Marantz SR6014 vs Marantz SR6013 Detailed Comparison

Marantz SR6014

Marantz SR6013

SCORE:
91
SCORE:
91

Highlights

  • 9.2 channels
  • 11.2 channel processing
  • 110 W (8 Ω, 20 Hz - 20 kHz, 2 channel driven)
  • Dolby Atmos, DTS:X capable
  • HDR10, Dolby Vision, 4K Upscaling, 4K Passthrough
  • AirPlay 2, DLNA, HEOS
  • Ethernet, Wi-Fi, Bluetooth
  • USB and Phono inputs

Highlights

  • 9.2 channels
  • 11.2 channel processing
  • 110 W (8 Ω, 20 Hz - 20 kHz, 2 channel driven)
  • Dolby Atmos, DTS:X capable
  • HDR10, Dolby Vision, 4K Upscaling, 4K Passthrough
  • AirPlay 2, DLNA, HEOS
  • Ethernet, Wi-Fi, Bluetooth
  • USB and Phono inputs

Disclosure: We earn money from the affiliate links to products associated with content in this article.

Overview

Here we are comparing Marantz SR6014 to Marantz SR6013 to reveal their common strengths and weaknesses as well as the differences between them which will help you in making a correct decision before the purchase. Both receivers have 9 channel and equally powerful amplifiers.

We have evaluated both receivers. Both receivers get equal overall score in our ranking system which is based on the amplifier specifications, audio and video features, connectivity, multizone capabilities, radio and many other details.

Marantz SR6014

Marantz SR6013

AMPLIFIER
89
VIDEO FEATURES
96
AUDIO FEATURES
93
CONNECTIVITY
93
MULTIZONE
84
MISCELLANEOUS
88
RADIO
92
OVERALL
91
AMPLIFIER
89
VIDEO FEATURES
95
AUDIO FEATURES
92
CONNECTIVITY
92
MULTIZONE
84
MISCELLANEOUS
88
RADIO
92
OVERALL
91

Amplifier score is based on power ratings, minimum impedance load, power supply, transformer type, total harmonic distortion, damping factor, signal to noise ratio and other small details. Audio score depends on the number of channels, front wide channel support, maximum channel processing, support of audio formats, DAC specifications, room calibration algorithm... Video score is based on HDR, Dolby Vision and 4K passthrough, upscaling, analog to HDMI upconversion. Connectivity score is defined from all wired and wireless inputs and outputs, internet and bluetooth connections, HEOS, SONOS and others. Multizone score depends on the number of zones with their outputs. Radio score is evaluated form digital radio support and analog tuner with its frequency range, signal to noise ratio, harmonic distortion...

Advantage of Marantz SR6014

This section shows those features and specifications which are the reason to choose Marantz SR6014 over Marantz SR6013.

Marantz SR6014 has higher bluetooth standard. In video department only Marantz SR6014 supports HDCP 2.3 copy protection.

Marantz SR6014 vs Marantz SR6013
Dolby Atmos Height Virtualization vs
Auto Low Latency Mode Pass-through vs
Domotz Pro Compatible vs
Remote Monitoring with ihiji vs
OvrC Compatible vs
Newer HDCP Version 2.3 vs 2.2
Newer Bluetooth Version 4.1 vs 3.0 + EDR

Common Strengths and Weaknesses

Here we list common strengths and weaknesses of both receivers.

PROS
👍   HDAM
👍   Certified 4 Ω Performance
👍   Bi-amp Capability
👍   Many Channel Processing
👍   Dolby Atmos
👍   Dolby TrueHD
👍   Dolby Digital Plus
👍   Dolby Surround Upmixer
👍   Dolby Digital EX
👍   DTS:X
👍   DTS Neural:X
👍   DTS Virtual:X
👍   DTS-HD Master Audio
👍   DTS-HD High Resolution Audio
👍   DTS 96/24
👍   DTS Express
👍   DTS-ES
👍   IMAX Enhanced
👍   High Resolution Music Playback via USB and/or Network
👍   Gapless Playback
👍   DSD via HDMI
👍   DSD via USB
👍   DTS Dialog Control
👍   Dialog Level Adjustment
👍   Dialog Normalization
👍   Compressed Music Enhancer
👍   Audyssey Dynamic EQ
👍   Audyssey Dynamic Volume
👍   Audyssey LFC
👍   Audyssey Sub EQ HT
👍   Auto Speaker Calibration System with Mic.
👍   Audyssey App Support
👍   Optimized Bass Redirection
👍   HDR10
👍   BT.2020 color space
👍   Dolby Vision
👍   HLG
👍   3-D Ready
👍   4K or 8K Video Passthrough
👍   4K or 8K Signal Upscaling
👍   Analog To HDMI Upconversion
👍   DLNA 1.5
👍   HEOS
👍   Works with Amazon Alexa
👍   Ethernet
👍   Wi-Fi
👍   Bluetooth
👍   eARC
👍   New HDCP Version
👍   Many HDMI Inputs
👍   Many HDMI Outputs
👍   USB Input
👍   Many Analog Audio Line Inputs
👍   Phono Input
👍   Composite Video Inputs
👍   Composite Video Outputs
👍   Component Video Inputs
👍   Component Video Outputs
👍   Multi-Channel Input
👍   Analog Pre-Outs
👍   Zones
👍   Detachable Power Cord
👍   Analog Tuner
👍   Spotify
👍   Tidal
👍   Deezer
👍   Napster
CONS
👍   No Front Wide Channel Support
👍   No Auro 3D with Auro-Matic Upmixer
👍   No High-resolution Music Enhancer
👍   No HDR10+
👍   No Chromecast Built-In
👍   Does Not Work with SONOS
👍   No Pandora
👍   No SiriusXM Internet Radio

Amplifier

Marantz SR6014 and Marantz SR6013 have 9 channel amplifiers. They both deliver 110 W (8 Ω, 20 Hz - 20 kHz, 2 channel driven) and have stable performance at 4 Ω load. Since 2016 all receiver manufacturers have dropped front wide channel support and these models are no exceptions.


Video Features

Both receivers support 4K passthrough up to 60p. They both do 4K upscaling up to 60p. The receivers support HDR10, Dolby Vision.


HDR10

High-dynamic-range (HDR) video has greater dynamic range than standard-dynamic-range (SDR) video with brigter whites and deeper blacks. HDR10 was announced on August 27, 2015, by the Consumer Technology Association and uses the wide-gamut Rec. 2020 color space. It sends static metadata via video stream to the TV which calibrates its screen brightness and color according to that. HDR10 supports up to 1000 nits of brightness and 10-bit color which corresponds to 1024 shades of the primary RGB colors.


Dolby Vision

Dolby Vision is an update to HDR10 by adding dynamic metadata that can be used to more accurately adjust brightness levels up to 10,000 nits maximum brightness on a scene-by-scene or frame-by-frame basis and supports up to 12-bit color depth (4096 shades of RGB) and 8K resolution.


Dolby Atmos and Dolby Surround upmixer

Marantz SR6014 and Marantz SR6013 support Dolby Atmos with its Dolby Surround upmixer. They can be configured upto 7.1.2 or 5.1.4 channels using internal amplifiers or upto 7.1.4 channels by adding 2 channel external amplifier.

Dolby Atmos is the first cinematic audio format in which sounds exist as individual entities, called audio objects. In Dolby Atmos, any sound - the helicopter, a car screeching around a corner, a melodic bird call - can exist as an independent audio object, free of channel restrictions. They can be precisely placed and moved anywhere in your room, including overhead, to flow above and around you in three-dimensional space. Through the use of audio objects, overhead sound, and all the richness, clarity, and power of Dolby sound, Dolby Atmos turns your room into an amazing place for entertainment. You'll feel like you're inside the action, in ways you've never experienced before.

Dolby Atmos for the home represents every sound in the original cinema mix as an audio object. Extensions to the Dolby Audio™ codecs, along with an advanced scalable algorithm, allow Dolby Atmos to be delivered via Blu-ray Disc and streaming media. A spatially-coded substream is added to Dolby TrueHD or Dolby Digital Plus. A Dolby Atmos audio/video receiver (AVR) adapts the cinema experience to your home theater from seven speakers to as many as 34 in 24.1.10 configuration, recreating the original artistic concept. The format supports up to 128 simultaneous independent audio objects in a mix for rich, realistic, and breathtaking sound. It recreates the director's original concept through descriptive metadata to provide customized playback for home theater and delivers sounds above you through overhead speakers, special upward-firing Dolby Atmos speakers, or a Dolby Atmos enabled sound bar.

If the content is not mixed in Dolby Atmos then the Dolby surround upmixer will expand the audio to all channels including ceiling speakers. The upmixer has replaced the Dolby Pro Logic II family with improved upmixing algorithms.


DTS:X and Neural:X upmixer

Marantz SR6014 and Marantz SR6013 support DTS:X with its Neural:X upmixer. Both of them can be configured upto 7.1.2 or 5.1.4 channels using internal amplifiers or upto 7.1.4 channels by adding 2 channel external amplifier.

A technique used in DTS:X is similar to the one used in Dolby Atmos. Instead of a fixed number of channels, DTS:X defines object locations from the listener in polar coordinates. An a/v receiver then dynamically renders sound according to the current speaker configuration. The speaker layout employed by DTS:X is the sum of Dolby Atmos and Auro-3D. It has standard 7.1 channel base layer, a 5 channel height layer above the base layer on the front and side walls, and 3 rows of speakers on the ceiling.

DTS Neural:X is an upmixer that can take non DTS:X content and upmix it to the DTS:X speaker layout. It has replaced the DTS Neo family with improved flexibility.


Current Feedback Topology

Marantz SR6014 and Marantz SR6013 feature Current Feedback Topology which is a well known, Marantz’ original circuit technology. The Current Feedback amplifier technology fits perfectly with the high requirements set for Super Audio software providing wide-bandwidth, high-speed reproduction. The impedance at the Current Feedback point is limited resulting in a very low phase shift. Marantz receivers and amplifiers equipped with Current Feedback can keep the phase compensation via Negative FeedBack (NFB) to a minimum, resulting in high through-rate, excellent transient response and superb sonic transparency for the full bandwidth. Unlike conventional Voltage Feedback amplification, the Current Feedback amplification makes the power amplifier in-sensitive to difficult loudspeaker loads.


HDAM

Marantz SR6014 and Marantz SR6013 feature exclusive Marantz HDAM (Hyper Dynamic Amplifier Module) technology found on their Reference Series components. Marantz developed its own discrete circuit boards to replace standard IC's. These HDAM's consist of discrete surface mount components with short mirror image L/R signal paths. Those devices are doing exactly the same thing as the Op-Amps, but outperform the regular IC Op-amps dramatically in terms of the Slew Rate and reduced noise level, resulting in a much more dynamic, accurate and detailed sound. Over the years Marantz developed different types of the HDAM to improve quality and to fit to the special requirements of a product category like CD or amplifier.


MDAX2

Compressed music enhancement in Marantz SR6014 and Marantz SR6013 is done by Marantz’ MDAX2 technology. The use of compressed audio files like MP3, Windows Media™ Audio or AAC is getting more and more popular. The audio quality of these compressed files however is less than the original lossless files that are on a CD, especially lacking the higher frequencies and affecting the lower frequencies which make the audio image less wide and deep. The Marantz Digital Audio Expander 2, also called M-DAX2, recalculates the outputted frequency range. This enables you to get a more detailed and clearer sound.


Connectivity

Marantz SR6014

Marantz SR6014 can be connected to internet using ethernet cable or built-in wi-fi adapter. It can also connect to bluetooth devices via built-in bluetooth adapter. The Receiver works with Amazon Alexa and supports AirPlay 2. It has 8 HDMI inputs with HDCP 2.3 copy protection. There is a phono input with built-in phono stage for connecting the cartridge output of the turntable directly to the Receiver. There are 7.1 multi-channel analog inputs and 11.2 channel analog pre-outs for external amplification.

Front panel has HDMI, USB, Composite and L/R Audio inputs.

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Marantz SR6013

Marantz SR6013 can be connected to internet using ethernet cable or built-in wi-fi adapter. It can also connect to bluetooth devices via built-in bluetooth adapter. The Receiver works with Amazon Alexa and supports AirPlay 2. It has 8 HDMI inputs with HDCP 2.2 copy protection. There is a phono input with built-in phono stage for connecting the cartridge output of the turntable directly to the Receiver. There are 7.1 multi-channel analog inputs and 11.2 channel analog pre-outs for external amplification.

Front panel has HDMI, USB, Composite and L/R Audio inputs.

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Side by Side Comparison

And in the end let us list the detailed specifications of the receivers side-by-side.

Note: The following table shows only those details which are applicable for both models and excludes the ones that are applicable for only one model. If you want to see a full list of specs for each model please visit their individual pages here - Marantz SR6014 and here - Marantz SR6013.

BASICS Marantz SR6014 vs Marantz SR6013
BrandMarantzvsMarantz
ModelSR6014vsSR6013
TypeA/V ReceivervsA/V Receiver
CountryUKvsUK
Release Year2019vs2018
AMPLIFIER Marantz SR6014 vs Marantz SR6013
Channels9.2vs9.2
Front Wide Channel Supportvs
Current Feedback Topologyvs
Discrete Amplificationvs
HDAMvs
THX™ Certificationvs
Continuous 6 Ω Ratedvs
Certified 4 Ω Performancevs
Bi-amp Capability assignablevs assignable
AUDIO Marantz SR6014 vs Marantz SR6013
DACAKM AK4458vsAKM AK4458
Maximum Channel Processing11.2vs11.2
Air Studios Monitor Certificationvs
Dolby Atmos up to 7.1.4 with external ampvs up to 7.1.4 with external amp
Dolby Atmos Height Virtualizationvs
Dolby TrueHDvs
Dolby Digital Plusvs
Dolby Surround Upmixervs
Dolby Pro Logicvs
Dolby Digital EXvs
Surround EXvs
DTS:X up to 7.1.4 with external ampvs up to 7.1.4 with external amp
DTS Neural:Xvs
DTS Virtual:Xvs
DTS Neovs
DTS-HD Master Audiovs
DTS-HD High Resolution Audiovs
DTS 96/24vs
DTS Expressvs
DTS-ES Discrete 6.1, Matrix 6.1vs Discrete 6.1, Matrix 6.1
IMAX Enhancedvs
Auro 3D with Auro-Matic Upmixervs
PCM 2-ch/Multi-ch Inputvs 2-ch/Multi-ch Input
Music Playback via USBMP3, WMA, AAC, Apple Lossless, WAV, FLAC, DSDvsMP3, WMA, AAC, Apple Lossless, WAV, FLAC, DSD
High Resolution Music Playback via USB and/or Network up to 192 kHzvs up to 192 kHz
High Resolution Audio Formats via USBApple Lossless, WAV, FLAC, DSDvsApple Lossless, WAV, FLAC, DSD
Multi-Channel Music File Playback via USBvs
Gapless Playbackvs
DSD via HDMI 2-ch/Multi-ch Inputvs 2-ch/Multi-ch Input
DSD via USB 2-ch Inputvs 2-ch Input
DSD to PCM Convertervs
USB DACvs
Jitter Reduction Hybrid PLL Clock Jitter Reducervs Hybrid PLL Clock Jitter Reducer
DTS Dialog Controlvs
Dialog Enhancementvs
Dialog Level Adjustmentvs
Dialog Normalizationvs
Dialogue Liftvs
Compressed Music Enhancer MDAX2vs MDAX2
High-resolution Music Enhancervs
Audyssey Dynamic EQvs
Audyssey Dynamic Volumevs
Audyssey LFCvs
Audyssey Sub EQ HTvs
Audyssey DSXvs
Direct Modevs
Pure Direct Modevs
Independent Dual Subwoofer Outputvs
CALIBRATION Marantz SR6014 vs Marantz SR6013
Auto Speaker Calibration System with Mic. Audyssey MultEQ XT32vs Audyssey MultEQ XT32
Audyssey App Supportvs
Optimized Bass Redirectionvs
Bass Syncvs
VIDEO Marantz SR6014 vs Marantz SR6013
HDR10vs
HDR10+vs
BT.2020 color spacevs
Dolby Visionvs
HLG (Hybrid Log Gamma)vs
QMS (Quick Media Switching)vs
ALLM (Auto Low Latency Mode)vs
VRR (Variable Refresh Rate)vs
QFT (Quick Frame transport)vs
3-D Readyvs
Video Signal Passthroughup to 4K 50/60Hz 4:4:4vsup to 4K 50/60Hz 4:4:4
Video Signal Upscaling up to 4K 50/60Hz 4:4:4vs up to 4K 50/60Hz 4:4:4
Analog To HDMI Upconversion Component**, Compositevs Component**, Composite
Component Video Upscalingvs
Analog to Analog Video conversionvs
isf Certified Calibration Controlvs
CONNECTIVITY Marantz SR6014 vs Marantz SR6013
MHL Inputvs
DLNA 1.5vs
FireConnectvs
FlareConnectvs
Domotz Pro Compatiblevs
Remote Monitoring with ihijivs
OvrC Compatiblevs
HEOSvs
Chromecast Built-Invs
DTS Play-Fivs
Works with Amazon Alexavs
Works with SONOSvs
AirPlay AirPlay 2vs AirPlay 2
Apple Product Connection iPod, iPhone and iPadvs iPod, iPhone and iPad
Remote App Marantz 2016 AVR Remote App for iOS and Android devicesvs Marantz 2016 AVR Remote App for iOS and Android devices
InstaPrevue Input Source Prevuevs
Ethernetvs
Ethernet Switchvs
Wi-Fivs
Bluetooth SBCvs SBC
HDBaseT Compatiblevs
Enhanced ARCvs
HDCP Version2.3vs2.2
HDMI Input8 (1 front)vs8 (1 front)
HDMI Output3 (2 for MAIN, 1 for ZONE2)vs3 (2 for MAIN, 1 for ZONE2)
USB Input1 (Front) for USB memoryvs1 (Front) for USB memory
USB DC Out Portvs
Analog Audio Line Input6 (1 front)vs6 (1 front)
Analog Audio Line Outputvs
Phono Inputvs
Optical In2vs2
Optical Outvs
Coaxial In/Out2 / vs2 /
Composite Video Input4 (1 front)vs4 (1 front)
Composite Video Output1vs1
S-Video Inputvs
S-Video Outputvs
Component Video Input2vs2
Component Video Output1vs1
PC Invs
Multi-Channel Input 7.1vs 7.1
Analog Pre-Outs11.2vs11.2
XLR Inputsvs
XLR Pre-outsvs
Front A/V InputsHDMI, USB, Composite, L/R AudiovsHDMI, USB, Composite, L/R Audio
Speaker A/B assignablevs assignable
Headphone Out 6.3 mmvs 6.3 mm
ZONES Marantz SR6014 vs Marantz SR6013
Zones2vs2
Powered Zones 2vs 2
Zone 2HDMI, Pre OutvsHDMI, Pre Out
RS-232vs
+12V Trigger Output1vs1
MISC Marantz SR6014 vs Marantz SR6013
On-Screen Display Advanced Graphic User Interfacevs Advanced Graphic User Interface
GUI Languages9vs9
Web Browser Controlvs
IP Control for CIvs
FL Display port holevs port hole
Remote ControllerRC035SRvsRC035SR
Pre-programmed / Learnable / LCD Display / / vs / /
Detachable Power Cordvs
Flasher Invs
Remote Control In/Out1 / 1vs1 / 1
Setup Assistantvs
RADIO Marantz SR6014 vs Marantz SR6013
Analog Tuner FM/AM with RDSvs FM/AM with RDS
Digital Radiovs
Internet Radio TuneInvs TuneIn
Pandoravs
Spotifyvs
Tidalvs
Deezervs
Napstervs
SiriusXM Internet Radiovs
CONSTRUCTION Marantz SR6014 vs Marantz SR6013
Front PanelMetalvsMetal
Speaker Terminals11vs11
Large Speaker Terminals11vs11
Color-Coded Speaker Terminalsvs
Transparent High-Grade Speaker Terminalsvs
High Grade Audio Componentsvs
Gold plated RCA terminalsvs
POWER Marantz SR6014 vs Marantz SR6013
Power SupplyAC 230 V, 50/60 HzvsAC 230 V, 50/60 Hz
Toroidal Transformer (EI)vs (EI)
Power Consumption680 Wvs680 W
No Sound PowerECO On/Off: 50 W/80 WvsECO On/Off: 60 W/100 W
Standby Power0.2 Wvs0.2 W
GENERAL Marantz SR6014 vs Marantz SR6013
ECO Mode / Hybrid Standby Functionvs
Auto Power offvs
Dimensions (W x H x D)440 mm x 161 mm x 398 mm (with antenna: 440 mm x 229 mm x 398 mm)
17-3/8" x 6-3/8" x 15-3/4" (with antenna: 17-3/8" x 9-1/8" x 15-3/4")
vs440 mm x 161 mm x 398 mm (with antenna: 440 mm x 229 mm x 398 mm)
17-3/8" x 6-3/8" x 15-3/4" (with antenna: 17-3/8" x 9-1/8" x 15-3/4")
Weight12.8 kg (28 lbs 4 oz)vs12.8 kg (28 lbs 4 oz)
Warranty3 Yearsvs3 Years
SPECS Marantz SR6014 vs Marantz SR6013
Power Output (8 Ω, 20 Hz - 20 kHz, 2110 W (0.08% THD)vs110 W (0.08% THD)
Power Output (6 Ω, 1 kHz, 2150 W (0.7% THD)vs150 W (0.7% THD)
Maximum Effective Power Output (6 Ω, 1 kHz, 1 channel driven, JEITA)220 W (10% THD)vs220 W (10% THD)
Rated Power Output (6 Ω, 1 kHz, 1 channel driven, IEC)185 W (1% THD)vs185 W (1% THD)
THD digital0.008% (1 kHz, at 0 dB)vs0.008% (1 kHz, at 0 dB)
Analog Distortion0.005% (20 Hz-20 kHz, Direct mode)vs0.005% (20 Hz-20 kHz, Direct mode)
Phono Distortion0.03% (1 kHz, 3 V)vs0.03% (1 kHz, 3 V)
Input Sensitivity and Impedance (Line)200 mV/47 kΩvs200 mV/47 kΩ
Input Sensitivity and Impedance (Phono MM)2.5 mVvs2.5 mV
Rated Output digital2 V (at 0 dB playback)vs2 V (at 0 dB playback)
S/N Ratio (Line, IHF-A)100 dBvs100 dB
S/N Ratio (Phono MM, IHF-A)74 dBvs74 dB
S/N Ratio (digital)102 dBvs102 dB
Dynamic Range (digital)100 dBvs100 dB
Phono RIAA Deviation±1 dB (20 Hz to 20 kHz)vs±1 dB (20 Hz to 20 kHz)
Frequency Response (Analog In)+1/-3 dB (10 Hz to 100 kHz, Direct mode)vs+1/-3 dB (10 Hz to 100 kHz, Direct mode)
DSD Sampling Rates via HDMI2.8 MHzvs2.8 MHz
DSD Sampling Rates via USB5.6 MHz, 2.8 MHzvs5.6 MHz, 2.8 MHz
Video Input Sensitivity/Output Level and Impedance1 Vp-p/75 Ω (Component Y)
0.7 Vp-p/75 Ω (Component PB/CB, PR/CR)
1 Vp-p/75 Ω (Composite)
vs1 Vp-p/75 Ω (Component Y)
0.7 Vp-p/75 Ω (Component PB/CB, PR/CR)
1 Vp-p/75 Ω (Composite)
Video Frequency Response5 Hz - 60 MHz, 0, -3 dB (Component)
5 Hz - 10 MHz, 0, -3 dB (Composite)
vs5 Hz - 60 MHz, 0, -3 dB (Component)
5 Hz - 10 MHz, 0, -3 dB (Composite)
Ethernet Standard100BASE-TXvs100BASE-TX
Wi-Fi StandardIEEE 802.11 a/b/g/nvsIEEE 802.11 a/b/g/n
Wi-Fi Terminal Frequency5 GHz, 2.4 GHzvs5 GHz, 2.4 GHz
Bluetooth Version4.1vs3.0 + EDR
Bluetooth Frequency2.4 GHzvs2.4 GHz
USB TerminalUSB2.0 5V, 1 AvsUSB2.0 5V, 1 A
FM Frequency87.5 MHz - 108.0 MHzvs87.5 MHz - 108.0 MHz
FM 50 dB Quiet Sensitivity (IHF, 1 kHz, 100% MOD.)Mono: 2.8 µV (20.2 dBf)vsMono: 2.8 µV (20.2 dBf)
FM Effective Sensitivity1.2 µV (12.8 dBf)vs1.2 µV (12.8 dBf)
FM S/N RatioMono/Stereo: 70 dB/67 dBvsMono/Stereo: 70 dB/67 dB
FM Harmonic Distortion (IHF, 1 kHz)Mono/Stereo: 0.7%/1.0%vsMono/Stereo: 0.7%/1.0%
AM Frequency522 kHz - 1611 kHzvs522 kHz - 1611 kHz
AM Effective Sensitivity18 µVvs18 µV

* - 480i/576i and 480p/576p only
** - 480i/576i only
*** - no 1080p/24 upconversion
**** - 1080p signal is not converted

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