Marantz SR6010
Marantz SR6009
Highlights
- 7.2 channels
- 9.2 channel processing
- 110 W (8 Ω, 20 Hz - 20 kHz, 2 channel driven)
- Dolby Atmos, DTS:X capable
- HDR10, Dolby Vision, 4K Upscaling, 4K Passthrough
- AirPlay, DLNA
- Ethernet, Wi-Fi, Bluetooth
- USB and Phono inputs
Highlights
- 7.2 channels
- 7.1 channel processing
- 110 W (8 Ω, 20 Hz - 20 kHz, 2 channel driven)
- 4K Upscaling, 4K Passthrough
- AirPlay, DLNA
- Ethernet, Wi-Fi, Bluetooth
- USB and Phono inputs
Disclosure: We earn money from the affiliate links to products associated with content in this article.
Overview
Here we are comparing Marantz SR6010 to Marantz SR6009 to reveal their common strengths and weaknesses as well as the differences between them which will help you in making a correct decision before the purchase. Both receivers have 7 channel and equally powerful amplifiers.
We have evaluated both receivers. Marantz SR6010 gets higher overall score in our ranking system which is based on the amplifier specifications, audio and video features, connectivity, multizone capabilities, radio and many other details.
Marantz SR6010
Marantz SR6009
Amplifier score is based on power ratings, minimum impedance load, power supply, transformer type, total harmonic distortion, damping factor, signal to noise ratio and other small details. Audio score depends on the number of channels, front wide channel support, maximum channel processing, support of audio formats, DAC specifications, room calibration algorithm... Video score is based on HDR, Dolby Vision and 4K passthrough, upscaling, analog to HDMI upconversion. Connectivity score is defined from all wired and wireless inputs and outputs, internet and bluetooth connections, HEOS, SONOS and others. Multizone score depends on the number of zones with their outputs. Radio score is evaluated form digital radio support and analog tuner with its frequency range, signal to noise ratio, harmonic distortion...
Advantage of Marantz SR6010
This section shows those features and specifications which are the reason to choose Marantz SR6010 over Marantz SR6009.
Marantz SR6010 has more channel processing, more advanced room correction system and more analog pre-outs. It supports Dolby Atmos and DTS:X. In video department only Marantz SR6010 supports HDR10, Dolby Vision and Hybrid Log Gamma.
| Marantz SR6010 | vs | Marantz SR6009 | |
|---|---|---|---|
| More Channel Processing | 9.2 | vs | 7.1 |
| Dolby Atmos | up to 5.1.4 or 7.1.2 with external amp | vs | |
| Dolby Surround Upmixer | vs | ||
| DTS:X | up to 5.1.4 or 7.1.2 with external amp | vs | |
| DTS Neural:X | vs | ||
| Audyssey LFC | vs | ||
| Audyssey Sub EQ HT | vs | ||
| Independent Dual Subwoofer Output | vs | ||
| More Advanced Auto Speaker Calibration System | Audyssey MultEQ XT32 + PRO | vs | Audyssey MultEQ XT + PRO |
| HDR10 | vs | ||
| BT.2020 color space | vs | ||
| Dolby Vision | vs | ||
| HLG | vs | ||
| More Analog Pre-Outs | 13.2 | vs | 7.2 |
| More Speaker Terminals | 11 | vs | 9 |
| More Large Speaker Terminals | 11 | vs | 9 |
Advantage of Marantz SR6009
This section shows those features and specifications which are the reason to choose Marantz SR6010 over Marantz SR6009.
Marantz SR6010 has more channel processing, more advanced room correction system and more analog pre-outs. It supports Dolby Atmos and DTS:X. In video department only Marantz SR6010 supports HDR10, Dolby Vision and Hybrid Log Gamma.
| Marantz SR6010 | vs | Marantz SR6009 | |
|---|---|---|---|
| Dolby Pro Logic | vs | PLIIz | |
| DTS Neo | vs | Neo:X |
Common Strengths and Weaknesses
Here we list common strengths and weaknesses of both receivers.
PROS |
|---|
| 👍 Front Wide Channel Support |
| 👍 HDAM |
| 👍 Certified 4 Ω Performance |
| 👍 Bi-amp Capability |
| 👍 Dolby TrueHD |
| 👍 Dolby Digital Plus |
| 👍 Dolby Digital EX |
| 👍 DTS-HD Master Audio |
| 👍 DTS-HD High Resolution Audio |
| 👍 DTS 96/24 |
| 👍 DTS Express |
| 👍 DTS-ES |
| 👍 High Resolution Music Playback via USB and/or Network |
| 👍 Gapless Playback |
| 👍 DSD via HDMI |
| 👍 DSD via USB |
| 👍 Dialog Level Adjustment |
| 👍 Dialog Normalization |
| 👍 Compressed Music Enhancer |
| 👍 Audyssey Dynamic EQ |
| 👍 Audyssey Dynamic Volume |
| 👍 Audyssey DSX |
| 👍 Auto Speaker Calibration System with Mic. |
| 👍 Optimized Bass Redirection |
| 👍 3-D Ready |
| 👍 4K or 8K Video Passthrough |
| 👍 4K or 8K Signal Upscaling |
| 👍 Analog To HDMI Upconversion |
| 👍 DLNA 1.5 |
| 👍 Ethernet |
| 👍 Wi-Fi |
| 👍 Bluetooth |
| 👍 New HDCP Version |
| 👍 Many HDMI Inputs |
| 👍 USB Input |
| 👍 Many Analog Audio Line Inputs |
| 👍 Phono Input |
| 👍 Composite Video Inputs |
| 👍 Composite Video Outputs |
| 👍 Component Video Inputs |
| 👍 Component Video Outputs |
| 👍 Multi-Channel Input |
| 👍 Analog Pre-Outs |
| 👍 Zones |
| 👍 Detachable Power Cord |
| 👍 Analog Tuner |
| 👍 Pandora |
| 👍 Spotify |
| 👍 SiriusXM Internet Radio |
CONS |
|---|
| 👍 No Dolby Atmos Height Virtualization |
| 👍 No DTS Virtual:X |
| 👍 No IMAX Enhanced |
| 👍 No Auro 3D with Auro-Matic Upmixer |
| 👍 No DTS Dialog Control |
| 👍 No High-resolution Music Enhancer |
| 👍 No Audyssey App Support |
| 👍 No HDR10+ |
| 👍 No HEOS |
| 👍 No Chromecast Built-In |
| 👍 Does not Work with Amazon Alexa |
| 👍 Does Not Work with SONOS |
| 👍 No eARC |
| 👍 No Tidal |
| 👍 No Deezer |
| 👍 No Napster |
| 👍 Old Bluetooth Version |
Amplifier
Marantz SR6010 and Marantz SR6009 have 7 channel amplifiers. They both deliver 110 W (8 Ω, 20 Hz - 20 kHz, 2 channel driven) and have stable performance at 4 Ω load.
Video Features
Both receivers support 4K passthrough up to 60p. They both do 4K upscaling up to 60p. Marantz SR6010 supports HDR10, Dolby Vision.
HDR10
High-dynamic-range (HDR) video has greater dynamic range than standard-dynamic-range (SDR) video with brigter whites and deeper blacks. HDR10 was announced on August 27, 2015, by the Consumer Technology Association and uses the wide-gamut Rec. 2020 color space. It sends static metadata via video stream to the TV which calibrates its screen brightness and color according to that. HDR10 supports up to 1000 nits of brightness and 10-bit color which corresponds to 1024 shades of the primary RGB colors.
Dolby Vision
Dolby Vision is an update to HDR10 by adding dynamic metadata that can be used to more accurately adjust brightness levels up to 10,000 nits maximum brightness on a scene-by-scene or frame-by-frame basis and supports up to 12-bit color depth (4096 shades of RGB) and 8K resolution.
Dolby Atmos and Dolby Surround upmixer
Marantz SR6010 supports Dolby Atmos with its Dolby Surround upmixer. It can be configured upto 5.1.2 channels using internal amplifiers or upto 7.1.2 or 5.1.4 channels by adding 2 channel external amplifier.
Dolby Atmos is the first cinematic audio format in which sounds exist as individual entities, called audio objects. In Dolby Atmos, any sound - the helicopter, a car screeching around a corner, a melodic bird call - can exist as an independent audio object, free of channel restrictions. They can be precisely placed and moved anywhere in your room, including overhead, to flow above and around you in three-dimensional space. Through the use of audio objects, overhead sound, and all the richness, clarity, and power of Dolby sound, Dolby Atmos turns your room into an amazing place for entertainment. You'll feel like you're inside the action, in ways you've never experienced before.
Dolby Atmos for the home represents every sound in the original cinema mix as an audio object. Extensions to the Dolby Audio™ codecs, along with an advanced scalable algorithm, allow Dolby Atmos to be delivered via Blu-ray Disc and streaming media. A spatially-coded substream is added to Dolby TrueHD or Dolby Digital Plus. A Dolby Atmos audio/video receiver (AVR) adapts the cinema experience to your home theater from seven speakers to as many as 34 in 24.1.10 configuration, recreating the original artistic concept. The format supports up to 128 simultaneous independent audio objects in a mix for rich, realistic, and breathtaking sound. It recreates the director's original concept through descriptive metadata to provide customized playback for home theater and delivers sounds above you through overhead speakers, special upward-firing Dolby Atmos speakers, or a Dolby Atmos enabled sound bar.
If the content is not mixed in Dolby Atmos then the Dolby surround upmixer will expand the audio to all channels including ceiling speakers. The upmixer has replaced the Dolby Pro Logic II family with improved upmixing algorithms.
DTS:X and Neural:X upmixer
Marantz SR6010 supports DTS:X. It can be configured upto 5.1.2 channels using internal amplifiers or upto 7.1.2 or 5.1.4 channels by adding 2 channel external amplifier.
A technique used in DTS:X is similar to the one used in Dolby Atmos. Instead of a fixed number of channels, DTS:X defines object locations from the listener in polar coordinates. An a/v receiver then dynamically renders sound according to the current speaker configuration. The speaker layout employed by DTS:X is the sum of Dolby Atmos and Auro-3D. It has standard 7.1 channel base layer, a 5 channel height layer above the base layer on the front and side walls, and 3 rows of speakers on the ceiling.
DTS Neural:X is an upmixer that can take non DTS:X content and upmix it to the DTS:X speaker layout. It has replaced the DTS Neo family with improved flexibility.
Current Feedback Topology
Marantz SR6010 and Marantz SR6009 feature Current Feedback Topology which is a well known, Marantz’ original circuit technology. The Current Feedback amplifier technology fits perfectly with the high requirements set for Super Audio software providing wide-bandwidth, high-speed reproduction. The impedance at the Current Feedback point is limited resulting in a very low phase shift. Marantz receivers and amplifiers equipped with Current Feedback can keep the phase compensation via Negative FeedBack (NFB) to a minimum, resulting in high through-rate, excellent transient response and superb sonic transparency for the full bandwidth. Unlike conventional Voltage Feedback amplification, the Current Feedback amplification makes the power amplifier in-sensitive to difficult loudspeaker loads.
HDAM
Marantz SR6010 and Marantz SR6009 feature exclusive Marantz HDAM (Hyper Dynamic Amplifier Module) technology found on their Reference Series components. Marantz developed its own discrete circuit boards to replace standard IC's. These HDAM's consist of discrete surface mount components with short mirror image L/R signal paths. Those devices are doing exactly the same thing as the Op-Amps, but outperform the regular IC Op-amps dramatically in terms of the Slew Rate and reduced noise level, resulting in a much more dynamic, accurate and detailed sound. Over the years Marantz developed different types of the HDAM to improve quality and to fit to the special requirements of a product category like CD or amplifier.
MDAX2
Compressed music enhancement in Marantz SR6010 and Marantz SR6009 is done by Marantz’ MDAX2 technology. The use of compressed audio files like MP3, Windows Media™ Audio or AAC is getting more and more popular. The audio quality of these compressed files however is less than the original lossless files that are on a CD, especially lacking the higher frequencies and affecting the lower frequencies which make the audio image less wide and deep. The Marantz Digital Audio Expander 2, also called M-DAX2, recalculates the outputted frequency range. This enables you to get a more detailed and clearer sound.
Connectivity
Marantz SR6010
Marantz SR6010 can be connected to internet using ethernet cable or built-in wi-fi adapter. It can also connect to bluetooth devices via built-in bluetooth adapter. The Receiver supports AirPlay. It has 8 HDMI inputs with HDCP 2.2 copy protection. There is a phono input with built-in phono stage for connecting the cartridge output of the turntable directly to the Receiver. There are 7.1 multi-channel analog inputs and 13.2 channel analog pre-outs for external amplification.
Front panel has HDMI, USB, Composite and L/R Audio inputs.
Marantz SR6009
Marantz SR6009 can be connected to internet using ethernet cable or built-in wi-fi adapter. It can also connect to bluetooth devices via built-in bluetooth adapter. The Receiver supports AirPlay. It has 8 HDMI inputs with HDCP 2.2 copy protection. There is a phono input with built-in phono stage for connecting the cartridge output of the turntable directly to the Receiver. There are 7.1 multi-channel analog inputs and 7.2 channel analog pre-outs for external amplification.
Front panel has HDMI, USB, Composite and L/R Audio inputs.
Side by Side Comparison
And in the end let us list the detailed specifications of the receivers side-by-side.
Note: The following table shows only those details which are applicable for both models and excludes the ones that are applicable for only one model. If you want to see a full list of specs for each model please visit their individual pages here - Marantz SR6010 and here - Marantz SR6009.
| BASICS | Marantz SR6010 | vs | Marantz SR6009 |
|---|---|---|---|
| Brand | Marantz | vs | Marantz |
| Model | SR6010 | vs | SR6009 |
| Type | A/V Receiver | vs | A/V Receiver |
| Country | USA | vs | USA |
| Release Year | 2015 | vs | 2014 |
| AMPLIFIER | Marantz SR6010 | vs | Marantz SR6009 |
|---|---|---|---|
| Channels | 7.2 | vs | 7.2 |
| Front Wide Channel Support | vs | ||
| Current Feedback Topology | vs | ||
| Discrete Amplification | vs | ||
| HDAM | vs | ||
| THX™ Certification | vs | ||
| Continuous 6 Ω Rated | vs | ||
| Certified 4 Ω Performance | vs | ||
| Bi-amp Capability | assignable | vs | assignable |
| AUDIO | Marantz SR6010 | vs | Marantz SR6009 |
|---|---|---|---|
| Maximum Channel Processing | 9.2 | vs | 7.1 |
| Air Studios Monitor Certification | vs | ||
| Dolby Atmos | up to 5.1.4 or 7.1.2 with external amp | vs | |
| Dolby Atmos Height Virtualization | vs | ||
| Dolby TrueHD | vs | ||
| Dolby Digital Plus | vs | ||
| Dolby Surround Upmixer | vs | ||
| Dolby Pro Logic | vs | PLIIz | |
| Dolby Digital EX | vs | ||
| Surround EX | vs | ||
| DTS:X | up to 5.1.4 or 7.1.2 with external amp | vs | |
| DTS Neural:X | vs | ||
| DTS Virtual:X | vs | ||
| DTS Neo | vs | Neo:X | |
| DTS-HD Master Audio | vs | ||
| DTS-HD High Resolution Audio | vs | ||
| DTS 96/24 | vs | ||
| DTS Express | vs | ||
| DTS-ES | Discrete 6.1, Matrix 6.1 | vs | Discrete 6.1, Matrix 6.1 |
| IMAX Enhanced | vs | ||
| Auro 3D with Auro-Matic Upmixer | vs | ||
| PCM | 2-ch/Multi-ch Input | vs | 2-ch/Multi-ch Input |
| Music Playback via USB | MP3, WMA, AAC, Apple Lossless, WAV, FLAC, AIFF, DSD | vs | MP3, WMA, AAC, Apple Lossless, WAV, FLAC, AIFF, DSD |
| High Resolution Music Playback via USB and/or Network | up to 192 kHz | vs | up to 192 kHz |
| High Resolution Audio Formats via USB | Apple Lossless, WAV, FLAC, AIFF, DSD | vs | Apple Lossless, WAV, FLAC, AIFF, DSD |
| Multi-Channel Music File Playback via USB | vs | ||
| Gapless Playback | vs | ||
| DSD via HDMI | 2-ch/Multi-ch Input | vs | 2-ch/Multi-ch Input |
| DSD via USB | 2-ch Input | vs | 2-ch Input |
| DSD to PCM Converter | vs | ||
| USB DAC | vs | ||
| Jitter Reduction | vs | ||
| DTS Dialog Control | vs | ||
| Dialog Enhancement | vs | ||
| Dialog Level Adjustment | vs | ||
| Dialog Normalization | vs | ||
| Dialogue Lift | vs | ||
| Compressed Music Enhancer | MDAX2 | vs | MDAX2 |
| High-resolution Music Enhancer | vs | ||
| Audyssey Dynamic EQ | vs | ||
| Audyssey Dynamic Volume | vs | ||
| Audyssey LFC | vs | ||
| Audyssey Sub EQ HT | vs | ||
| Audyssey DSX | vs | ||
| Direct Mode | vs | ||
| Pure Direct Mode | vs | ||
| Independent Dual Subwoofer Output | vs |
| CALIBRATION | Marantz SR6010 | vs | Marantz SR6009 |
|---|---|---|---|
| Auto Speaker Calibration System with Mic. | Audyssey MultEQ XT32 + PRO | vs | Audyssey MultEQ XT + PRO |
| Audyssey App Support | vs | ||
| Optimized Bass Redirection | vs | ||
| Bass Sync | vs |
| VIDEO | Marantz SR6010 | vs | Marantz SR6009 |
|---|---|---|---|
| HDR10 | vs | ||
| HDR10+ | vs | ||
| BT.2020 color space | vs | ||
| Dolby Vision | vs | ||
| HLG (Hybrid Log Gamma) | vs | ||
| QMS (Quick Media Switching) | vs | ||
| ALLM (Auto Low Latency Mode) | vs | ||
| VRR (Variable Refresh Rate) | vs | ||
| QFT (Quick Frame transport) | vs | ||
| 3-D Ready | vs | ||
| Video Signal Passthrough | up to 4K 50/60Hz 4:4:4 | vs | up to 4K 50/60Hz 4:4:4 |
| Video Signal Upscaling | up to 4K 50/60Hz 4:4:4 | vs | up to 4K 50/60Hz 4:4:4 |
| Analog To HDMI Upconversion | Component, Composite | vs | Component, Composite |
| Component Video Upscaling | vs | ||
| Analog to Analog Video conversion | vs | ||
| Component Video Maximum Resolution | 1080p | vs | 1080p |
| isf Certified Calibration Control | vs |
| CONNECTIVITY | Marantz SR6010 | vs | Marantz SR6009 |
|---|---|---|---|
| MHL Input | vs | ||
| DLNA 1.5 | vs | ||
| FireConnect | vs | ||
| FlareConnect | vs | ||
| Domotz Pro Compatible | vs | ||
| Remote Monitoring with ihiji | vs | ||
| OvrC Compatible | vs | ||
| HEOS | vs | ||
| Chromecast Built-In | vs | ||
| DTS Play-Fi | vs | ||
| Works with Amazon Alexa | vs | ||
| Works with SONOS | vs | ||
| AirPlay | AirPlay | vs | AirPlay |
| Apple Product Connection | iPod, iPhone and iPad | vs | iPod, iPhone and iPad |
| Remote App | Marantz Remote App for iOS and Android devices | vs | Marantz Remote App for iOS and Android devices |
| InstaPrevue Input Source Prevue | vs | ||
| Ethernet | vs | ||
| Ethernet Switch | vs | ||
| Wi-Fi | vs | ||
| Bluetooth | vs | ||
| HDBaseT Compatible | vs | ||
| Enhanced ARC | vs | ||
| HDCP Version | 2.2 | vs | 2.2 |
| HDMI Input | 8 (1 front) | vs | 8 (1 front) |
| HDMI Output | 2 (1 for MAIN, 1 for ZONE2) | vs | 2 (1 for MAIN, 1 for ZONE2) |
| USB Input | 1 (Front) for USB memory | vs | 1 (Front) for iPod/iPhone and USB memory |
| USB DC Out Port | vs | ||
| Analog Audio Line Input | 6 (1 front) | vs | 6 (1 front) |
| Analog Audio Line Output | vs | ||
| Phono Input | vs | ||
| Optical In | 2 | vs | 2 |
| Optical Out | vs | ||
| Coaxial In/Out | 2 / | vs | 2 / |
| Composite Video Input | 4 (1 front) | vs | 4 (1 front) |
| Composite Video Output | 1 | vs | 1 |
| S-Video Input | vs | ||
| S-Video Output | vs | ||
| Component Video Input | 2 | vs | 2 |
| Component Video Output | 1 | vs | 1 |
| PC In | vs | ||
| Multi-Channel Input | 7.1 | vs | 7.1 |
| Analog Pre-Outs | 13.2 | vs | 7.2 |
| XLR Inputs | vs | ||
| XLR Pre-outs | vs | ||
| Front A/V Inputs | HDMI, USB, Composite, L/R Audio | vs | HDMI, USB, Composite, L/R Audio |
| Speaker A/B | assignable | vs | assignable |
| Headphone Out | 6.3 mm | vs | 6.3 mm |
| ZONES | Marantz SR6010 | vs | Marantz SR6009 |
|---|---|---|---|
| Zones | 2 | vs | 2 |
| Powered Zones | 2 | vs | 2 |
| Zone 2 | HDMI, Pre Out | vs | HDMI, Pre Out |
| RS-232 | vs | ||
| +12V Trigger Output | 1 | vs | 1 |
| MISC | Marantz SR6010 | vs | Marantz SR6009 |
|---|---|---|---|
| On-Screen Display | Advanced Graphic User Interface | vs | Advanced Graphic User Interface |
| GUI Languages | 3 | vs | 3 |
| Web Browser Control | vs | ||
| IP Control for CI | vs | ||
| FL Display | port hole | vs | port hole |
| Remote Controller | RC025SR | vs | RC025SR |
| Pre-programmed / Learnable / LCD Display | / / | vs | / / |
| Detachable Power Cord | vs | ||
| Flasher In | vs | ||
| Remote Control In/Out | 1 / 1 | vs | 1 / 1 |
| Setup Assistant | vs |
| RADIO | Marantz SR6010 | vs | Marantz SR6009 |
|---|---|---|---|
| Analog Tuner | FM/AM | vs | FM/AM |
| Digital Radio | vs | ||
| Internet Radio | vs | ||
| Pandora | vs | ||
| Spotify | vs | ||
| Tidal | vs | ||
| Deezer | vs | ||
| Napster | vs | ||
| SiriusXM Internet Radio | vs |
| CONSTRUCTION | Marantz SR6010 | vs | Marantz SR6009 |
|---|---|---|---|
| Chassis | Big trapdoor design | vs | Trapdoor design |
| Front Panel | Aluminum | vs | Aluminum |
| Solid Aluminum Front | vs | ||
| Speaker Terminals | 11 | vs | 9 |
| Large Speaker Terminals | 11 | vs | 9 |
| Color-Coded Speaker Terminals | vs | ||
| Transparent High-Grade Speaker Terminals | vs | ||
| High Grade Audio Components | vs | ||
| Gold plated RCA terminals | vs |
| POWER | Marantz SR6010 | vs | Marantz SR6009 |
|---|---|---|---|
| Power Supply | AC 120 V, 60 Hz | vs | AC 120 V, 60 Hz |
| Power Consumption | 650 W | vs | 650 W |
| No Sound Power | ECO On/Off: 50 W/80 W | vs | ECO On/Off: 50 W/80 W |
| Standby Power | 0.2 W | vs | 0.2 W |
| GENERAL | Marantz SR6010 | vs | Marantz SR6009 |
|---|---|---|---|
| ECO Mode / Hybrid Standby Function | vs | ||
| Auto Power off | vs | ||
| Dimensions (W x H x D) | 440 mm x 161 mm x 398 mm (with antenna: 440 mm x 229 mm x 398 mm) 17-3/8" x 6-3/8" x 15-3/4" (with antenna up: 17-3/8" x 9-1/8" x 15-3/4") | vs | 440 mm x 161 mm x 398 mm (with antenna: 440 mm x 229 mm x 398 mm) 17-3/8" x 6-3/8" x 15-3/4" (with antenna up: 17-3/8" x 9-1/8" x 15-3/4") |
| Weight | 11.6 kg (25 lbs 9 oz) | vs | 11.4 kg (25 lbs 2 oz) |
| Warranty | 3 Years | vs | 3 Years |
| SPECS | Marantz SR6010 | vs | Marantz SR6009 |
|---|---|---|---|
| Power Output (8 Ω, 20 Hz - 20 kHz, 2 | 110 W (0.08% THD) | vs | 110 W (0.08% THD) |
| Power Output (6 Ω, 1 kHz, 2 | 150 W (0.7% THD) | vs | 150 W (0.7% THD) |
| Rated Power Output (6 Ω, 1 kHz, 1 channel driven, IEC) | 185 W (1% THD) | vs | 185 W (1% THD) |
| THD digital | 0.008% (1 kHz, at 0 dB) | vs | 0.008% (1 kHz, at 0 dB) |
| Analog Distortion | 0.005% (20 Hz-20 kHz, Direct mode) | vs | 0.005% (20 Hz-20 kHz, Direct mode) |
| Phono Distortion | 0.03% (1 kHz, 3 V) | vs | 0.03% (1 kHz, 3 V) |
| Input Sensitivity and Impedance (Line) | 200 mV/47 kΩ | vs | 200 mV/47 kΩ |
| Input Sensitivity and Impedance (Phono MM) | 2.5 mV | vs | 2.5 mV |
| Rated Output digital | 2 V (at 0 dB playback) | vs | 2 V (at 0 dB playback) |
| S/N Ratio (Line, IHF-A) | 100 dB | vs | 100 dB |
| S/N Ratio (Phono MM, IHF-A) | 74 dB | vs | 74 dB |
| S/N Ratio (digital) | 102 dB | vs | 102 dB |
| Dynamic Range (digital) | 100 dB | vs | 100 dB |
| Phono RIAA Deviation | ±1 dB (20 Hz to 20 kHz) | vs | ±1 dB (20 Hz to 20 kHz) |
| Frequency Response (Analog In) | +1/-3 dB (10 Hz to 100 kHz, Direct mode) | vs | +1/-3 dB (10 Hz to 100 kHz, Direct mode) |
| DSD Sampling Rates via HDMI | 2.8 MHz | vs | 2.8 MHz |
| DSD Sampling Rates via USB | 2.8 MHz | vs | 2.8 MHz |
| Video Input Sensitivity/Output Level and Impedance | 1 Vp-p/75 Ω (Component Y) 0.7 Vp-p/75 Ω (Component PB/CB, PR/CR) 1 Vp-p/75 Ω (Composite) | vs | 1 Vp-p/75 Ω (Component Y) 0.7 Vp-p/75 Ω (Component PB/CB, PR/CR) 1 Vp-p/75 Ω (Composite) |
| Video Frequency Response | 5 Hz to 60 MHz, 0 dB/-3 dB (Component) 5 Hz to 10 MHz, 0 dB/-3 dB (Composite) | vs | 5 Hz to 60 MHz, 0 dB/-3 dB (Component) 5 Hz to 10 MHz, 0 dB/-3 dB (Composite) |
| Ethernet Standard | 100BASE-TX | vs | 100BASE-TX |
| Wi-Fi Standard | IEEE 802.11 b/g/n | vs | IEEE 802.11 b/g/n |
| Wi-Fi Terminal Frequency | 2.4 GHz | vs | 2.4 GHz |
| Bluetooth Version | 2.1 + EDR | vs | 2.1 + EDR |
| Bluetooth Frequency | 2.4 GHz | vs | 2.4 GHz |
| USB Terminal | USB2.0 5V, 1 A | vs | USB2.0 5V, 1 A |
| FM Frequency | 87.5 MHz - 107.9 MHz | vs | 87.5 MHz - 107.9 MHz |
| FM 50 dB Quiet Sensitivity (IHF, 1 kHz, 100% MOD.) | Mono: 2.8 µV (20.2 dBf) | vs | Mono: 2.8 µV (20.2 dBf) |
| FM Effective Sensitivity | 1.2 µV (12.8 dBf) | vs | 1.2 µV (12.8 dBf) |
| FM S/N Ratio | Mono/Stereo: 70 dB/67 dB | vs | Mono/Stereo: 70 dB/67 dB |
| FM Harmonic Distortion (IHF, 1 kHz) | Mono/Stereo: 0.7%/1.0% | vs | Mono/Stereo: 0.7%/1.0% |
| AM Frequency | 530 kHz - 1710 kHz | vs | 530 kHz - 1710 kHz |
| AM Effective Sensitivity | 18 µV | vs | 18 µV |
* - 480i/576i and 480p/576p only
** - 480i/576i only
*** - no 1080p/24 upconversion
**** - 1080p signal is not converted
