Yamaha RX-V585
Yamaha RX-V583
Highlights
- 7.2 channels
- 7.1 channel processing
- 80 W (8 Ω, 20 Hz - 20 kHz, 2 channel driven)
- Dolby Atmos, DTS:X capable
- HDR10, Dolby Vision, 4K Upscaling, 4K Passthrough
- AirPlay 2 via firmware update, MusicCast
- Ethernet, Wi-Fi, Bluetooth
- USB input
Highlights
- 7.2 channels
- 7.1 channel processing
- 80 W (8 Ω, 20 Hz - 20 kHz, 2 channel driven)
- Dolby Atmos, DTS:X capable
- HDR10, Dolby Vision, 4K Upscaling, 4K Passthrough
- AirPlay, DLNA, MusicCast
- Ethernet, Wi-Fi, Bluetooth
- USB input
Disclosure: We earn money from the affiliate links to products associated with content in this article.
Overview
Here we are comparing Yamaha RX-V585 to Yamaha RX-V583 to reveal their common strengths and weaknesses as well as the differences between them which will help you in making a correct decision before the purchase. Both receivers have 7 channel and equally powerful amplifiers.
We have evaluated both receivers. Yamaha RX-V585 gets higher overall score in our ranking system which is based on the amplifier specifications, audio and video features, connectivity, multizone capabilities, radio and many other details.
Yamaha RX-V585
Yamaha RX-V583
Amplifier score is based on power ratings, minimum impedance load, power supply, transformer type, total harmonic distortion, damping factor, signal to noise ratio and other small details. Audio score depends on the number of channels, front wide channel support, maximum channel processing, support of audio formats, DAC specifications, room calibration algorithm... Video score is based on HDR, Dolby Vision and 4K passthrough, upscaling, analog to HDMI upconversion. Connectivity score is defined from all wired and wireless inputs and outputs, internet and bluetooth connections, HEOS, SONOS and others. Multizone score depends on the number of zones with their outputs. Radio score is evaluated form digital radio support and analog tuner with its frequency range, signal to noise ratio, harmonic distortion...
Advantage of Yamaha RX-V585
This section shows those features and specifications which are the reason to choose Yamaha RX-V585 over Yamaha RX-V583.
Yamaha RX-V585 has higher DSD sampling rate via USB, higher wi-fi standard and higher bluetooth standard. It supports Amazon Alexa.
Yamaha RX-V585 | vs | Yamaha RX-V583 | |
---|---|---|---|
Higher Resolution Music Playback via USB | up to 192 kHz/32 Bit | vs | up to 192 kHz |
Works with Amazon Alexa | vs | ||
AirPlay | AirPlay 2 via firmware update | vs | AirPlay |
Higher DSD Sampling Rate via USB | 11.2 MHz, 5.6 MHz, 2.8 MHz | vs | 5.6 MHz, 2.8 MHz |
Wi-Fi Standard | IEEE 802.11 a/b/g/n/ac | vs | IEEE 802.11 b/g/n |
Wi-Fi Terminal Frequency | 2.4 GHz, 5 GHz | vs | 2.4 GHz |
Newer Bluetooth Version | 4.2 | vs | 2.1 + EDR |
Advantage of Yamaha RX-V583
This section shows those features and specifications which are the reason to choose Yamaha RX-V585 over Yamaha RX-V583.
Yamaha RX-V585 has higher DSD sampling rate via USB, higher wi-fi standard and higher bluetooth standard. It supports Amazon Alexa.
Yamaha RX-V585 | vs | Yamaha RX-V583 | |
---|---|---|---|
DTS Express | vs |
Common Strengths and Weaknesses
Here we list common strengths and weaknesses of both receivers.
PROS |
---|
👍 Bi-amp Capability |
👍 Dolby Atmos |
👍 Dolby TrueHD |
👍 Dolby Digital Plus |
👍 Dolby Surround Upmixer |
👍 DTS:X |
👍 DTS Neural:X |
👍 DTS Neo |
👍 DTS-HD Master Audio |
👍 DTS-HD High Resolution Audio |
👍 DTS 96/24 |
👍 DTS-ES |
👍 High Resolution Music Playback via USB and/or Network |
👍 Gapless Playback |
👍 DSD via HDMI |
👍 DSD via USB |
👍 DTS Dialog Control |
👍 Dialog Level Adjustment |
👍 Dialogue Lift |
👍 Compressed Music Enhancer |
👍 Adaptive DRC (Dynamic Range Control) |
👍 Auto Speaker Calibration System with Mic. |
👍 HDR10 |
👍 BT.2020 color space |
👍 Dolby Vision |
👍 HLG |
👍 3-D Ready |
👍 4K or 8K Video Passthrough |
👍 4K or 8K Signal Upscaling |
👍 MusicCast |
👍 Ethernet |
👍 Wi-Fi |
👍 Bluetooth |
👍 eARC |
👍 New HDCP Version |
👍 USB Input |
👍 Composite Video Inputs |
👍 Composite Video Outputs |
👍 Zones |
👍 Analog Tuner |
👍 Pandora |
👍 Spotify |
👍 Tidal |
👍 Deezer |
👍 Napster |
CONS |
---|
👍 No Front Wide Channel Support |
👍 Not Certified 4 Ω Performance |
👍 No Dolby Atmos Height Virtualization |
👍 No DTS Virtual:X |
👍 No IMAX Enhanced |
👍 No Auro 3D with Auro-Matic Upmixer |
👍 No High-resolution Music Enhancer |
👍 No HDR10+ |
👍 No Chromecast Built-In |
👍 Does Not Work with SONOS |
👍 Few HDMI Inputs |
👍 Few HDMI Outputs |
👍 No Phono Input |
👍 No Component Video Inputs |
👍 No Multi-Channel Input |
👍 No Analog Pre-Outs |
Amplifier
Yamaha RX-V585 and Yamaha RX-V583 have 7 channel amplifiers. They both deliver 80 W (8 Ω, 20 Hz - 20 kHz, 2 channel driven) Since 2016 all receiver manufacturers have dropped front wide channel support and these models are no exceptions.
Video Features
Both receivers support 4K passthrough up to 60p. They both do 4K upscaling up to 60p. The receivers support HDR10, Dolby Vision.
HDR10
High-dynamic-range (HDR) video has greater dynamic range than standard-dynamic-range (SDR) video with brigter whites and deeper blacks. HDR10 was announced on August 27, 2015, by the Consumer Technology Association and uses the wide-gamut Rec. 2020 color space. It sends static metadata via video stream to the TV which calibrates its screen brightness and color according to that. HDR10 supports up to 1000 nits of brightness and 10-bit color which corresponds to 1024 shades of the primary RGB colors.
Dolby Vision
Dolby Vision is an update to HDR10 by adding dynamic metadata that can be used to more accurately adjust brightness levels up to 10,000 nits maximum brightness on a scene-by-scene or frame-by-frame basis and supports up to 12-bit color depth (4096 shades of RGB) and 8K resolution.
Dolby Atmos and Dolby Surround upmixer
Yamaha RX-V585 and Yamaha RX-V583 support Dolby Atmos with its Dolby Surround upmixer. They can be configured upto 5.1.2 channels using internal amplifiers.
Dolby Atmos is the first cinematic audio format in which sounds exist as individual entities, called audio objects. In Dolby Atmos, any sound - the helicopter, a car screeching around a corner, a melodic bird call - can exist as an independent audio object, free of channel restrictions. They can be precisely placed and moved anywhere in your room, including overhead, to flow above and around you in three-dimensional space. Through the use of audio objects, overhead sound, and all the richness, clarity, and power of Dolby sound, Dolby Atmos turns your room into an amazing place for entertainment. You'll feel like you're inside the action, in ways you've never experienced before.
Dolby Atmos for the home represents every sound in the original cinema mix as an audio object. Extensions to the Dolby Audio™ codecs, along with an advanced scalable algorithm, allow Dolby Atmos to be delivered via Blu-ray Disc and streaming media. A spatially-coded substream is added to Dolby TrueHD or Dolby Digital Plus. A Dolby Atmos audio/video receiver (AVR) adapts the cinema experience to your home theater from seven speakers to as many as 34 in 24.1.10 configuration, recreating the original artistic concept. The format supports up to 128 simultaneous independent audio objects in a mix for rich, realistic, and breathtaking sound. It recreates the director's original concept through descriptive metadata to provide customized playback for home theater and delivers sounds above you through overhead speakers, special upward-firing Dolby Atmos speakers, or a Dolby Atmos enabled sound bar.
If the content is not mixed in Dolby Atmos then the Dolby surround upmixer will expand the audio to all channels including ceiling speakers. The upmixer has replaced the Dolby Pro Logic II family with improved upmixing algorithms.
DTS:X and Neural:X upmixer
Yamaha RX-V585 and Yamaha RX-V583 support DTS:X with its Neural:X upmixer. Both of them can be configured upto 5.1.2 channels using internal amplifiers.
A technique used in DTS:X is similar to the one used in Dolby Atmos. Instead of a fixed number of channels, DTS:X defines object locations from the listener in polar coordinates. An a/v receiver then dynamically renders sound according to the current speaker configuration. The speaker layout employed by DTS:X is the sum of Dolby Atmos and Auro-3D. It has standard 7.1 channel base layer, a 5 channel height layer above the base layer on the front and side walls, and 3 rows of speakers on the ceiling.
DTS Neural:X is an upmixer that can take non DTS:X content and upmix it to the DTS:X speaker layout. It has replaced the DTS Neo family with improved flexibility.
Adaptive DRC
Yamaha RX-V585 and Yamaha RX-V583 feature Adaptive DRC (Dynamic Range Control) which automatically adjusts the dynamic range of the sound according to the volume level. This ensures that you hear clear dialog and vocals, and all sound effects at comfortable levels. There is no need to adjust the volume level as you listen; everything from whispers to big explosions will be heard clearly and comfortably at the same volume setting. It also tones down loud TV commercials, and is ideal for low-volume, late-night listening, when you do not want to disturb others.
Connectivity
Yamaha RX-V585
Yamaha RX-V585 can be connected to internet using ethernet cable or built-in wi-fi adapter. It can also connect to bluetooth devices via built-in bluetooth adapter. The Receiver works with Amazon Alexa and supports AirPlay 2 via firmware update. It has 4 HDMI inputs with HDCP 2.3 copy protection.
Front panel has USB and mini-jack Audio inputs.


Yamaha RX-V583
Yamaha RX-V583 can be connected to internet using ethernet cable or built-in wi-fi adapter. It can also connect to bluetooth devices via built-in bluetooth adapter. The Receiver supports AirPlay. It has 4 HDMI inputs with HDCP 2.3 copy protection.
Front panel has USB and mini-jack Audio inputs.


Side by Side Comparison
And in the end let us list the detailed specifications of the receivers side-by-side.
Note: The following table shows only those details which are applicable for both models and excludes the ones that are applicable for only one model. If you want to see a full list of specs for each model please visit their individual pages here - Yamaha RX-V585 and here - Yamaha RX-V583.
BASICS | Yamaha RX-V585 | vs | Yamaha RX-V583 |
---|---|---|---|
Brand | Yamaha | vs | Yamaha |
Model | RX-V585 | vs | RX-V583 |
Type | A/V Receiver | vs | A/V Receiver |
Country | Canada | vs | Canada |
Release Year | 2018 | vs | 2017 |
AMPLIFIER | Yamaha RX-V585 | vs | Yamaha RX-V583 |
---|---|---|---|
Channels | 7.2 | vs | 7.2 |
Front Wide Channel Support | vs | ||
THX™ Certification | vs | ||
Continuous 6 Ω Rated | vs | ||
Certified 4 Ω Performance | vs | ||
Bi-amp Capability | vs |
AUDIO | Yamaha RX-V585 | vs | Yamaha RX-V583 |
---|---|---|---|
Surround:AI™ | vs | ||
DAC | Burr-Brown DAC x 4 | vs | Burr-Brown |
Maximum Channel Processing | 7.1 | vs | 7.1 |
Air Studios Monitor Certification | vs | ||
Dolby Atmos | vs | ||
Dolby Atmos Height Virtualization | vs | ||
Dolby TrueHD | vs | ||
Dolby Digital Plus | vs | ||
Dolby Surround Upmixer | vs | ||
Dolby Pro Logic | vs | ||
Dolby Digital EX | vs | ||
DTS:X | vs | ||
DTS Neural:X | vs | ||
DTS Virtual:X | vs | ||
DTS Neo | Neo:6 | vs | Neo:6 |
DTS-HD Master Audio | vs | ||
DTS-HD High Resolution Audio | vs | ||
DTS 96/24 | vs | ||
DTS Express | vs | ||
DTS-ES | Discrete 6.1, Matrix 6.1 | vs | Discrete 6.1, Matrix 6.1 |
IMAX Enhanced | vs | ||
Auro 3D with Auro-Matic Upmixer | vs | ||
PCM | 2-ch/Multi-ch Input | vs | 2-ch/Multi-ch Input |
Music Playback via USB | MP3, WMA, MPEG-4 AAC, Apple Lossless, WAV, FLAC, AIFF, DSD | vs | MP3, WMA, AAC, Apple Lossless, WAV, FLAC, AIFF, DSD |
High Resolution Music Playback via USB and/or Network | up to 192 kHz/32 Bit | vs | up to 192 kHz |
High Resolution Audio Formats via USB | Apple Lossless, WAV, FLAC, AIFF, DSD | vs | Apple Lossless, WAV, FLAC, AIFF, DSD |
Multi-Channel Music File Playback via USB | vs | ||
Gapless Playback | vs | ||
DSD via HDMI | 2-ch/Multi-ch Input | vs | 2-ch/Multi-ch Input |
DSD via USB | 2-ch Input | vs | 2-ch Input |
DSD to PCM Converter | vs | ||
USB DAC | vs | ||
DTS Dialog Control | vs | ||
Dialog Level Adjustment | vs | ||
Dialog Normalization | vs | ||
Dialogue Lift | vs | ||
Compressed Music Enhancer | including enhancer for Bluetooth® | vs | including enhancer for Bluetooth® |
High-resolution Music Enhancer | vs | ||
Adaptive DRC (Dynamic Range Control) | vs | ||
Initial Volume & Maximum Volume Setting | vs | ||
Audyssey Dynamic EQ | vs | ||
Audyssey Dynamic Volume | vs | ||
Audyssey LFC | vs | ||
Audyssey Sub EQ HT | vs | ||
Audyssey DSX | vs | ||
Direct Mode | vs | ||
Straight Decoding Mode | vs | ||
CINEMA DSP | 3D | vs | 3D |
DSP Programs | 17 | vs | 17 |
SILENT CINEMA / Virtual CINEMA DSP | Virtual CINEMA FRONT | vs | Virtual CINEMA FRONT |
Virtual Speakers | including surround back | vs | including surround back |
Independent Dual Subwoofer Output | vs |
CALIBRATION | Yamaha RX-V585 | vs | Yamaha RX-V583 |
---|---|---|---|
Auto Speaker Calibration System with Mic. | YPAO sound optimization | vs | YPAO sound optimization |
YPAO Volume | vs |
VIDEO | Yamaha RX-V585 | vs | Yamaha RX-V583 |
---|---|---|---|
Video Signal Type | NTSC | vs | NTSC |
HDR10 | vs | ||
HDR10+ | vs | ||
BT.2020 color space | vs | ||
Dolby Vision | vs | ||
HLG (Hybrid Log Gamma) | vs | ||
QMS (Quick Media Switching) | vs | ||
ALLM (Auto Low Latency Mode) | vs | ||
VRR (Variable Refresh Rate) | vs | ||
QFT (Quick Frame transport) | vs | ||
3-D Ready | vs | ||
Video Signal Passthrough | up to 4K 60p 4:4:4 | vs | up to 4K 60p 4:4:4 |
Video Signal Upscaling | up to 4K 60p 4:4:4 | vs | up to 4K 60p 4:4:4 |
Analog To HDMI Upconversion | vs | ||
Component Video Upscaling | vs | ||
Analog to Analog Video conversion | vs | ||
isf Certified Calibration Control | vs |
CONNECTIVITY | Yamaha RX-V585 | vs | Yamaha RX-V583 |
---|---|---|---|
MHL Input | vs | ||
FireConnect | vs | ||
FlareConnect | vs | ||
MusicCast | vs | ||
Chromecast Built-In | vs | ||
DTS Play-Fi | vs | ||
Works with Amazon Alexa | vs | ||
Works with SONOS | vs | ||
AirPlay | AirPlay 2 via firmware update | vs | AirPlay |
Apple Product Connection | iPod, iPhone and iPad | vs | iPod, iPhone and iPad |
Remote App | (iPhone® / iPad® / Android™ phone / tablet) | vs | (iPhone® / iPad® / Android™ phone / tablet) |
InstaPrevue Input Source Prevue | vs | ||
Ethernet | vs | ||
Ethernet Switch | vs | ||
Wi-Fi | vs | with Wireless Direct | |
Bluetooth | SBC, AAC (compatible with SCMS-T.) | vs | SBC, AAC |
HDBaseT Compatible | vs | ||
Enhanced ARC | via firmware update | vs | via firmware update |
HDCP Version | 2.3 | vs | 2.3 |
HDMI Input | 4 | vs | 4 |
HDMI Output | 1 | vs | 1 |
USB Input | USB memory, Portable Audio Player | vs | USB memory, Portable Audio Player |
USB DC Out Port | vs | ||
Analog Audio Line Input | 4 (1 front) | vs | 4 (1 front) |
Analog Audio Line Output | vs | ||
Phono Input | vs | ||
Optical In | 1 | vs | 1 |
Optical Out | vs | ||
Coaxial In/Out | 2 / | vs | 2 / |
Composite Video Input | 3 | vs | 3 |
Composite Video Output | 1 | vs | 1 |
S-Video Input | vs | ||
S-Video Output | vs | ||
Component Video Input | vs | ||
Component Video Output | vs | ||
PC In | vs | ||
Multi-Channel Input | vs | ||
Analog Pre-Outs | 0.2 | vs | 0.2 |
XLR Inputs | vs | ||
XLR Pre-outs | vs | ||
Front A/V Inputs | USB, mini-jack Audio | vs | USB, mini-jack Audio |
Speaker A/B | vs | ||
Headphone Out | 6.3 mm | vs | 6.3 mm |
ZONES | Yamaha RX-V585 | vs | Yamaha RX-V583 |
---|---|---|---|
Zones | 1 | vs | 1 |
Zone B Video Output | vs | ||
RS-232 | vs | ||
+12V Trigger Output | vs | ||
Remote (IR) Input/Output | 0 / 0 | vs | 0 / 0 |
Party Mode | vs |
MISC | Yamaha RX-V585 | vs | Yamaha RX-V583 |
---|---|---|---|
On-Screen Display | color OSD | vs | color OSD |
SCENE | SCENE (4 sets) | vs | SCENE (4 sets) |
Web Browser Control | vs | ||
PreAmp Mode | vs | ||
Remote Controller | vs | ||
Detachable Power Cord | vs | ||
dockport | vs |
RADIO | Yamaha RX-V585 | vs | Yamaha RX-V583 |
---|---|---|---|
Analog Tuner | FM/AM | vs | FM/AM |
Presets | 40 | vs | 40 |
Digital Radio | vs | ||
Internet Radio | vs | ||
Pandora | vs | ||
Spotify | vs | ||
Tidal | vs | ||
Deezer | vs | ||
Napster | vs |
CONSTRUCTION | Yamaha RX-V585 | vs | Yamaha RX-V583 |
---|---|---|---|
A.R.T. Wedge | vs | ||
Speaker Terminals | 7 | vs | 7 |
Large Speaker Terminals | 7 | vs | 7 |
Color-Coded Speaker Terminals | vs | ||
Gold plated RCA terminals | vs |
POWER | Yamaha RX-V585 | vs | Yamaha RX-V583 |
---|---|---|---|
Power Supply | AC 120 V, 60 Hz | vs | AC 120 V, 60 Hz |
Power Consumption | 260 W | vs | 260 W |
Standby Power | 0.1 W | vs | 0.1 W |
GENERAL | Yamaha RX-V585 | vs | Yamaha RX-V583 |
---|---|---|---|
ECO Mode / Hybrid Standby Function | vs | ||
Auto Power Standby | vs | ||
Dimensions (W x H x D) | 435 mm x 161 mm x 327 mm (with antenna: 435 mm x 225.5 mm x 327 mm) 17-1/8" x 6-3/8" x 12-7/8" (with antenna up: 17-1/8" x 8-7/8" x 12-7/8") | vs | 435 mm x 161 mm x 327 mm (with antenna: 435 mm x 225.5 mm x 327 mm) 17-1/8" x 6-3/8" x 12-7/8" (with antenna up: 17-1/8" x 8-7/8" x 12-7/8") |
Weight | 8.1 kg (17.9 lbs) | vs | 8.1 kg (17.9 lbs) |
Warranty | 2 Years | vs | 2 Years |
SPECS | Yamaha RX-V585 | vs | Yamaha RX-V583 |
---|---|---|---|
Power Output (8 Ω, 20 Hz - 20 kHz, 2 | 80 W (0.09% THD) | vs | 80 W (0.09% THD) |
Power Output (8 Ω, 1 kHz, 2 | 95 W (0.9% THD) | vs | 95 W (0.9% THD) |
Rated Power Output (8 Ω, 1 kHz, 1 channel Driven) | 115 W (0.9% THD) | vs | 115 W (0.9% THD) |
Maximum Effective Output Power (8 Ω, 1 kHz, 1 channel Driven, JEITA) | 140 W (10% THD) | vs | 140 W (10% THD) |
Maximum Effective Power Output (6 Ω, 1 kHz, 1 channel driven, JEITA) | 145 W (10% THD) | vs | 145 W (10% THD) |
Dynamic Power per Channel (2 | 190 W | vs | 190 W |
Dynamic Power per Channel (4 Ω, Front) | 170 W | vs | 170 W |
Dynamic Power per Channel (6 Ω, Front) | 140 W | vs | 140 W |
Dynamic Power per Channel (8 Ω, Front) | 120 W | vs | 120 W |
Damping Factor | 100 (Front, 20 Hz - 20 kHz, 8 Ω) | vs | 100 (Front, 20 Hz - 20 kHz, 8 Ω) |
Input Sensitivity and Impedance (Line) | 200 mV/47 kΩ | vs | 200 mV/47 kΩ |
Maximum Input Sensitivity (Line) | 2.3 V (1 kHz, 0.5% THD) | vs | 2.3 V (1 kHz, 0.5% THD) |
Rated Preout Level and Impedance | 1.0 V/1.2 kΩ (Subwoofer) | vs | 1.0 V/1.2 kΩ (Subwoofer) |
Rated Headphone Jack Output Level and Impedance | 100 mV/470 Ω (1 kHz, 50 mV, 8 Ω) | vs | 100 mV/470 Ω (1 kHz, 50 mV, 8 Ω) |
S/N Ratio (Line, IHF-A) | 110 dB | vs | 110 dB |
Frequency Response (Analog In) | +0/-3 dB (AV 2 etc. to Front, 10 Hz to 100 kHz) | vs | +0/-3 dB (AV 2 etc. to Front, 10 Hz to 100 kHz) |
Residual Noise (IHF-A Network) | 150 µV (Speaker Out) | vs | 150 µV (Speaker Out) |
Channel Separation at 1 kHz/10 kHz (LINE) | 70 dB/50 dB | vs | 70 dB/50 dB |
DSD Sampling Rates via HDMI | 2.8 MHz | vs | 2.8 MHz |
DSD Sampling Rates via USB | 11.2 MHz, 5.6 MHz, 2.8 MHz | vs | 5.6 MHz, 2.8 MHz |
Video Input Sensitivity/Output Level and Impedance | 1 Vp-p/75 Ω (Composite) | vs | 1 Vp-p/75 Ω (Composite) |
Video Maximum Input | 1.5 Vp-p | vs | 1.5 Vp-p |
Video S/N Ratio | 50 dB | vs | 50 dB |
Ethernet Standard | 10BASE-T/100BASE-TX | vs | 10BASE-T/100BASE-TX |
Wi-Fi Standard | IEEE 802.11 a/b/g/n/ac | vs | IEEE 802.11 b/g/n |
Wi-Fi Terminal Frequency | 2.4 GHz, 5 GHz | vs | 2.4 GHz |
Bluetooth Version | 4.2 | vs | 2.1 + EDR |
Bluetooth Frequency | 2.4 GHz | vs | 2.4 GHz |
USB Terminal | USB2.0 5 V, 1 A | vs | USB2.0 5 V, 1 A |
FM Frequency | 87.5 MHz - 107.9 MHz | vs | 87.5 MHz - 107.9 MHz |
FM 50 dB Quiet Sensitivity (IHF, 1 kHz, 100% MOD.) | Mono: 3 µV (20.8 dBf) | vs | Mono: 3 µV (20.8 dBf) |
FM S/N Ratio | Mono/Stereo: 65 dB/64 dB | vs | Mono/Stereo: 65 dB/64 dB |
FM Harmonic Distortion (IHF, 1 kHz) | Mono/Stereo: 0.5%/0.6% | vs | Mono/Stereo: 0.5%/0.6% |
AM Frequency | 530 kHz - 1710 kHz | vs | 530 kHz - 1710 kHz |
* - 480i/576i and 480p/576p only
** - 480i/576i only
*** - no 1080p/24 upconversion
**** - 1080p signal is not converted