1-on-1 Comparison

Side-by-Side Comparison

Anthem MRX 540 8K

Arcam HDA AVR10

SCORE:
85
SCORE:
87
 
 

Highlights

  • 5.2 channels
  • 7.1 channel processing
  • 100 W (8 Ω, 1 kHz, 2 channel driven)
  • HDMI 2.1
  • Dolby Atmos, DTS:X capable
  • HDR10, HDR10+, Dolby Vision, 8K Passthrough
  • AirPlay 2, Chromecast
  • Ethernet, Wi-Fi, Bluetooth
  • USB and Phono inputs

Highlights

  • 7.2 channels
  • 11.2 channel processing
  • 80 W (8 Ω, 20 Hz - 20 kHz, 2 channel driven)
  • Dolby Atmos, DTS:X, Auro 3D capable
  • HDR10, Dolby Vision, 4K Passthrough
  • AirPlay 2, Chromecast
  • Ethernet, Wi-Fi, Bluetooth
  • USB input

Disclosure: We earn money from the affiliate links to products associated with content in this article.

Content

Overview

Here we are comparing Anthem MRX 540 8K to Arcam HDA AVR10 to reveal their common strengths and weaknesses as well as the differences between them which will help you in making a correct decision before the purchase. The Anthem MRX 540 8K has 5 channel and the Arcam HDA AVR10 has 7 channel amplifiers with Anthem MRX 540 8K's being more powerful.


Anthem MRX 540 8K Arcam HDA AVR10

Anthem MRX 540 8K was introduced in 2021. It is equipped with 5 channel amplifier with 100 W (8 Ω, 1 kHz, 2 channel driven) power per channel and is capable of 7.1 maximum channel processing. It supports Dolby Atmos and DTS:X, passes 8K/60Hz and 4K/120Hz video signal.

Arcam HDA AVR10 was introduced in 2019. It is equipped with 7 channel amplifier with 80 W (8 Ω, 20 Hz - 20 kHz, 2 channel driven) power per channel and is capable of 11.2 maximum channel processing. It supports Dolby Atmos, DTS:X and Auro-3D, passes 4K/60Hz video signal.

We evaluated the a/v receiver and gave 85 overall score out of 100. Our ranking system is based on the amplifier specifications, audio and video features, connectivity, multizone capabilities, radio and many other details.

We evaluated the a/v receiver and gave 87 overall score out of 100. Our ranking system is based on the amplifier specifications, audio and video features, connectivity, multizone capabilities, radio and many other details.

AMPLIFIER
84
VIDEO FEATURES
100
AUDIO FEATURES
87
CONNECTIVITY
87
MULTIZONE
71
MISCELLANEOUS
60
RADIO
73
OVERALL
85
AMPLIFIER
83
VIDEO FEATURES
95
AUDIO FEATURES
91
CONNECTIVITY
88
MULTIZONE
70
MISCELLANEOUS
81
RADIO
86
OVERALL
87

Advantage of Anthem MRX 540 8K

This section shows those features and specifications which are the reason to choose Anthem MRX 540 8K over Arcam HDA AVR10.

Anthem MRX 540 8K has more power per channel and higher DAC specs. In video department only Anthem MRX 540 8K supports HDCP 2.3 copy protection.

Anthem MRX 540 8K vs Arcam HDA AVR10
Higher DAC Specs 768 kHz/32 Bit vs 192 kHz/24 Bit
Newer HDCP Version 2.3 vs 2.2
HDR10+ vs
Auto Low Latency Mode Pass-through vs
VRR vs
QFT vs
Video Signal Passthrough up to 8K 50/60Hz and 4K 100/120Hz 4:4:4 vs up to 4K 50/60Hz 4:4:4
More Optical Inputs 3 vs 2
More Optical Outputs 1 vs 1
+12V Trigger Output 3 vs 2
Analog Tuner vs FM with RDS
Higher Power Output (8 Ω, 1 kHz, 2 channel Driven, FTC) 100 W (1% THD) vs 85 W (0.2% THD)

Advantage of Arcam HDA AVR10

This section shows those features and specifications which are the reason to choose Arcam HDA AVR10 over Anthem MRX 540 8K.

Arcam HDA AVR10 has more channels, more channel processing and bigger power supply. It supports Auro3D, DSD streaming via HDMI, Pandora and Tidal.

Anthem MRX 540 8K vs Arcam HDA AVR10
More Channels 5.2 vs 7.2
More Channel Processing 7.1 vs 11.2
Dolby Atmos Height Virtualization vs
Auro 3D with Auro-Matic Upmixer vs 11.1-ch (Built-In)
DSD via HDMI vs 2-ch/Multi-ch Input
Independent Subwoofer Outputs vs
Google assistant vs
Apple Siri vs
USB Input for factory service vs for factory service
More RCA Line Inputs 4 vs 7 (1 front)
More Coaxial Inputs/Outputs 2 vs 4
More RCA Pre-Outs 7.2 vs 11.2
Front A/V Inputs vs AUX (3.5 mm Audio)
Remote (IR) Input/Output 1 / 0 vs 2 / 0
Digital Radio vs DAB/DAB+
Pandora vs
Tidal vs
More Speaker Terminals 5 vs 7
More Large Speaker Terminals 5 vs 7
Universal Power Supply AC 120 V, 60 Hz vs AC 110-120 V or 220-240 V, 50/60 Hz via switch
Bigger Power Supply 365 W vs 1500 W

Common Strengths and Weaknesses

Here we list common strengths and weaknesses of both receivers.

STRENGTHS
  Dolby Atmos
  DTS:X
  IMAX Enhanced
  Auto Speaker Calibration System with Mic.
  eARC
  New HDCP Version
  HDR10
  Dolby Vision
  4K or 8K Video Passthrough
  Chromecast Built-In
  Ethernet
  Wi-Fi
  Bluetooth
  Many HDMI Inputs
  Many 8K Inputs
  RCA Pre-Outs
  Zones
  Analog Tuner
  Spotify
WEAKNESSES
  No Front Wide Channel Support
  Does not Work with Amazon Alexa
  No Composite Video Inputs

Audio Section

Amplifier

Anthem MRX 540 8K Arcam HDA AVR10

5 channel Class A/B Amplifier: Anthem MRX 540 8K features 5 channel power amplifier with Class A/B design on Channels 1-5 and Class D design on the rest. It is rated at 100 W (8 Ω, 1 kHz, 2 channel driven) and is able to drive 4 ohm speakers.

7 channel Class A/B Amplifier: Arcam HDA AVR10 features 7 channel power amplifier with Class A/B design. It is rated at 80 W (8 Ω, 20 Hz - 20 kHz, 2 channel driven) and is able to drive 4 ohm speakers.

    Speaker Configurations

    Anthem MRX 540 8K's and Arcam HDA AVR10's amplifiers can be assigned for different speaker configurations.

    • Dolby Atmos Configurations: The following speaker configurations are supported for Dolby Atmos:
    • Anthem MRX 540 8K: 3.1.2 with internal amplifier.
    • Arcam HDA AVR10: 5.2.2 with internal amplifier and 5.2.4, 7.2.2 with addition of external 2 channel amplifier and 7.2.4 with addition of external 4 channel amplifier.
    • DTS:X Configurations: The following speaker configurations are supported for DTS:X:
    • Anthem MRX 540 8K: The speaker configurations for DTS:X are the same as for Dolby Atmos - 3.1.2 with internal amplifier.
    • Arcam HDA AVR10: The speaker configurations for DTS:X are the same as for Dolby Atmos - 5.2.2 with internal amplifier and 5.2.4, 7.2.2 with addition of external 2 channel amplifier and 7.2.4 with addition of external 4 channel amplifier.
    • Configurations without height channels: There are also other speaker configurations available which do not include height channels:
    • Anthem MRX 540 8K: 5.2 with internal amplifier and 7.2 with addition of external 2 channel amplifier.
    • Arcam HDA AVR10: 5.2, 7.2 with internal amplifier.
    • 2-ch Bi-Amp: Both models are able to bi-amp up to 2 main channels simultaneously. During bi-amplification two amplifiers are used for one speaker. One amplifier powers the midrange and tweeter section of the speaker and another amplifier powers the low frequency woofers. Each amplifier is less loaded and performs better. In order to use this feature speakers must have 2 pairs of connectors.

    • Dolby Atmos

      Anthem MRX 540 8K and Arcam HDA AVR10 support Dolby Atmos. It is a cinematic audio format in which sounds exist as individual entities, called audio objects. In Dolby Atmos, any sound can exist as an independent audio object, free of channel restrictions. They can be precisely placed and moved anywhere in your room, including overhead, to flow above and around you in three-dimensional space. Through the use of audio objects, overhead sound, and all the richness, clarity, and power of Dolby sound, Dolby Atmos turns your room into an amazing place for entertainment. The format supports up to 128 simultaneous independent audio objects in a mix for rich, realistic, and breathtaking sound. It recreates the director's original concept through descriptive metadata to provide customized playback for home theater and delivers sounds above you through overhead speakers, special upward-firing Dolby Atmos speakers, or a Dolby Atmos enabled sound bar.

      • Dolby Surround Upmixer: Both models support Dolby Surround Upmixer. If the content is not mixed in Dolby Atmos then the Dolby surround upmixer will expand the audio to all channels including ceiling speakers. The upmixer has replaced the Dolby Pro Logic II family with improved upmixing algorithms.
      • Dolby Atmos Height Virtualization: Arcam HDA AVR10 supports Dolby Atmos Height Virtualization which is a digital signal processing solution that leverages Dolby's deep understanding of human audio perception to create the sensation of overhead sound from the listener-level speakers.

      DTS:X

      Anthem MRX 540 8K and Arcam HDA AVR10 support DTS:X. A technique used in DTS:X is similar to the one used in Dolby Atmos. Instead of a fixed number of channels, DTS:X defines object locations from the listener in polar coordinates. An a/v receiver then dynamically renders sound according to the current speaker configuration. The speaker layout employed by DTS:X is the sum of Dolby Atmos and Auro-3D. It has standard 7.1 channel base layer, a 5 channel height layer above the base layer on the front and side walls, and 3 rows of speakers on the ceiling.

      • DTS Neural:X: Both models feature DTS Neural:X which is an advanced upmixer that can take non DTS:X content and upmix it to the DTS:X speaker layout. It has replaced the DTS Neo family with improved flexibility.
      • DTS Virtual:X: Both models feature DTS Virtual:X which bridges the gap between DTS:X codec and the reality of so many consumers' homes, allowing you to enjoy multi-dimensional sound regardless of room size, layout, or speaker configuration. If you have a limited speaker setup you will miss a full immersive potential of your entertainment system. DTS Virtual:X adds height and surround audio effect to your system without adding height speakers. It works with multiple configurations and delivers immersive sound experience out of 5.1 or even 2.1 speaker layouts.
      • DTS Dialog Control: Both models have DTS Dialog Control. This function adjusts the dialog levels during playback of the DTS:X stream. It allows you to separately increase the dialog levels in contrast with the background sound and hear dialog easily even under noisy circumstances.

      Auro-3D

      Arcam HDA AVR10 supports Auro-3D. It is an immersive 3D audio format developed by the Belgium-based company Auro Technologies. It consists of three layers of sound - surround, height and overhead ceiling. The base horizontal layer uses 5.1 or 7.1 format, the height layer is on top of the base layer and its information is extracted from the standard 5.1 surround PCM carrier. The a/v receiver decoder then extracts this information during playback. In home cinema Auro-3D comes with different listening formats - Auro 9.1, Auro 10.1 with added Top Ceiling channel ("Voice of God"), Auro 11.1 with added Front Height Center channel, and Auro 13.1 with added Left Rear Surround & Right Rear Surround channel.

      • Auro-Matic upmixer: Auro-Matic upmixer takes non Auro-3D sound and upmixes to the current speaker configuration.

      Enhanced Audio Return Channel (eARC)

      Anthem MRX 540 8K and Arcam HDA AVR10 support Audio Return Channel (ARC) feature allows the compatible TV to send audio signal to the a/v receiver through the same HDMI cable which is used to send audio and video signals to the TV. So one HDMI cable is used to transfer audio signal in both directions. New Enhanced ARC will support uncompressed audio formats such as Dolby Atmos, DTS:X, Dolby TrueHD and DTS HD Master Audio whereas the previous ARC could support only Dolby Digital, Dolby Digital Plus, DTS, DTS HD, and PCM.



      Sound Processing

        Room Calibration

        Anthem MRX 540 8K comes with Anthem Room Correction (ARC Genesis) and Arcam HDA AVR10 comes with Dirac Live™ room correction system.

        • Dirac Live: The interaction between your sound system and the physical layout of your room has a huge impact on sound quality. Dirac Live™ Room Correction applies state-of-the-art, patented algorithms to analyze and digitally reduce room impact and enhance speaker performance. Dirac Live delivers a larger sweet spot, accurate staging, clarity, voice intelligibility, and a deeper, tighter bass not otherwise possible. Fully tunable to your preference.

      Video Section

      HDMI

      Anthem MRX 540 8K comes with 7 HDMI 2.1 inputs with 8K support. It has 2 outputs which work parallelly and output the same signal.

      Arcam HDA AVR10 comes with 7 HDMI 2.1 inputs with 8K support. It has 2 outputs which work parallelly and output the same signal.

      • 8K/60Hz and 4K/120Hz Passthrough on Anthem MRX 540 8K: All inputs pass up to 8K 50/60Hz and 4K 100/120Hz 4:4:4 video signal.
        4K/60Hz Passthrough on Arcam HDA AVR10: All inputs pass up to 4K 50/60Hz 4:4:4 video signal.
      • BT.2020 Color Space: BT.2020 or Rec. 2020 is a color standard which delivers a wider color gamut compared to Rec. 709. It covers approximately 75% of the total visual spectrum while the Rec. 709 covers only 35% (available on both models).
      • HDCP Copy Protection: Anthem MRX 540 8K is HDCP 2.3 and Arcam HDA AVR10 is HDCP 2.2 compliant which is a requirement for 4K/HDR copy-protected content transmission.
      • 3D Ready: Both receivers are able to pass 3D video through HDMI.

      HDR (High Dynamic Range)

      Anthem MRX 540 8K supports HDR10, HDR10+, Dolby Vision and Hybrid Log-Gamma.

      Arcam HDA AVR10 supports HDR10, Dolby Vision and Hybrid Log-Gamma.

      High dynamic range video has greater dynamic range than standard dynamic range (SDR) video with brighter whites and deeper blacks. The result is greater contrast and more details in dark and bright areas, better color and depth.

      • HDR10: HDR10 uses the wide-gamut Rec. 2020 color space. It sends static metadata via video stream to the TV which calibrates its screen brightness and color according to that. HDR10 supports 10-bit color which corresponds to 1024 shades of the primary RGB colors. It is technically limited to a maximum of 10,000 nits peak brightness, however common HDR10 contents are mastered with peak brightness from 1,000 to 4,000 nits.
      • HDR10+: HDR10+ is an HDR video technology that adds dynamic metadata to HDR10 source files. The dynamic metadata are used to adjust brightness levels on a scene-by-scene or even frame-by-frame basis. HDR10+ supports maximum of 10,000 nits peak brightness and 10-bit or more (up to 16-bit) color bit depth. It uses Samsung's dynamic metadata defined in SMPTE ST 2094-40.
      • Dolby Vision: Dolby Vision is a set of technologies developed by Dolby Laboratories for high dynamic range (HDR) video. It covers content creation, distribution, and playback. Like HDR10+, it includes dynamic metadata that are used to adjust and optimize each frame of the HDR video to the consumer display's capabilities in a way specified by the content creator. Dolby Vision allows for a maximum resolution of 8K up to 12-bit color depth, maximum peak brightness of 10,000 nits and a color gamut up to Rec. 2020. It uses Dolby's proprietary dynamic metadata defined in SMPTE ST 2094-10.
      • Hybrid Log-Gamma (HLG): The Hybrid Log-Gamma (HLG) is a transfer function developed mainly for HDR live video feed and over-the-air broadcasts. It is an HDR format that uses BT.2020 color primaries and a bitdepth of 10-bit. It is backward compatible with the transfer function of SDR and is designed to be better-suited for television broadcasting, where the metadata required for other HDR formats is not backward compatible with non-HDR displays. HLG defines a non-linear optical-electro transfer function, in which the lower half of the signal values use a gamma curve and the upper half of the signal values use a logarithmic curve.

      IMAX Enhanced

      Anthem MRX 540 8K and Arcam HDA AVR10 are IMAX Enhanced certified. To qualify for IMAX Enhanced certification, 4K HDR televisions, projectors, sound bars, a/v receivers, loudspeakers, powered subwoofers and other premium home entertainment devices must meet carefully prescribed performance requirements established by IMAX, DTS and Hollywood's leading experts.

      • What makes an IMAX Enhanced A/V receiver different from an A/V receiver with DTS:X technology? DTS:X technology is commonly found in most multi-channel A/V receivers on the market today. All IMAX Enhanced A/V receivers include DTS:X technology and deliver additional features, such as auto-sensing of IMAX Enhanced content, via IMAX Mode. IMAX Mode indicates that your A/V receiver supports fully immersive IMAX signature sound.
      • IMAX Enhanced Content: IMAX Enhanced studio partners have announced IMAX Enhanced versions of movies that exclusively feature IMAX's signature picture, sound and scale.
      • Picture: Stunning, ultra-vivid 4K HDR picture that utilizes the newest, proprietary Digital Media Remastering technology (DMR) developed by IMAX. DMR accurately reduces noise and grain under the filmmaker’s guidance to best optimize the content for a much higher-quality, higher-brightness display. Without this technology, high-dynamic range content can actually look worse than what was originally seen and intended by the filmmaker.
      • Sound: IMAX and DTS have partnered with award-winning Hollywood sound mixers leveraging DTS:X codec technology integrated in home audio equipment and select televisions to deliver an IMAX signature sound experience with deeper bass and more dynamic range.
      • Scale: Select IMAX Enhanced titles that were shot with IMAX-certified cameras or specially formatted for IMAX theatres feature its exclusive expanded aspect ratio, enabling viewers to see the full scale and scope of the picture on 4K HDR TVs.
      • Streaming Services: IMAX Enhanced is now available on the world’s biggest streaming services, including Disney+, BRAVIA CORE, Tencent, iQiyi and more.

      Gaming Features

      Anthem MRX 540 8K supports Auto Low Latency Mode (ALLM), Variable Refresh Rate (VRR) and Quick Frame Transport (QFT) for lag-free and smooth gaming.

      • Auto Low Latency Mode (ALLM): Auto Low Latency Mode enables the ideal latency setting to automatically be set allowing for smooth, lag-free and uninterrupted viewing and interactivity. When the receiver detects a gaming signal it will enter ALLM. The signal will also be sent to the TV causing it to automatically switch to a low-latency, low-lag mode for gaming. Some functions will not be available on the receiver and TV during ALLM.
      • Variable Refresh Rate (VRR): VRR enables a gaming source such as a console or computer to deliver video frames as fast as it can, which in many cases is slower than the normal static refresh rate. It allows the TV to adapt to certain frame rate which reduces or eliminates lag, judder and frame tearing for more fluid and better detailed gameplay.
      • Quick Frame Transport (QFT): QFT reduces latency for smoother no-lag gaming, and real-time interactive virtual reality. It transports each frame at a higher rate to decrease display latency, which is the amount of time between a frame being ready for transport in the GPU and that frame being completely displayed.

      Inputs and Outputs

      Audio

      • Analog Pre-Outs: Anthem MRX 540 8K has 7.2 and Arcam HDA AVR10 has 11.2 preamplifier outputs which allow you to connect the receivers to the external power amplifiers. You may want to use a high quality external amplifier for certain channels, usually for front L/R and center, and use the receiver to power the rest. Also, Anthem MRX 540 8K has 7 channel processing but has only 5 channel amplifier and Arcam HDA AVR10 has 11 channel processing but has only 5 channel amplifier, so they need external amplifiers connected to their analog pre-outs in order to reach their maximum speaker configurations.
      • XLR Inputs: There is one pair of XLR inputs on both receivers. If your CD player, Blu-Ray player or other source have XLR outputs you can connect them to the receiver's XLR Inputs for higher quality balanced connection.
      • Analog Line Inputs and Outputs: There are 4 pair of line inputs on Anthem MRX 540 8K and 7 pair of line inputs on Arcam HDA AVR10 for connecting sources with analog outputs. There are also 1 pair of line outputs on the receivers.
      • Digital Inputs and Outputs: 1 optical input, 3 optical outputs and 2 coaxial inputs are available on Anthem MRX 540 8K and 0 optical input, 2 optical outputs and 4 coaxial inputs are available on Arcam HDA AVR10 for digital audio connections.
      • Headphone Output: There is a 6.3 mm (1/4") headphone output jack on the front panel of each receiver.

      Video

      • HDMI:
      • Anthem MRX 540 8K
        Inputs:
        7   Outputs: 2
        8K Inputs: 7.
      • Arcam HDA AVR10
        Inputs:
        7   Outputs: 2 (simultaneous)
        8K Inputs: 7.

      Front A/V Inputs

      • Anthem MRX 540 8K: None
      • Arcam HDA AVR10: AUX (3.5 mm Audio)

      Anthem MRX 540 8K

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      Arcam HDA AVR10

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      Specifications

      And in the end let us list all the available specifications of the receivers side-by-side.

      BASICS Anthem MRX 540 8K Arcam HDA AVR10
      BrandAnthemArcam
      SeriesHDA
      ModelMRX 540 8KAVR10
      TypeA/V ReceiverA/V Receiver
      CountryNorth AmericaAll
      Release Year20212019
      AMPLIFIER Anthem MRX 540 8K Arcam HDA AVR10
      Channels5.27.2
      Front Wide Channel Support
      AmplifierClass A/B on Channels 1-5 and Class D on the restClass A/B
      THX™ Certification
      Continuous 6 Ω Rated
      Certified 4 Ω Performance
      Bi-amp Capability
      AUDIO Anthem MRX 540 8K Arcam HDA AVR10
      Digital Signal Processing (DSP) EngineNext-Generation DSP Platform
      DACESS 9026PRO
      DAC Specs768 kHz/32 Bit192 kHz/24 Bit
      Maximum Channel Processing7.111.2
      Dolby Atmos up to 7.1.4 with external amp
      Dolby Atmos Height Virtualization
      Dolby Atmos Music
      Dolby TrueHD
      Dolby Digital Plus
      Dolby Surround Upmixer
      Dolby Pro Logic
      Dolby Digital EX
      DTS:X up to 7.1.4 with external amp
      DTS Neural:X
      DTS Virtual:X
      DTS Neo
      DTS-HD Master Audio
      DTS-HD High Resolution Audio
      DTS 96/24
      DTS-ES Discrete 6.1, Matrix 6.1
      IMAX Enhanced
      Auro 3D with Auro-Matic Upmixer 11.1-ch (Built-In)
      MQA Decoding
      PCM 2-ch/Multi-ch Input 2-ch/Multi-ch Input
      Music Playback via USB
      High Resolution Music Playback via USB and/or Network up to 192 kHz
      Gapless Playback
      DSD via HDMI 2-ch/Multi-ch Input
      DSD via USB
      DSD to PCM Converter
      USB DAC
      DTS Dialog Control
      Dialog Normalization
      Dialogue Lift
      Audyssey Dynamic EQ
      Audyssey Dynamic Volume
      Audyssey LFC
      Audyssey Sub EQ HT
      Audyssey DSX
      Direct Mode Stereo Direct, CD Direct
      Independent Subwoofer Outputs
      CALIBRATION Anthem MRX 540 8K Arcam HDA AVR10
      Auto Speaker Calibration System with Mic.Anthem Room Correction (ARC Genesis) Dirac Live™
      VIDEO Anthem MRX 540 8K Arcam HDA AVR10
      HDMI Version2.12.0b
      Enhanced ARC
      HDCP Version2.32.2
      HDR10
      HDR10+
      Dynamic HDR
      Dolby Vision
      HLG (Hybrid Log Gamma)
      BT.2020 color space
      QMS (Quick Media Switching)
      ALLM (Auto Low Latency Mode)
      VRR (Variable Refresh Rate)
      QFT (Quick Frame transport)
      DSC (Display Stream Compression)
      3-D Ready
      Video Signal Passthroughup to 8K 50/60Hz and 4K 100/120Hz 4:4:4up to 4K 50/60Hz 4:4:4
      CONNECTIVITY Anthem MRX 540 8K Arcam HDA AVR10
      Chromecast Built-In
      DTS Play-Fi
      Works with Amazon Alexa
      Google assistant
      Apple Siri
      Works with SONOS
      AirPlay AirPlay 2 AirPlay 2
      Apple Product Connection iPod, iPhone and iPad iPod, iPhone and iPad
      Remote App Anthem Remote App Arcam control app
      Ethernet
      Ethernet Switch
      Wi-Fi
      Bluetooth aptX HD
      HDMI Inputs77
      HDMI Outputs22 (simultaneous)
      8K Inputs77
      USB Input for factory service for factory service
      USB DC Out Port
      RCA Line Input47 (1 front)
      RCA Line Output11
      XLR Line Inputs
      Phono Input
      Optical Inputs32
      Optical Outputs11
      Coaxial Inputs24
      Composite Video Input
      Composite Video Output
      S-Video Input
      S-Video Output
      Component Video Input
      Component Video Output
      PC In
      Multi-Channel Input
      RCA Pre-Outs7.211.2
      XLR Pre-outs
      Front A/V InputsAUX (3.5 mm Audio)
      Headphone Out6.3 mm (1/4")3.5 mm (1/8")
      ZONES Anthem MRX 540 8K Arcam HDA AVR10
      Zones11
      RS-232C Interface
      +12V Trigger Output32
      Remote (IR) Input/Output1 / 02 / 0
      MISC Anthem MRX 540 8K Arcam HDA AVR10
      IP Control for CI
      PreAmp Mode
      DisplayLarge front-panel LCD display
      Detachable Power Cord
      RADIO Anthem MRX 540 8K Arcam HDA AVR10
      Analog Tuner FM with RDS
      Presets50
      Digital Radio DAB/DAB+
      Internet Radio TuneIn
      Pandora
      Spotify
      Tidal
      Deezer
      Napster
      SiriusXM Internet Radio
      CONSTRUCTION Anthem MRX 540 8K Arcam HDA AVR10
      Speaker Terminals57
      Large Speaker Terminals57
      POWER Anthem MRX 540 8K Arcam HDA AVR10
      Power SupplyAC 120 V, 60 HzAC 110-120 V or 220-240 V, 50/60 Hz via switch
      Toroidal Transformer
      Power Consumption365 W1500 W
      Standby Power0.3 W0.5 W
      GENERAL Anthem MRX 540 8K Arcam HDA AVR10
      Dimensions (W x H x D)431.8 mm x 152.4 mm x 364 mm
      17" x 6" x 14-1/2" x
      433 mm x 171 mm x 425 mm
      17.06" x 6.69" x 18.56"
      Weight12.8 kg (28.2 lbs)16.5 kg (36.4 lbs)
      Weight of Package19.8 kg
      Warranty5 Years
      SPECS Anthem MRX 540 8K Arcam HDA AVR10
      Power Output (8 Ω, 20 Hz - 20 kHz, 280 W (0.02% THD)
      Power Output (8 Ω, 1 kHz, 2100 W (1% THD)85 W (0.2% THD)
      Power Output (6 Ω, 1 kHz, 2130 W (1% THD)
      Power Output (4 Ω, 20 Hz - 20 kHz, 2100 W (0.2% THD)
      Power Output (4 Ω, 1 kHz, 2120 W (0.2% THD)
      Multi Channel Simultaneous Drive (8 Ω, 1 kHz, 1.0%)60 W (7 channels driven, 1kHz, 8 Ω, 0.2% THD)
      85 W (7 channels driven, 1kHz, 4 Ω, 0.2% THD)
      Input Sensitivity and Impedance (Line)1V, 2V, 4V (user adjustable)/47 kΩ
      Maximum Input Sensitivity (Line)4.5 Vrms
      Rated Preout Level and Impedance0.8 Vrms/560 Ω
      Maximum Preout Level and Impedance5.2 VRMS, 7.1 VRMS
      Rated Headphone Jack Output Level and Impedance32 Ω - 600 Ω5 Vrms/100 Ω
      S/N Ratio (Line, IHF-A)110 dB93 dB (normal)
      110 dB (stereo direct)
      Frequency Response (Analog In)20 Hz - 30 kHz +/-0.2 dB±0.2 dB (20 Hz to 20 kHz)
      Residual Noise (IHF-A Network)0.15 mV
      DSD Sampling Rates via HDMI2.8 MHz
      Wi-Fi StandardIEEE 802.11 ac
      Wi-Fi Terminal Frequency5 GHz, 2.4 GHz
      Bluetooth Version5․0

      * - 480i/576i and 480p/576p only
      ** - 480i/576i only
      *** - no 1080p/24 upconversion
      **** - 1080p signal is not converted

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