS:X is the sum of Dolby Atmos and Auro-3D. It has standard 7.1 channel base layer, a 5 channel height layer above the base layer on the front and side walls, and 3 rows of speakers on the ceiling.
Enhanced Audio Return Channel (eARC)
Onkyo TX-RZ50 and Yamaha Aventage RX-A4A support Audio Return Channel (ARC) feature allows the compatible TV to send audio signal to the a/v receiver through the same HDMI cable which is used to send audio and video signals to the TV. So one HDMI cable is used to transfer audio signal in both directions. New Enhanced ARC will support uncompressed audio formats such as Dolby Atmos, DTS:X, Dolby TrueHD and DTS HD Master Audio whereas the previous ARC could support only Dolby Digital, Dolby Digital Plus, DTS, DTS HD, and PCM.
Onkyo TX-RZ50 comes with Dirac Live™ and AccuEQ and Yamaha Aventage RX-A4A comes with YPAO with R.S.C., Multipoint, 3D, 64-Bit High Precision EQ Calculation, Low Frequency mode and Angle measurement room correction system.
Onkyo TX-RZ50 comes with 7 HDMI 2.1 inputs with 8K support. It has 2 outputs - 1 Main and 1 Sub/Zone2.
Yamaha Aventage RX-A4A comes with 7 HDMI 2.1 inputs with 8K support. It has 3 outputs - 2 for MAIN and 1 for ZONE2.
- 8K/60Hz and 4K/120Hz Passthrough: On both receivers all inputs pass up to 8K/60p (RGB/YCbCr4:4:4) video signal.
- 8K Upscaling on Onkyo TX-RZ50: It can upscale 1080p to 4K/8K and 4K to 8K from HDMI and analog sources.
4K Upscaling on Yamaha Aventage RX-A4A: It can upscale up to 4K 60p 4:4:4 from HDMI sources.
- Analog To HDMI Upconversion: Onkyo TX-RZ50 supports analog to HDMI Upconversion, so you can input your analog video sources and output them digitally via HDMI. This means that you will need only one HDMI cable to connect to your TV.
- BT.2020 Color Space: BT.2020 or Rec. 2020 is a color standard which delivers a wider color gamut compared to Rec. 709. It covers approximately 75% of the total visual spectrum while the Rec. 709 covers only 35% (available on both models).
- HDCP 2.3 Copy Protection: Both receivers are HDCP 2.3 compliant which is a requirement for 4K/HDR copy-protected content transmission.
- Quick Media Switching (QMS): With HDMI 2.1a, Quick Media Switching for movies and video uses the HDMI VRR mechanism to eliminate the blackout period when an HDMI Source device switches its video mode. As long as the resolution remains the same and only the frame rate changes, QMS will instantly switch between frame rates. QMS eliminates A/V blackouts by using VRR technology to change frame rates, allowing instant changes from 24Hz to 60Hz frame rate, and anywhere in-between. The viewer never sees blank screens and gets a seamless experience (available on both models).
- 3D Ready: Both receivers are able to pass 3D video through HDMI.
HDR (High Dynamic Range)
Both receivers support HDR10, HDR10+, Dolby Vision and Hybrid Log-Gamma.
High dynamic range video has greater dynamic range than standard dynamic range (SDR) video with brighter whites and deeper blacks. The result is greater contrast and more details in dark and bright areas, better color and depth.
- HDR10: HDR10 uses the wide-gamut Rec. 2020 color space. It sends static metadata via video stream to the TV which calibrates its screen brightness and color according to that. HDR10 supports 10-bit color which corresponds to 1024 shades of the primary RGB colors. It is technically limited to a maximum of 10,000 nits peak brightness, however common HDR10 contents are mastered with peak brightness from 1,000 to 4,000 nits.
- HDR10+: HDR10+ is an HDR video technology that adds dynamic metadata to HDR10 source files. The dynamic metadata are used to adjust brightness levels on a scene-by-scene or even frame-by-frame basis. HDR10+ supports maximum of 10,000 nits peak brightness and 10-bit or more (up to 16-bit) color bit depth. It uses Samsung's dynamic metadata defined in SMPTE ST 2094-40.
- Dolby Vision: Dolby Vision is a set of technologies developed by Dolby Laboratories for high dynamic range (HDR) video. It covers content creation, distribution, and playback. Like HDR10+, it includes dynamic metadata that are used to adjust and optimize each frame of the HDR video to the consumer display's capabilities in a way specified by the content creator. Dolby Vision allows for a maximum resolution of 8K up to 12-bit color depth, maximum peak brightness of 10,000 nits and a color gamut up to Rec. 2020. It uses Dolby's proprietary dynamic metadata defined in SMPTE ST 2094-10.
- Hybrid Log-Gamma (HLG): The Hybrid Log-Gamma (HLG) is a transfer function developed mainly for HDR live video feed and over-the-air broadcasts. It is an HDR format that uses BT.2020 color primaries and a bitdepth of 10-bit. It is backward compatible with the transfer function of SDR and is designed to be better-suited for television broadcasting, where the metadata required for other HDR formats is not backward compatible with non-HDR displays. HLG defines a non-linear optical-electro transfer function, in which the lower half of the signal values use a gamma curve and the upper half of the signal values use a logarithmic curve.
Onkyo TX-RZ50 is IMAX Enhanced certified. To qualify for IMAX Enhanced certification, 4K HDR televisions, projectors, sound bars, a/v receivers, loudspeakers, powered subwoofers and other premium home entertainment devices must meet carefully prescribed performance requirements established by IMAX, DTS and Hollywood's leading experts.
- What makes an IMAX Enhanced A/V receiver different from an A/V receiver with DTS:X technology? DTS:X technology is commonly found in most multi-channel A/V receivers on the market today. All IMAX Enhanced A/V receivers include DTS:X technology and deliver additional features, such as auto-sensing of IMAX Enhanced content, via IMAX Mode. IMAX Mode indicates that your A/V receiver supports fully immersive IMAX signature sound.
- IMAX Enhanced Content: IMAX Enhanced studio partners have announced IMAX Enhanced versions of movies that exclusively feature IMAX's signature picture, sound and scale.
- Picture: Stunning, ultra-vivid 4K HDR picture that utilizes the newest, proprietary Digital Media Remastering technology (DMR) developed by IMAX. DMR accurately reduces noise and grain under the filmmaker’s guidance to best optimize the content for a much higher-quality, higher-brightness display. Without this technology, high-dynamic range content can actually look worse than what was originally seen and intended by the filmmaker.
- Sound: IMAX and DTS have partnered with award-winning Hollywood sound mixers leveraging DTS:X codec technology integrated in home audio equipment and select televisions to deliver an IMAX signature sound experience with deeper bass and more dynamic range.
- Scale: Select IMAX Enhanced titles that were shot with IMAX-certified cameras or specially formatted for IMAX theatres feature its exclusive expanded aspect ratio, enabling viewers to see the full scale and scope of the picture on 4K HDR TVs.
- Streaming Services: IMAX Enhanced is now available on the world’s biggest streaming services, including Disney+, BRAVIA CORE, Tencent, iQiyi and more.
Both receivers support Auto Low Latency Mode (ALLM), Variable Refresh Rate (VRR) and Quick Frame Transport (QFT) for lag-free and smooth gaming.
- Auto Low Latency Mode (ALLM): Auto Low Latency Mode enables the ideal latency setting to automatically be set allowing for smooth, lag-free and uninterrupted viewing and interactivity. When the receiver detects a gaming signal it will enter ALLM. The signal will also be sent to the TV causing it to automatically switch to a low-latency, low-lag mode for gaming. Some functions will not be available on the receiver and TV during ALLM.
- Variable Refresh Rate (VRR): VRR enables a gaming source such as a console or computer to deliver video frames as fast as it can, which in many cases is slower than the normal static refresh rate. It allows the TV to adapt to certain frame rate which reduces or eliminates lag, judder and frame tearing for more fluid and better detailed gameplay.
- Quick Frame Transport (QFT): QFT reduces latency for smoother no-lag gaming, and real-time interactive virtual reality. It transports each frame at a higher rate to decrease display latency, which is the amount of time between a frame being ready for transport in the GPU and that frame being completely displayed.
Inputs and Outputs
- Analog Pre-Outs: Onkyo TX-RZ50 has 11.2 and Yamaha Aventage RX-A4A has 7.2 preamplifier outputs which allow you to connect the receivers to the external power amplifiers. You may want to use a high quality external amplifier for certain channels, usually for front L/R and center, and use the receiver to power the rest. Also, Onkyo TX-RZ50 has 11 channel processing but has only 9 channel amplifier, so it needs external amplifier connected to the analog pre-outs in order to reach its maximum speaker configuration.
- Analog Line Inputs: There are 6 pair of line inputs on Onkyo TX-RZ50 and 3 pair of line inputs on Yamaha Aventage RX-A4A for connecting sources with analog outputs.
- Digital Inputs and Outputs: 1 optical input, 1 optical output and 1 coaxial input are available on Onkyo TX-RZ50 and 1 optical input, 2 optical outputs and 1 coaxial input are available on Yamaha Aventage RX-A4A for digital audio connections.
- Headphone Output: There is a 6.3 mm (1/4") headphone output jack on the front panel of each receiver.
- Onkyo TX-RZ50
Inputs: 7 (1 front) Outputs: 2 (1 Main, 1 Sub/Zone2)
8K Inputs: 7.
- Yamaha Aventage RX-A4A
Inputs: 7 Outputs: 3 (2 for MAIN, 1 for ZONE2)
8K Inputs: 7.
- Composite Video: Connect you VCR, Laserdisc player and other old video equipment with composite video cables.
- Onkyo TX-RZ50
Inputs: 2 Outputs: 0.
- Yamaha Aventage RX-A4A
Inputs: 0 Outputs: 0.
- Component Video: Component video connection gives you the higher quality video compared to the composite video connection. So in case your old DVD player and other equipment do not have an HDMI output but have Component video output use this connection over the composite one.
- Onkyo TX-RZ50 supports up to 480i/576i resolution on Component video connectors. resolution on Component video connectors.
- Onkyo TX-RZ50
Inputs: 1 Outputs: 0.
- Yamaha Aventage RX-A4A
Inputs: 0 Outputs: 0.
Front A/V Inputs
- Onkyo TX-RZ50: HDMI
- Yamaha Aventage RX-A4A: USB
Yamaha Aventage RX-A4A
And in the end let us list all the available specifications of the receivers side-by-side.
|BASICS||Onkyo TX-RZ50||Yamaha Aventage RX-A4A|
|Type||A/V Receiver||A/V Receiver|
|AMPLIFIER||Onkyo TX-RZ50||Yamaha Aventage RX-A4A|
|Front Wide Channel Support|
|Dynamic Audio Amplification|
|Non-Phase Shift Amplifier||Original 2-stage|
|VLSC (Vector Linear Shaping Circuitry)||Front L/R Channels|
|THX™ Certification||Select™ (previously known as Select2)|
|Continuous 6 Ω Rated|
|Certified 4 Ω Performance|
|Discrete Output Stage Circuitry|
|Independent Block Construction (Amp/Preprocessor)|
|BTL (Bridged Transless or Bridging)|
|AUDIO||Onkyo TX-RZ50||Yamaha Aventage RX-A4A|
|Digital Signal Processing (DSP) Engine||32-bit Digital Signal Processing Engines|
|DAC||ESS Hyperstream DAC ES9007S|
|DAC Specs||192 kHz/24 Bit||384 kHz/32 Bit|
|Maximum Channel Processing||11.2||7.1|
|Air Studios Monitor Certification|
|Dolby Atmos Height Virtualization|
|Dolby Atmos Music|
|Dolby Digital Plus|
|Dolby Surround Upmixer|
|Dolby Pro Logic|
|Dolby Digital EX|
|THX Listening Modes|
|DTS-HD Master Audio|
|DTS-HD High Resolution Audio|
|DTS-ES||Discrete 6.1, Matrix 6.1|
|Auro 3D with Auro-Matic Upmixer|
|PCM||2-ch/Multi-ch Input||2-ch/Multi-ch Input|
|Music Playback via USB||FLAC, WAV, Apple Lossless, WMA, MP3, DSD, AIFF, AAC, Dolby TrueHD||MP3, WMA, MPEG-4 AAC, Apple Lossless, WAV, FLAC, AIFF, DSD|
|High Resolution Music Playback via USB and/or Network||up to 192 kHz||up to 384 kHz/32 Bit|
|High Resolution Audio Formats via USB||FLAC, WAV, Apple Lossless, DSD, AIFF, AAC, Dolby TrueHD||Apple Lossless, WAV, FLAC, AIFF, DSD|
|DSD via HDMI||2-ch/Multi-ch Input||2-ch/Multi-ch Input|
|DSD via USB||2-ch Input||2-ch Input|
|DSD to PCM Converter|
|Jitter Reduction||PLL (Phase Locked Loop) Jitter-Cleaning Circuit Technology for S/PDIF Audio|
|DTS Dialog Control|
|Dialog Level Adjustment|
|Tone Control||All Channels|
|Compressed Music Enhancer||Advanced Music Optimizer|
|High-resolution Music Enhancer|
|Adaptive DRC (Dynamic Range Control)|
|Initial Volume & Maximum Volume Setting|
|THX Processing Mode|
|Audyssey Dynamic EQ|
|Audyssey Dynamic Volume|
|Audyssey Sub EQ HT|
|Pure Audio Mode|
|Straight Decoding Mode|
|Pure Direct Mode|
|SILENT CINEMA / Virtual CINEMA DSP|
|Virtual Speakers||T-D (Theater-Dimensional)||including surround back|
|Independent Subwoofer Outputs|
|CALIBRATION||Onkyo TX-RZ50||Yamaha Aventage RX-A4A|
|Auto Speaker Calibration System with Mic.||Dirac Live™ and AccuEQ Room Corrections||YPAO sound optimization with R.S.C., Multipoint, 3D, 64-Bit High Precision EQ Calculation, Low Frequency mode and Angle measurement|
|PEQ for SUB||Down to 15.6 Hz|
|VIDEO||Onkyo TX-RZ50||Yamaha Aventage RX-A4A|
|HLG (Hybrid Log Gamma)|
|BT.2020 color space|
|QMS (Quick Media Switching)|
|ALLM (Auto Low Latency Mode)|
|VRR (Variable Refresh Rate)|
|QFT (Quick Frame transport)|
|Video Signal Passthrough||up to 8K/60p (RGB/YCbCr4:4:4)||up to 8K 50/60Hz and 4K 100/120Hz 4:4:4|
|Video Signal Upscaling||1080p to 4K/8K and 4K to 8K||up to 4K 60p 4:4:4|
|Analog To HDMI Upconversion||Component**, Composite|
|Component Video Upscaling|
|Analog to Analog Video conversion|
|Component Video Maximum Resolution||480i/576i|
|isf Certified Calibration Control|
|CONNECTIVITY||Onkyo TX-RZ50||Yamaha Aventage RX-A4A|
|DTS Play-Fi||via Onkyo Music Control app|
|Works with Amazon Alexa|
|Works with SONOS|
|AirPlay||AirPlay 2||AirPlay 2|
|Apple Product Connection||iPod, iPhone and iPad||iPod, iPhone and iPad|
|Remote App||Onkyo Controller and Music Control apps||(iPhone® / iPad® / Android™ phone / tablet)|
|InstaPrevue Input Source Prevue|
|Bluetooth||SBC, AAC, aptX, aptX HD||SBC, AAC|
|HDMI Inputs||7 (1 front)||7|
|HDMI Outputs||2 (1 Main, 1 Sub/Zone2)||3 (2 for MAIN, 1 for ZONE2)|
|USB Input||1 (Rear)||USB memory, Portable Audio Player|
|USB DC Out Port|
|RCA Line Input||6||3|
|RCA Line Output|
|XLR Line Inputs|
|Composite Video Input||2|
|Composite Video Output|
|Component Video Input||1|
|Component Video Output|
|RCA Pre-Outs||11.2 (barter to Zone 3 Pre/Line Out)||7.2|
|Front A/V Inputs||HDMI||USB|
|Headphone Out||6.3 mm (1/4")||6.3 mm (1/4")|
|ZONES||Onkyo TX-RZ50||Yamaha Aventage RX-A4A|
|Powered Zones||2 and 3||Zone 2|
|Zone 2 Outs||HDMI, RCA Pre/Line Out (shared with Zone B Line out)||RCA Preout|
|Zone 3 Outs||RCA Pre/Line Out|
|Zone B Video Output|
|Whole House Mode|
|+12V Trigger Output||1 (MAIN, 100 mA)||2|
|Remote (IR) Input/Output||1 / 0||1 / 1|
|MISC||Onkyo TX-RZ50||Yamaha Aventage RX-A4A|
|On-Screen Display||Graphical User Interface with Overlaid On-Screen Display (OSD) via HDMI||Graphical User Interface|
|SCENE||SCENE (8 sets)|
|Web Browser Control|
|IP Control for CI|
|Display||High-resolution LCD display|
|Detachable Power Cord|
|RADIO||Onkyo TX-RZ50||Yamaha Aventage RX-A4A|
|SiriusXM Internet Radio|
|CONSTRUCTION||Onkyo TX-RZ50||Yamaha Aventage RX-A4A|
|Solid Aluminum Front|
|Large Speaker Terminals||11||9|
|Color-Coded Speaker Terminals|
|Transparent High-Grade Speaker Terminals|
|Gold plated RCA terminals|
|POWER||Onkyo TX-RZ50||Yamaha Aventage RX-A4A|
|Power Supply||AC 120 V, 60 Hz||AC 120 V, 60 Hz|
|H.C.P.S. (High Current Power Supply)||Custom High-Current Low-Noise Power Transformer|
|Power Consumption||850 W||410 W|
|No Sound Power||75 W|
|Standby Power||0.1 W||0.4 W|
|GENERAL||Onkyo TX-RZ50||Yamaha Aventage RX-A4A|
|ECO Mode / Hybrid Standby Function|
|Auto Power Standby|
|Dimensions (W x H x D)||435 mm x 201.5 mm x 398 mm|
17-1/8" x 7-15/16" x 15-11/16"
|435 mm x 191 mm x 442 mm (with antenna: 435 mm x 270 mm x 442 mm)|
17-1/8" x 7-1/2" x 17-3/8" (with antenna up: 17-1/8" x 10-5/8" x 17-3/8")
|Dimensions of Package (W x H x D)||570 mm x 335 mm x 490 mm|
22-7/16" x 13-3/16" x 19-5/16"
|Weight||14 kg (30.9 lbs)||16.2 kg (35.7 lbs)|
|Weight of Package||17.0 kg (37.5 lbs)|
|Warranty||3 Years||3 Years|
|SPECS||Onkyo TX-RZ50||Yamaha Aventage RX-A4A|
|Power Output (8 Ω, 20 Hz - 20 kHz, 2||120 W (0.08% THD)||110 W (0.06% THD)|
|Power Output (8 Ω, 1 kHz, 2||120 W (0.9% THD)|
|Rated Power Output (8 Ω, 1 kHz, 1 channel Driven)||135 W (0.9% THD)|
|Maximum Effective Output Power (8 Ω, 1 kHz, 1 channel Driven, JEITA)||165 W (10% THD)|
|Power Output (6 Ω, 1 kHz, 1 channel driven, FTC)||140 W (0.9% THD)|
|Maximum Effective Power Output (6 Ω, 1 kHz, 1 channel driven, JEITA)||250 W (10% THD)||170 W (10% THD)|
|Rated Power Output (4 Ω, 1 kHz, 1 channel Driven)||170 W (0.9% THD, Front)|
|Dynamic Power per Channel (3 Ω, Front)||250 W|
|Dynamic Power per Channel (4 Ω, Front)||220 W|
|Dynamic Power per Channel (8 Ω, Front)||130 W|
|THD||0.08% (20 Hz - 20 kHz, Half power)||0.05% (AUDIO 2 etc. to Speaker Out, 20 Hz - 20 kHz, 55 W, 8 Ω)|
|THD (Phono)||0.04% (Phono to PRE OUT, 1 kHz, 1 V)|
|Damping Factor||120 (Front, 1 kHz, 8 Ω)|
|Input Sensitivity and Impedance (Line)||200 mV/47 kΩ||220 mV/47 kΩ|
|Input Sensitivity and Impedance (Phono MM)||3.5 mV/47 kΩ||3.7 mV/47 kΩ|
|Maximum Input Sensitivity (Line)||2.4 V (1 kHz, 0.5% THD)|
|Maximum Input Sensitivity (Phono)||45 mV (1 kHz, 0.5% THD)|
|Rated Preout Level and Impedance||1 V/470 Ω||1.0 V/470 Ω|
|Maximum Preout Level and Impedance||2.0 V|
|Rated Headphone Power Output||85 mW (32 Ω, 1 kHz, 10% THD)|
|Phono Overload||70 mV (MM, 1 kHz 0.5%)|
|S/N Ratio (Line, IHF-A)||106 dB||110 dB|
|S/N Ratio (Phono MM, IHF-A)||80 dB||95 dB|
|Phono RIAA Deviation||0±0.5 dB (20 Hz - 20 kHz)|
|Frequency Response (Analog In)||5 Hz - 100 kHz/+1 dB, -3 dB (Direct/Pure Audio)||+0/-3 dB (AUDIO 2 etc. to Front, Pure Direct, 10 Hz to 100 kHz)|
|Residual Noise (IHF-A Network)||150 µV (Speaker Out)|
|Channel Separation at 1 kHz/10 kHz (LINE)||75 dB/61 dB|
|Channel Separation at 1 kHz/10 kHz (PHONO)||75 dB/60 dB|
|DSD Sampling Rates via HDMI||2.8 MHz||2.8 MHz|
|DSD Sampling Rates via USB||2.8 MHz, 5.6 MHz, 11.2 MHz||11.2 MHz, 5.6 MHz, 2.8 MHz|
|Video Input Sensitivity/Output Level and Impedance||1 Vp-p/75 Ω (Component Y)|
0.7 Vp-p/75 Ω (Component PB/CB, PR/CR)
1 Vp-p/75 Ω (Composite)
|Wi-Fi Standard||IEEE 802.11 a/b/g/n/ac||IEEE 802.11 a/b/g/n/ac|
|Wi-Fi Terminal Frequency||5 GHz, 2.4 GHz||2.4 GHz, 5 GHz|
|Bluetooth Frequency||2.4 GHz||2.4 GHz|
|USB Terminal||Ver. 2.0, 5 V, 1 A||USB2.0 5 V, 1 A|
|FM Frequency||87.5 MHz - 107.9 MHz||87.5 MHz - 107.9 MHz|
|FM 50 dB Quiet Sensitivity (IHF, 1 kHz, 100% MOD.)||Mono: 1.0 µV (11.2 dBf)||Mono: 3 µV (20.8 dBf)|
|FM S/N Ratio||Mono/Stereo: 69 dB/68 dB|
|FM Harmonic Distortion (IHF, 1 kHz)||Mono/Stereo: 0.5%/0.6%|
|AM Frequency||530 kHz - 1710 kHz||530 kHz - 1710 kHz|
* - 480i/576i and 480p/576p only
** - 480i/576i only
*** - no 1080p/24 upconversion
**** - 1080p signal is not converted