Anthem MRX 540 8K vs Yamaha RX-A8A

Here we are comparing Anthem MRX 540 8K to Yamaha RX-A8A to reveal their common strengths and weaknesses as well as the differences between them which will help you in making a correct decision before the purchase. The Anthem MRX 540 8K has 5 channel and the Yamaha RX-A8A has 11 channel amplifiers with Anthem MRX 540 8K's being less powerful.

Anthem MRX 540 8K	Yamaha RX-A8A
Anthem MRX 540 8K was introduced in 2021. It is equipped with 5 channel amplifier with 100 W (8 Ω, 1 kHz, 2 channel driven) power per channel and is capable of 7.1 maximum channel processing. It supports Dolby Atmos and DTS:X, passes 8K/60Hz and 4K/120Hz video signal.	Yamaha RX-A8A was introduced in 2021 and represents a current flagship model of a manufacturer. It is equipped with 11 channel amplifier with 150 W (8 Ω, 20 Hz - 20 kHz, 2 channel driven) power per channel and is capable of 11.2 maximum channel processing. It supports Dolby Atmos, DTS:X and Auro-3D, passes 8K/60Hz and 4K/120Hz and upscales up to 4K 60p 4:4:4 video signal.

We evaluated Anthem MRX 540 8K and Yamaha RX-A8A and gave them scores of 87 and 95 out of 100 recpectively. Our ranking system is based on the amplifier specifications, audio and video features, connectivity, multizone capabilities, radio and many other details.

For more details about the ranking please go to    Evaluations section.

This section shows those features and specifications which are the reason to choose Anthem MRX 540 8K over Yamaha RX-A8A.

	Anthem MRX 540 8K	vs	Yamaha RX-A8A
Higher DAC Specs	768 kHz/32 Bit	vs	384 kHz/32 Bit
DTS Virtual:X		vs
IMAX Enhanced		vs
Chromecast Built-In		vs
More Optical Outputs	1	vs
More RCA Line Outputs	1	vs
RS-232C Interface		vs
+12V Trigger Output	3	vs	2
Higher Maximum Preout Level and Impedance	5.2 VRMS, 7.1 VRMS	vs	2.0 V unbalanced 4.0 V balanced

This section shows those features and specifications which are the reason to choose Yamaha RX-A8A over Anthem MRX 540 8K.

	Anthem MRX 540 8K	vs	Yamaha RX-A8A
More Channels	5.2	vs	11.2
Higher Power Output	100 W (8 Ω, 1 kHz, 2 channel driven)	vs	150 W (8 Ω, 20 Hz - 20 kHz, 2 channel driven)
More Channel Processing	7.1	vs	11.2
Dolby Atmos Height Virtualization		vs
Auro 3D with Auro-Matic Upmixer		vs
DSD via HDMI		vs	2-ch/Multi-ch Input
DSD via USB		vs	2-ch Input
Independent Subwoofer Outputs		vs
Works with Amazon Alexa		vs
Google Assistant		vs
Apple Siri		vs
More HDMI Outputs	2	vs	3 (2 for MAIN, 1 for ZONE2/4)
USB Input	for factory service	vs	USB memory, Portable Audio Player
More RCA Line Inputs	4	vs	5
XLR Line Inputs		vs	1
More RCA Pre-Outs	7.2	vs	11.2
XLR Pre-outs		vs	Front L/R
More Composite Video Inputs		vs	2
More Component Video Inputs		vs	1
Front A/V Inputs		vs	USB
More Zones	1	vs	4
Remote (IR) Input/Output	1 / 0	vs	1 / 1
Tidal		vs
Deezer		vs
Napster		vs
More Speaker Terminals	5	vs	13
More Large Speaker Terminals	5	vs	13
Bigger Power Supply	365 W	vs	600 W
Higher Power Output (8 Ω, 1 kHz, 2 channel Driven, FTC)	100 W (1% THD)	vs	165 W (0.9% THD)

We already listed pros and cons of each model. However, you may also find useful to look at their common strengths and weaknesses shown side-by-side.

STRENGTHS	Anthem MRX 540 8K	Yamaha RX-A8A
Dolby Atmos
DTS:X
Auto Speaker Calibration System with Mic.	Anthem Room Correction (ARC Genesis)	YPAO sound optimization with R.S.C., Multipoint, 3D, 64-Bit High Precision EQ Calculation, Low Frequency mode and Angle measurement
HDR10
HDR10+
Dolby Vision
HDMI Version	2.1	2.1
eARC
New HDCP Version	2.3	2.3
Auto Low Latency Mode Pass-through
VRR
QFT
8K Passthrough	up to 8K 50/60Hz and 4K 100/120Hz 4:4:4	up to 8K 50/60Hz and 4K 100/120Hz 4:4:4
Wi-Fi
Bluetooth		SBC, AAC
Many HDMI Inputs	7	7
Many 8K Inputs	7	7
Phono Input
RCA Pre-Outs	7.2	11.2
Ethernet
Analog Tuner		FM/AM
Spotify

WEAKNESSES	Anthem MRX 540 8K	Yamaha RX-A8A
No Front Wide Channel Support
No Digital Radio
No Pandora

Anthem MRX 540 8K	Yamaha RX-A8A
5 channel Class A/B Amplifier: Anthem MRX 540 8K features 5 channel power amplifier with Class A/B design on Channels 1-5 and Class D design on the rest. It is rated at 100 W (8 Ω, 1 kHz, 2 channel driven) and is able to drive 4 ohm speakers.	11 channel Amplifier: Yamaha RX-A8A features 11 channel power amplifier. It is rated at 150 W (8 Ω, 20 Hz - 20 kHz, 2 channel driven) and is able to drive 4 ohm speakers.

AMPLIFIER	Anthem MRX 540 8K	Yamaha RX-A8A
Channels	5.2	11.2
Power Output	100 W (8 Ω, 1 kHz, 2 channel driven)	150 W (8 Ω, 20 Hz - 20 kHz, 2 channel driven)
Front Wide Channel Support
THX™ Certification
Continuous 6 Ω Rated
Certified 4 Ω Performance
Bi-amp Capability

Anthem MRX 540 8K's and Yamaha RX-A8A's amplifiers can be assigned for different speaker configurations.

• Dolby Atmos Configurations: The following speaker configurations are supported for Dolby Atmos:
Anthem MRX 540 8K: 3.1.2 with internal amplifier.
Yamaha RX-A8A: 5.2.2, 5.2.4, 7.2.2, 7.2.4 with internal amplifier.
• DTS:X Configurations: The following speaker configurations are supported for DTS:X:
Anthem MRX 540 8K: The speaker configurations for DTS:X are the same as for Dolby Atmos - 3.1.2 with internal amplifier.
Yamaha RX-A8A: The speaker configurations for DTS:X are the same as for Dolby Atmos - 5.2.2, 5.2.4, 7.2.2, 7.2.4 with internal amplifier.
• Configurations without height channels: There are also other speaker configurations available which do not include height channels:
Anthem MRX 540 8K: 5.2 with internal amplifier and 7.2 with addition of external 2 channel amplifier.
Yamaha RX-A8A: 5.2, 7.2 with internal amplifier.
• 2-ch Bi-Amp: Both models are able to bi-amp up to 2 main channels simultaneously. During bi-amplification two amplifiers are used for one speaker. One amplifier powers the midrange and tweeter section of the speaker and another amplifier powers the low frequency woofers. Each amplifier is less loaded and performs better. In order to use this feature speakers must have 2 pairs of connectors.

Dolby Atmos

Anthem MRX 540 8K and Yamaha RX-A8A support Dolby Atmos.

• Dolby Surround Upmixer: Both models support Dolby Surround Upmixer. If the content is not mixed in Dolby Atmos then the Dolby surround upmixer will expand the audio to all channels including ceiling speakers. The upmixer has replaced the Dolby Pro Logic II family with improved upmixing algorithms.
• Dolby Atmos Height Virtualization: Yamaha RX-A8A supports Dolby Atmos Height Virtualization which is a digital signal processing solution that leverages Dolby's deep understanding of human audio perception to create the sensation of overhead sound from the listener-level speakers.

DTS:X

Anthem MRX 540 8K and Yamaha RX-A8A support DTS:X.

• DTS Neural:X: Both models feature DTS Neural:X which is an advanced upmixer that can take non DTS:X content and upmix it to the DTS:X speaker layout. It has replaced the DTS Neo family with improved flexibility.
• DTS Virtual:X: Anthem MRX 540 8K supports DTS Virtual:X which bridges the gap between DTS:X codec and the reality of so many consumers' homes, allowing you to enjoy multi-dimensional sound regardless of room size, layout, or speaker configuration. If you have a limited speaker setup you will miss a full immersive potential of your entertainment system. DTS Virtual:X adds height and surround audio effect to your system without adding height speakers. It works with multiple configurations and delivers immersive sound experience out of 5.1 or even 2.1 speaker layouts.
• DTS Dialog Control: Both models have DTS Dialog Control. This function adjusts the dialog levels during playback of the DTS:X stream. It allows you to separately increase the dialog levels in contrast with the background sound and hear dialog easily even under noisy circumstances.

Auro-3D

Yamaha RX-A8A supports Auro-3D.

• Auro-Matic upmixer: Auro-Matic upmixer takes non Auro-3D sound and upmixes to the current speaker configuration.

IMAX Enhanced

Anthem MRX 540 8K is IMAX Enhanced certified. To qualify for IMAX Enhanced certification, 4K HDR televisions, projectors, sound bars, a/v receivers, loudspeakers, powered subwoofers and other premium home entertainment devices must meet carefully prescribed performance requirements established by IMAX, DTS and Hollywood's leading experts.

• What makes an IMAX Enhanced A/V receiver different from an A/V receiver with DTS:X technology? DTS:X technology is commonly found in most multi-channel A/V receivers on the market today. All IMAX Enhanced A/V receivers include DTS:X technology and deliver additional features, such as auto-sensing of IMAX Enhanced content, via IMAX Mode. IMAX Mode indicates that your A/V receiver supports fully immersive IMAX signature sound.

AUDIO DECODING	Anthem MRX 540 8K	Yamaha RX-A8A
Dolby Atmos
Dolby Atmos Height Virtualization
Dolby Atmos Music
Dolby TrueHD
Dolby Digital Plus
Dolby Surround Upmixer
Dolby Pro Logic
DTS:X
DTS Neural:X
DTS Virtual:X
DTS Neo
DTS-HD Master Audio
DTS-HD High Resolution Audio
DTS 96/24
IMAX Enhanced
Auro 3D with Auro-Matic Upmixer

Anthem MRX 540 8K comes with 7 HDMI 2.1 inputs with 8K support. It has 2 outputs which work parallelly and output the same signal.

Yamaha RX-A8A comes with 7 HDMI 2.1 inputs with 8K support. It has 3 outputs - 2 for MAIN and 1 for ZONE2/4.

• 8K/60Hz and 4K/120Hz Passthrough: On both receivers all inputs pass up to 8K 50/60Hz and 4K 100/120Hz 4:4:4 video signal.
• 4K Upscaling on Yamaha RX-A8A: It can upscale up to 4K 60p 4:4:4 from HDMI and analog sources.
• Analog To HDMI Upconversion: Yamaha RX-A8A supports analog to HDMI Upconversion, so you can input your analog video sources and output them digitally via HDMI. This means that you will need only one HDMI cable to connect to your TV.
• BT.2020 Color Space: BT.2020 or Rec. 2020 is a color standard which delivers a wider color gamut compared to Rec. 709. It covers approximately 75% of the total visual spectrum while the Rec. 709 covers only 35% (available on both models).
• HDCP 2.3 Copy Protection: Both receivers are HDCP 2.3 compliant which is a requirement for 4K/HDR copy-protected content transmission.
• Quick Media Switching (QMS): With HDMI 2.1a, Quick Media Switching for movies and video uses the HDMI VRR mechanism to eliminate the blackout period when an HDMI Source device switches its video mode. As long as the resolution remains the same and only the frame rate changes, QMS will instantly switch between frame rates. QMS eliminates A/V blackouts by using VRR technology to change frame rates, allowing instant changes from 24Hz to 60Hz frame rate, and anywhere in-between. The viewer never sees blank screens and gets a seamless experience (available on Yamaha RX-A8A only).
• 3D Ready: Both receivers are able to pass 3D video through HDMI.

HDR (High Dynamic Range)

Both receivers support HDR10, HDR10+, Dolby Vision and Hybrid Log-Gamma. High dynamic range video has greater dynamic range than standard dynamic range (SDR) video with brighter whites and deeper blacks. The result is greater contrast and more details in dark and bright areas, better color and depth.

Enhanced Audio Return Channel (eARC)

Anthem MRX 540 8K and Yamaha RX-A8A support Audio Return Channel (ARC) which allows the compatible TV to send audio signal to the a/v receiver through the same HDMI cable which is used to send audio and video signals to the TV. So one HDMI cable is used to transfer audio signal in both directions. New Enhanced ARC will support uncompressed audio formats such as Dolby Atmos, DTS:X, Dolby TrueHD and DTS HD Master Audio whereas the previous ARC could support only Dolby Digital, Dolby Digital Plus, DTS, DTS HD, and PCM.

Gaming Features

Both receivers support Auto Low Latency Mode (ALLM), Variable Refresh Rate (VRR) and Quick Frame Transport (QFT) for lag-free and smooth gaming.

VIDEO FEATURES	Anthem MRX 540 8K	Yamaha RX-A8A
HDR10
HDR10+
Dynamic HDR
BT.2020 color space
Dolby Vision
HLG (Hybrid Log Gamma)
HDMI Version	2.1	2.1
Enhanced Audio Return Channel (eARC)
HDCP Version	2.3	2.3
ALLM (Auto Low Latency Mode)
VRR (Variable Refresh Rate)
QFT (Quick Frame transport)
3-D Ready
Video Signal Passthrough	up to 8K 50/60Hz and 4K 100/120Hz 4:4:4	up to 8K 50/60Hz and 4K 100/120Hz 4:4:4

TERMINALS	Anthem MRX 540 8K	Yamaha RX-A8A
HDMI Inputs	7	7
HDMI Outputs	2	3 (2 for MAIN, 1 for ZONE2/4)
8K Inputs	7	7
USB Input	for factory service	USB memory, Portable Audio Player
USB DC Out Port
Optical Inputs	3	3
Optical Outputs	1
Coaxial Inputs	2	2
RCA Line Inputs	4	5
RCA Line Outputs	1
XLR Line Inputs		1
Phono Input
Multi-Channel Input
RCA Pre-Outs	7.2	11.2
XLR Pre-outs		Front L/R
Composite Video Inputs		2
Composite Video Outputs
S-Video Inputs
S-Video Outputs
Component Video Inputs		1
Component Video Outputs

GENERAL	Anthem MRX 540 8K	Yamaha RX-A8A
Brand	Anthem	Yamaha
Series		Aventage
Model	MRX 540 8K	RX-A8A
Type	A/V Receiver	A/V Receiver
Country	North America	China
Release Year	2021	2021
Predecessor		Yamaha RX-A3080

AMPLIFIER	Anthem MRX 540 8K	Yamaha RX-A8A
Channels	5.2	11.2
Power Output	100 W (8 Ω, 1 kHz, 2 channel driven)	150 W (8 Ω, 20 Hz - 20 kHz, 2 channel driven)
Front Wide Channel Support
Amplifier Design	Class A/B on Channels 1-5 and Class D on the rest
THX™ Certification
Continuous 6 Ω Rated
Certified 4 Ω Performance
Bi-amp Capability

AUDIO FEATURES	Anthem MRX 540 8K	Yamaha RX-A8A
Digital Signal Processing (DSP) Engine	Next-Generation DSP Platform
Surround:AI™
DAC		ESS Hyperstream DAC ES9026PRO x2
DAC Specs	768 kHz/32 Bit	384 kHz/32 Bit
Maximum Channel Processing	7.1	11.2
Air Studios Monitor Certification
Dolby Atmos
Dolby Atmos Height Virtualization
Dolby Atmos Music
Dolby TrueHD
Dolby Digital Plus
Dolby Surround Upmixer
Dolby Pro Logic
Dolby Digital EX
DTS:X
DTS Neural:X
DTS Virtual:X
DTS Neo
DTS-HD Master Audio
DTS-HD High Resolution Audio
DTS 96/24
DTS Express
DTS-ES		Discrete 6.1, Matrix 6.1
IMAX Enhanced
Auro 3D with Auro-Matic Upmixer
PCM	2-ch/Multi-ch Input	2-ch/Multi-ch Input
Network Audio Formats		MP3, WMA, MPEG-4 AAC, Apple Lossless, WAV, FLAC, AIFF, DSD
Music Playback via USB		MP3, WMA, MPEG-4 AAC, Apple Lossless, WAV, FLAC, AIFF, DSD
High Resolution Music Playback via USB and/or Network		up to 384 kHz/32 Bit
High Resolution Audio Formats via USB		Apple Lossless, WAV, FLAC, AIFF, DSD
Gapless Playback
DSD via HDMI		2-ch/Multi-ch Input
DSD via USB		2-ch Input
DSD to PCM Converter
USB DAC
Jitter Reduction		Ultra Low Jitter PLL
DTS Dialogue Control
Dialog Level Adjustment
Dialog normalization
Dialogue Lift
Compressed Music Enhancer
High-resolution Music Enhancer
Adaptive DRC (Dynamic Range Control)
Initial Volume & Maximum Volume Setting
Audyssey Dynamic EQ
Audyssey Dynamic Volume
Audyssey LFC
Audyssey Sub EQ HT
Audyssey DSX
Straight Decoding Mode
Pure Direct Mode
CINEMA DSP		HD3
DSP Programs		24
SILENT CINEMA / Virtual CINEMA DSP
Virtual Speakers		including surround back
Independent Subwoofer Outputs

CALIBRATION	Anthem MRX 540 8K	Yamaha RX-A8A
Auto Speaker Calibration System with Mic.	Anthem Room Correction (ARC Genesis)	YPAO sound optimization with R.S.C., Multipoint, 3D, 64-Bit High Precision EQ Calculation, Low Frequency mode and Angle measurement
YPAO Volume
PEQ for SUB		Down to 15.6 Hz

VIDEO FEATURES	Anthem MRX 540 8K	Yamaha RX-A8A
HDR10
HDR10+
Dynamic HDR
BT.2020 color space
Dolby Vision
HLG (Hybrid Log Gamma)
HDMI Version	2.1	2.1
HDBaseT Compatible
Enhanced Audio Return Channel (eARC)
HDCP Version	2.3	2.3
QMS (Quick Media Switching)
ALLM (Auto Low Latency Mode)
VRR (Variable Refresh Rate)
QFT (Quick Frame transport)
3-D Ready
Video Signal Passthrough	up to 8K 50/60Hz and 4K 100/120Hz 4:4:4	up to 8K 50/60Hz and 4K 100/120Hz 4:4:4
Video Signal Upscaling		up to 4K 60p 4:4:4
Analog To HDMI Upconversion		Component****, Composite
Component Video Upscaling
Analog to Analog Video conversion
Component Video Maximum Resolution		1080i
isf Certified Calibration Control

CONNECTIVITY	Anthem MRX 540 8K	Yamaha RX-A8A
Wi-Fi
Bluetooth		SBC, AAC
Works with Amazon Alexa
Google Assistant
Chromecast Built-In
Apple Siri
Works with SonoS
DTS Play-Fi
MHL Input
MusicCast
AirPlay	AirPlay 2	AirPlay 2
Apple Product Connection	iPod, iPhone and iPad	iPod, iPhone and iPad
Remote App	Anthem Remote App	(iPhone® / iPad® / Android™ phone / tablet)
InstaPrevue Input Source Prevue

TERMINALS	Anthem MRX 540 8K	Yamaha RX-A8A
HDMI Inputs	7	7
HDMI Outputs	2	3 (2 for MAIN, 1 for ZONE2/4)
8K Inputs	7	7
USB Input	for factory service	USB memory, Portable Audio Player
USB DC Out Port
Optical Inputs	3	3
Optical Outputs	1
Coaxial Inputs	2	2
RCA Line Inputs	4	5
RCA Line Outputs	1
XLR Line Inputs		1
Phono Input
Multi-Channel Input
RCA Pre-Outs	7.2	11.2
XLR Pre-outs		Front L/R
Composite Video Inputs		2
Composite Video Outputs
S-Video Inputs
S-Video Outputs
Component Video Inputs		1
Component Video Outputs
Ethernet
Ethernet Switch
PC In
Front A/V Inputs		USB
Speaker A/B
Headphone Out	6.3 mm (1/4")	6.3 mm (1/4")
Detachable Power Cord
dockport

ZONES	Anthem MRX 540 8K	Yamaha RX-A8A
Number of Zones	1	4
Powered Zones		Zone 2 / 3
Zone 2 Outs		HDMI, RCA Preout
Zone 3 Outs		RCA Preout
Zone 4 Outs		HDMI
Zone B Video Output		HDMI
Zone GUI
RS-232C Interface
+12V Trigger Output	3	2
Remote (IR) Input/Output	1 / 0	1 / 1
Party Mode

MISCELLANEOUS	Anthem MRX 540 8K	Yamaha RX-A8A
On-Screen Display		Graphical User Interface
SCENE		SCENE (8 sets)
Web Control
IP Control
PreAmp Mode
Display		High-resolution LCD display

RADIO	Anthem MRX 540 8K	Yamaha RX-A8A
Analog Tuner		FM/AM
Presets		40
Digital Radio
Internet Radio
Pandora
Spotify
Tidal
Deezer
Napster
SiriusXM

CONSTRUCTION	Anthem MRX 540 8K	Yamaha RX-A8A
A.R.T. Wedge
Speaker Terminals	5	13
Large Speaker Terminals	5	13
Color-Coded Speaker Terminals
Gold plated RCA terminals

POWER	Anthem MRX 540 8K	Yamaha RX-A8A
Power Supply	AC 120 V, 60 Hz	AC 220 V, 50 Hz
Toroidal Transformer
Power Consumption	365 W	600 W
Standby Power	0.3 W	0.4 W
ECO Mode / Hybrid Standby Function
Auto Power Standby

PHYSICAL	Anthem MRX 540 8K	Yamaha RX-A8A
Dimensions (W x H x D)	431.8 mm x 152.4 mm x 364 mm 17" x 6" x 14-1/2" x	435 mm x 192 mm x 477 mm (with antenna: 435 mm x 271 mm x 477 mm) 17-1/8" x 7-1/2" x 18-3/4" (with antenna up: 17-1/8" x 10-5/8" x 18-3/4")
Weight	12.8 kg (28.2 lbs)	21.4 kg (47.2 lbs)

SPECIFICATIONS	Anthem MRX 540 8K	Yamaha RX-A8A
Power Output (8 Ω, 20 Hz - 20 kHz, 2 channel driven, FTC)		150 W (0.06% THD)
Power Output (8 Ω, 1 kHz, 2 channel Driven, FTC)	100 W (1% THD)	165 W (0.9% THD)
Rated Power Output (8 Ω, 1 kHz, 1 channel Driven)		185 W (0.9% THD)
Maximum Effective Output Power (8 Ω, 1 kHz, 1 channel Driven, JEITA)		220 W (10% THD)
Power Output (6 Ω, 1 kHz, 2 channel driven, FTC)	130 W (1% THD)
Power Output (6 Ω, 1 kHz, 1 channel driven, FTC)		200 W (0.9% THD)
Maximum Effective Power Output (6 Ω, 1 kHz, 1 channel driven, JEITA or IEC)		250 W (10% THD)
Rated Power Output (4 Ω, 1 kHz, 1 channel Driven)		230 W (0.9% THD, Front)
THD		0.05% (AUDIO 2 etc. to Speaker Out, 20 Hz - 20 kHz, 75 W, 8 Ω)
THD (Phono)		0.04% (Phono to PRE OUT, 1 kHz, 1 V)
Damping Factor		140 (Front, 1 kHz, 8 Ω)
Input Sensitivity and Impedance (Line)		250 mV/47 kΩ unbalanced 260 mV/200 kΩ balanced (attenuator off) 520 mV/200 kΩ balanced (attenuator on)
Input Sensitivity and Impedance (Phono MM)		4.5 mV/47 kΩ
Maximum Input Sensitivity (Line)		2.4 V (1 kHz, 0.5% THD) unbalanced 2.4 V (1 kHz, 0.5% THD) balanced (attenuator off) 4.8 V balanced (attenuator on)
Maximum Input Sensitivity (Phono)		45 mV (1 kHz, 0.5% THD)
Rated Preout Level and Impedance		1.0 V/470 Ω unbalanced 2.0 V/470 Ω balanced
Maximum Preout Level and Impedance	5.2 VRMS, 7.1 VRMS	2.0 V unbalanced 4.0 V balanced
Rated Headphone Jack Output Level and Impedance	32 Ω - 600 Ω
S/N Ratio (Line, IHF-A)	110 dB	110 dB
S/N Ratio (Phono MM, IHF-A)		95 dB
Phono RIAA Deviation		0±0.5 dB (20 Hz - 20 kHz)
Frequency Response (Analog In)	20 Hz - 30 kHz +/-0.2 dB	+0/-3 dB (AUDIO 2 etc. to Front, Pure Direct, 10 Hz to 100 kHz)
Residual noise (IHF-A Network)		150 µV (Speaker Out)
Channel Separation at 1 kHz/10 kHz (LINE)		75 dB/61 dB
Channel Separation at 1 kHz/10 kHz (Phono)		75 dB/60 dB
DSD Sampling Rates via HDMI		2.8 MHz
DSD Sampling Rates via USB		11.2 MHz, 5.6 MHz, 2.8 MHz
Video Input Sensitivity/Output Level and Impedance		1 Vp-p/75 Ω (Component Y) 0.7 Vp-p/75 Ω (Component PB/CB, PR/CR) 1 Vp-p/75 Ω (Composite)
Video Maximum Input		1.5 Vp-p
Ethernet Standard		10BASE-T/100BASE-TX
Wi-Fi Standard		IEEE 802.11 a/b/g/n/ac
Wi-Fi Terminal Frequency		2.4 GHz, 5 GHz
Bluetooth Version		4․2
Bluetooth Frequency		2.4 GHz
USB Terminal		USB2.0 5 V, 1 A
FM Frequency		87.50 MHz - 108.00 MHz
FM 50 dB Quiet Sensitivity (IHF, 1 kHz, 100% MOD.)		Mono: 3 µV (20.8 dBf)
FM S/N Ratio		Mono/Stereo: 69 dB/68 dB
FM Harmonic Distortion (IHF, 1 kHz)		Mono/Stereo: 0.5%/0.6%
AM Frequency		531 kHz - 1611 kHz
Warranty		3 Years

* - 480i/576i and 480p/576p only
** - 480i/576i only
*** - no 1080p/24 upconversion
**** - 1080p signal is not converted