Marantz SR5015
Marantz SR5014
Highlights
- 7.2 channels
- 7.1 channel processing
- 100 W (8 Ω, 20 Hz - 20 kHz, 2 channel driven)
- Dolby Atmos, DTS:X capable
- HDR10, HDR10+, Dolby Vision, 8K Upscaling, 8K Passthrough
- AirPlay 2, DLNA, HEOS
- Ethernet, Wi-Fi, Bluetooth
- USB and Phono inputs
Highlights
- 7.2 channels
- 7.1 channel processing
- 100 W (8 Ω, 20 Hz - 20 kHz, 2 channel driven)
- Dolby Atmos, DTS:X capable
- HDR10, Dolby Vision, 4K Upscaling, 4K Passthrough
- AirPlay 2, DLNA, HEOS
- Ethernet, Wi-Fi, Bluetooth
- USB and Phono inputs
Disclosure: We earn money from the affiliate links to products associated with content in this article.
Overview
Here we are comparing Marantz SR5015 to Marantz SR5014 to reveal their common strengths and weaknesses as well as the differences between them which will help you in making a correct decision before the purchase. Both receivers have 7 channel and equally powerful amplifiers.
We have evaluated both receivers. Marantz SR5015 gets higher overall score in our ranking system which is based on the amplifier specifications, audio and video features, connectivity, multizone capabilities, radio and many other details.
Marantz SR5015
Marantz SR5014
Amplifier score is based on power ratings, minimum impedance load, power supply, transformer type, total harmonic distortion, damping factor, signal to noise ratio and other small details. Audio score depends on the number of channels, front wide channel support, maximum channel processing, support of audio formats, DAC specifications, room calibration algorithm... Video score is based on HDR, Dolby Vision and 4K passthrough, upscaling, analog to HDMI upconversion. Connectivity score is defined from all wired and wireless inputs and outputs, internet and bluetooth connections, HEOS, SONOS and others. Multizone score depends on the number of zones with their outputs. Radio score is evaluated form digital radio support and analog tuner with its frequency range, signal to noise ratio, harmonic distortion...
Advantage of Marantz SR5015
This section shows those features and specifications which are the reason to choose Marantz SR5015 over Marantz SR5014.
Marantz SR5015 has higher bluetooth standard.
| Marantz SR5015 | vs | Marantz SR5014 | |
|---|---|---|---|
| Jitter Reduction | Hybrid PLL Clock Jitter Reducer | vs | |
| HDR10+ | vs | ||
| QMS | vs | ||
| Auto Low Latency Mode Pass-through | vs | ||
| VRR | vs | ||
| QFT | vs | ||
| Video Signal Passthrough | up to 8K 50/60Hz and 4K 100/120Hz 4:4:4 | vs | up to 4K 50/60Hz 4:4:4 |
| Video Signal Upscaling | up to 8K 50/60Hz and 4K 100/120Hz 4:4:4 | vs | up to 4K 24/25/30p 4:4:4 |
| Newer Bluetooth Version | 4.2 | vs | 4.1 |
Advantage of Marantz SR5014
This section shows those features and specifications which are the reason to choose Marantz SR5015 over Marantz SR5014.
Marantz SR5015 has higher bluetooth standard.
| Marantz SR5015 | vs | Marantz SR5014 | |
|---|---|---|---|
| More HDMI Inputs | 6 (one 8K input) | vs | 8 (1 front) |
| Front A/V Inputs | USB | vs | HDMI, USB |
Common Strengths and Weaknesses
Here we list common strengths and weaknesses of both receivers.
PROS |
|---|
| 👍 HDAM |
| 👍 Certified 4 Ω Performance |
| 👍 Bi-amp Capability |
| 👍 Dolby Atmos |
| 👍 Dolby Atmos Height Virtualization |
| 👍 Dolby TrueHD |
| 👍 Dolby Digital Plus |
| 👍 Dolby Surround Upmixer |
| 👍 Dolby Digital EX |
| 👍 DTS:X |
| 👍 DTS Neural:X |
| 👍 DTS Virtual:X |
| 👍 DTS-HD Master Audio |
| 👍 DTS-HD High Resolution Audio |
| 👍 DTS 96/24 |
| 👍 DTS Express |
| 👍 DTS-ES |
| 👍 High Resolution Music Playback via USB and/or Network |
| 👍 Gapless Playback |
| 👍 DSD via USB |
| 👍 DTS Dialog Control |
| 👍 Dialog Level Adjustment |
| 👍 Dialog Normalization |
| 👍 Compressed Music Enhancer |
| 👍 Audyssey Dynamic EQ |
| 👍 Audyssey Dynamic Volume |
| 👍 Auto Speaker Calibration System with Mic. |
| 👍 Audyssey App Support |
| 👍 Optimized Bass Redirection |
| 👍 HDR10 |
| 👍 BT.2020 color space |
| 👍 Dolby Vision |
| 👍 HLG |
| 👍 3-D Ready |
| 👍 4K or 8K Video Passthrough |
| 👍 4K or 8K Signal Upscaling |
| 👍 Analog To HDMI Upconversion |
| 👍 DLNA 1.5 |
| 👍 Domotz Pro Compatible |
| 👍 OvrC Compatible |
| 👍 HEOS |
| 👍 Works with Amazon Alexa |
| 👍 Google assistant |
| 👍 Apple Siri |
| 👍 Ethernet |
| 👍 Wi-Fi |
| 👍 Bluetooth |
| 👍 eARC |
| 👍 New HDCP Version |
| 👍 USB Input |
| 👍 Phono Input |
| 👍 Composite Video Inputs |
| 👍 Composite Video Outputs |
| 👍 Component Video Inputs |
| 👍 Component Video Outputs |
| 👍 Analog Pre-Outs |
| 👍 Zones |
| 👍 Detachable Power Cord |
| 👍 Analog Tuner |
| 👍 Spotify |
| 👍 Tidal |
| 👍 Deezer |
| 👍 Napster |
| 👍 New Bluetooth Version |
CONS |
|---|
| 👍 No Front Wide Channel Support |
| 👍 No IMAX Enhanced |
| 👍 No Auro 3D with Auro-Matic Upmixer |
| 👍 No DSD via HDMI |
| 👍 No High-resolution Music Enhancer |
| 👍 No Chromecast Built-In |
| 👍 Does Not Work with SONOS |
| 👍 No Multi-Channel Input |
| 👍 No Pandora |
| 👍 No SiriusXM Internet Radio |
Amplifier
Marantz SR5015 and Marantz SR5014 have 7 channel amplifiers. They both deliver 100 W (8 Ω, 20 Hz - 20 kHz, 2 channel driven) and have stable performance at 4 Ω load. Since 2016 all receiver manufacturers have dropped front wide channel support and these models are no exceptions.
Video Features
Marantz SR5015 supports 8K passthrough up to 60p and Marantz SR5014 supports 4K passthrough up to 60p. Marantz SR5015 can do 8K upscaling up to 60p and Marantz SR5014 can do 4K upscaling up to 30p. Marantz SR5015 supports HDR10, HDR10+, Dolby Vision and Marantz SR5014 supports HDR10, Dolby Vision.
HDR10
High-dynamic-range (HDR) video has greater dynamic range than standard-dynamic-range (SDR) video with brigter whites and deeper blacks. HDR10 was announced on August 27, 2015, by the Consumer Technology Association and uses the wide-gamut Rec. 2020 color space. It sends static metadata via video stream to the TV which calibrates its screen brightness and color according to that. HDR10 supports up to 1000 nits of brightness and 10-bit color which corresponds to 1024 shades of the primary RGB colors.
Dolby Vision and HDR10+
Dolby Vision and HDR10+ are both updates to HDR10 by adding dynamic metadata that can be used to more accurately adjust brightness levels up to 10,000 nits maximum brightness on a scene-by-scene or frame-by-frame basis and support up to 12-bit color depth (4096 shades of RGB) and 8K resolution.
Dolby Atmos and Dolby Surround upmixer
Marantz SR5015 and Marantz SR5014 support Dolby Atmos with its Dolby Surround upmixer. They can be configured upto 5.1.2 channels using internal amplifiers.
Dolby Atmos is the first cinematic audio format in which sounds exist as individual entities, called audio objects. In Dolby Atmos, any sound - the helicopter, a car screeching around a corner, a melodic bird call - can exist as an independent audio object, free of channel restrictions. They can be precisely placed and moved anywhere in your room, including overhead, to flow above and around you in three-dimensional space. Through the use of audio objects, overhead sound, and all the richness, clarity, and power of Dolby sound, Dolby Atmos turns your room into an amazing place for entertainment. You'll feel like you're inside the action, in ways you've never experienced before.
Dolby Atmos for the home represents every sound in the original cinema mix as an audio object. Extensions to the Dolby Audio™ codecs, along with an advanced scalable algorithm, allow Dolby Atmos to be delivered via Blu-ray Disc and streaming media. A spatially-coded substream is added to Dolby TrueHD or Dolby Digital Plus. A Dolby Atmos audio/video receiver (AVR) adapts the cinema experience to your home theater from seven speakers to as many as 34 in 24.1.10 configuration, recreating the original artistic concept. The format supports up to 128 simultaneous independent audio objects in a mix for rich, realistic, and breathtaking sound. It recreates the director's original concept through descriptive metadata to provide customized playback for home theater and delivers sounds above you through overhead speakers, special upward-firing Dolby Atmos speakers, or a Dolby Atmos enabled sound bar.
If the content is not mixed in Dolby Atmos then the Dolby surround upmixer will expand the audio to all channels including ceiling speakers. The upmixer has replaced the Dolby Pro Logic II family with improved upmixing algorithms.
DTS:X and Neural:X upmixer
Marantz SR5015 and Marantz SR5014 support DTS:X with its Neural:X upmixer. Both of them can be configured upto 5.1.2 channels using internal amplifiers.
A technique used in DTS:X is similar to the one used in Dolby Atmos. Instead of a fixed number of channels, DTS:X defines object locations from the listener in polar coordinates. An a/v receiver then dynamically renders sound according to the current speaker configuration. The speaker layout employed by DTS:X is the sum of Dolby Atmos and Auro-3D. It has standard 7.1 channel base layer, a 5 channel height layer above the base layer on the front and side walls, and 3 rows of speakers on the ceiling.
DTS Neural:X is an upmixer that can take non DTS:X content and upmix it to the DTS:X speaker layout. It has replaced the DTS Neo family with improved flexibility.
Current Feedback Topology
Marantz SR5015 and Marantz SR5014 feature Current Feedback Topology which is a well known, Marantz’ original circuit technology. The Current Feedback amplifier technology fits perfectly with the high requirements set for Super Audio software providing wide-bandwidth, high-speed reproduction. The impedance at the Current Feedback point is limited resulting in a very low phase shift. Marantz receivers and amplifiers equipped with Current Feedback can keep the phase compensation via Negative FeedBack (NFB) to a minimum, resulting in high through-rate, excellent transient response and superb sonic transparency for the full bandwidth. Unlike conventional Voltage Feedback amplification, the Current Feedback amplification makes the power amplifier in-sensitive to difficult loudspeaker loads.
HDAM
Marantz SR5015 and Marantz SR5014 feature exclusive Marantz HDAM (Hyper Dynamic Amplifier Module) technology found on their Reference Series components. Marantz developed its own discrete circuit boards to replace standard IC's. These HDAM's consist of discrete surface mount components with short mirror image L/R signal paths. Those devices are doing exactly the same thing as the Op-Amps, but outperform the regular IC Op-amps dramatically in terms of the Slew Rate and reduced noise level, resulting in a much more dynamic, accurate and detailed sound. Over the years Marantz developed different types of the HDAM to improve quality and to fit to the special requirements of a product category like CD or amplifier.
MDAX2
Compressed music enhancement in Marantz SR5015 and Marantz SR5014 is done by Marantz’ MDAX2 technology. The use of compressed audio files like MP3, Windows Media™ Audio or AAC is getting more and more popular. The audio quality of these compressed files however is less than the original lossless files that are on a CD, especially lacking the higher frequencies and affecting the lower frequencies which make the audio image less wide and deep. The Marantz Digital Audio Expander 2, also called M-DAX2, recalculates the outputted frequency range. This enables you to get a more detailed and clearer sound.
Connectivity
Marantz SR5015
Marantz SR5015 can be connected to internet using ethernet cable or built-in wi-fi adapter. It can also connect to bluetooth devices via built-in bluetooth adapter. The Receiver works with Amazon Alexa and supports AirPlay 2. It has 6 HDMI inputs with one 8K input with HDCP 2.3 copy protection. There is a phono input with built-in phono stage for connecting the cartridge output of the turntable directly to the Receiver. There are 7.2 channel analog pre-outs for external amplification.
Front panel has USB input.
Marantz SR5014
Marantz SR5014 can be connected to internet using ethernet cable or built-in wi-fi adapter. It can also connect to bluetooth devices via built-in bluetooth adapter. The Receiver works with Amazon Alexa and supports AirPlay 2. It has 8 HDMI inputs with HDCP 2.3 copy protection. There is a phono input with built-in phono stage for connecting the cartridge output of the turntable directly to the Receiver. There are 7.2 channel analog pre-outs for external amplification.
Front panel has HDMI and USB inputs.
Side by Side Comparison
And in the end let us list the detailed specifications of the receivers side-by-side.
Note: The following table shows only those details which are applicable for both models and excludes the ones that are applicable for only one model. If you want to see a full list of specs for each model please visit their individual pages here - Marantz SR5015 and here - Marantz SR5014.
| BASICS | Marantz SR5015 | vs | Marantz SR5014 |
|---|---|---|---|
| Brand | Marantz | vs | Marantz |
| Model | SR5015 | vs | SR5014 |
| Type | A/V Receiver | vs | A/V Receiver |
| Country | UK | vs | UK |
| Release Year | 2020 | vs | 2019 |
| AMPLIFIER | Marantz SR5015 | vs | Marantz SR5014 |
|---|---|---|---|
| Channels | 7.2 | vs | 7.2 |
| Front Wide Channel Support | vs | ||
| Current Feedback Topology | vs | ||
| Discrete Amplification | vs | ||
| HDAM | vs | ||
| THX™ Certification | vs | ||
| Continuous 6 Ω Rated | vs | ||
| Certified 4 Ω Performance | vs | ||
| Bi-amp Capability | assignable | vs | assignable |
| AUDIO | Marantz SR5015 | vs | Marantz SR5014 |
|---|---|---|---|
| Maximum Channel Processing | 7.1 | vs | 7.1 |
| Air Studios Monitor Certification | vs | ||
| Dolby Atmos | up to 5.1.2 | vs | up to 5.1.2 |
| Dolby Atmos Height Virtualization | vs | ||
| Dolby TrueHD | vs | ||
| Dolby Digital Plus | vs | ||
| Dolby Surround Upmixer | vs | ||
| Dolby Pro Logic | vs | ||
| Dolby Digital EX | vs | ||
| Surround EX | vs | ||
| DTS:X | up to 5.1.2 | vs | up to 5.1.2 |
| DTS Neural:X | vs | ||
| DTS Virtual:X | vs | ||
| DTS Neo | vs | ||
| DTS-HD Master Audio | vs | ||
| DTS-HD High Resolution Audio | vs | ||
| DTS 96/24 | vs | ||
| DTS Express | vs | ||
| DTS-ES | Discrete 6.1, Matrix 6.1 | vs | Discrete 6.1, Matrix 6.1 |
| IMAX Enhanced | vs | ||
| Auro 3D with Auro-Matic Upmixer | vs | ||
| PCM | 2-ch/Multi-ch Input | vs | 2-ch/Multi-ch Input |
| Music Playback via USB | MP3, WMA, MPEG-4 AAC, Apple Lossless, WAV, FLAC, DSD | vs | MP3, WMA, AAC, Apple Lossless, WAV, FLAC, DSD |
| High Resolution Music Playback via USB and/or Network | up to 192 kHz | vs | up to 192 kHz |
| High Resolution Audio Formats via USB | Apple Lossless, WAV, FLAC, DSD | vs | Apple Lossless, WAV, FLAC, DSD |
| Multi-Channel Music File Playback via USB | vs | ||
| Gapless Playback | vs | ||
| DSD via HDMI | vs | ||
| DSD via USB | 2-ch Input | vs | 2-ch Input |
| DSD to PCM Converter | vs | ||
| USB DAC | vs | ||
| Jitter Reduction | Hybrid PLL Clock Jitter Reducer | vs | |
| DTS Dialog Control | vs | ||
| Dialog Enhancement | vs | ||
| Dialog Level Adjustment | vs | ||
| Dialog Normalization | vs | ||
| Dialogue Lift | vs | ||
| Compressed Music Enhancer | MDAX2 | vs | MDAX2 |
| High-resolution Music Enhancer | vs | ||
| Audyssey Dynamic EQ | vs | ||
| Audyssey Dynamic Volume | vs | ||
| Audyssey LFC | vs | ||
| Audyssey Sub EQ HT | vs | ||
| Audyssey DSX | vs | ||
| Direct Mode | vs | ||
| Pure Direct Mode | vs | ||
| Independent Dual Subwoofer Output | vs |
| CALIBRATION | Marantz SR5015 | vs | Marantz SR5014 |
|---|---|---|---|
| Auto Speaker Calibration System with Mic. | Audyssey MultEQ XT | vs | Audyssey MultEQ XT |
| Audyssey App Support | vs | ||
| Optimized Bass Redirection | vs | ||
| Bass Sync | vs |
| VIDEO | Marantz SR5015 | vs | Marantz SR5014 |
|---|---|---|---|
| HDR10 | vs | ||
| HDR10+ | vs | ||
| BT.2020 color space | vs | ||
| Dolby Vision | vs | ||
| HLG (Hybrid Log Gamma) | vs | ||
| QMS (Quick Media Switching) | vs | ||
| ALLM (Auto Low Latency Mode) | vs | ||
| VRR (Variable Refresh Rate) | vs | ||
| QFT (Quick Frame transport) | vs | ||
| 3-D Ready | vs | ||
| Video Signal Passthrough | up to 8K 50/60Hz and 4K 100/120Hz 4:4:4 | vs | up to 4K 50/60Hz 4:4:4 |
| Video Signal Upscaling | up to 8K 50/60Hz and 4K 100/120Hz 4:4:4 | vs | up to 4K 24/25/30p 4:4:4 |
| Analog To HDMI Upconversion | Component**, Composite | vs | Component**, Composite |
| Component Video Upscaling | vs | ||
| Analog to Analog Video conversion | vs | ||
| isf Certified Calibration Control | vs |
| CONNECTIVITY | Marantz SR5015 | vs | Marantz SR5014 |
|---|---|---|---|
| MHL Input | vs | ||
| DLNA 1.5 | vs | ||
| FireConnect | vs | ||
| FlareConnect | vs | ||
| Domotz Pro Compatible | vs | ||
| OvrC Compatible | vs | ||
| HEOS | vs | ||
| Chromecast Built-In | vs | ||
| DTS Play-Fi | vs | ||
| Works with Amazon Alexa | vs | ||
| Google assistant | vs | ||
| Apple Siri | vs | ||
| Works with SONOS | vs | ||
| AirPlay | AirPlay 2 | vs | AirPlay 2 |
| Apple Product Connection | iPod, iPhone and iPad | vs | iPod, iPhone and iPad |
| Remote App | Marantz 2016 AVR Remote App for iOS and Android devices | vs | Marantz 2016 AVR Remote App for iOS and Android devices |
| InstaPrevue Input Source Prevue | vs | ||
| Ethernet | vs | ||
| Ethernet Switch | vs | ||
| Wi-Fi | vs | ||
| Bluetooth | SBC | vs | SBC |
| HDBaseT Compatible | vs | ||
| Enhanced ARC | vs | ||
| HDCP Version | 2.3 | vs | 2.3 |
| HDMI Input | 6 (one 8K input) | vs | 8 (1 front) |
| HDMI Output | 2 (simultaneous 8K outs) | vs | 2 (simultaneous) |
| USB Input | 1 Front for USB memory | vs | 1 (Front) for USB memory |
| USB DC Out Port | vs | ||
| Analog Audio Line Input | 4 | vs | 4 |
| Analog Audio Line Output | vs | ||
| Phono Input | vs | ||
| Optical In | 2 | vs | 2 |
| Optical Out | vs | ||
| Coaxial In/Out | 2 / | vs | 2 / |
| Composite Video Input | 2 | vs | 2 |
| Composite Video Output | 1 | vs | 1 |
| S-Video Input | vs | ||
| S-Video Output | vs | ||
| Component Video Input | 2 | vs | 2 |
| Component Video Output | 1 | vs | 1 |
| PC In | vs | ||
| Multi-Channel Input | vs | ||
| Analog Pre-Outs | 7.2 | vs | 7.2 |
| XLR Inputs | vs | ||
| XLR Pre-outs | vs | ||
| Front A/V Inputs | USB | vs | HDMI, USB |
| Speaker A/B | assignable | vs | assignable |
| Headphone Out | 6.3 mm | vs | 6.3 mm |
| ZONES | Marantz SR5015 | vs | Marantz SR5014 |
|---|---|---|---|
| Zones | 2 | vs | 2 |
| Powered Zones | 2 | vs | 2 |
| Zone 2 | Pre Out | vs | Pre Out |
| RS-232 | vs | ||
| +12V Trigger Output | 1 | vs | 1 |
| MISC | Marantz SR5015 | vs | Marantz SR5014 |
|---|---|---|---|
| On-Screen Display | Advanced Graphic User Interface | vs | Advanced Graphic User Interface |
| GUI Languages | 9 | vs | 9 |
| Web Browser Control | vs | ||
| IP Control for CI | vs | ||
| FL Display | port hole | vs | port hole |
| Remote Controller | RC042SR | vs | RC035SR |
| Pre-programmed / Learnable / LCD Display | / / | vs | / / |
| Detachable Power Cord | vs | ||
| Flasher In | vs | ||
| Remote Control In/Out | 1 / 1 | vs | 1 / 1 |
| Setup Assistant | vs |
| RADIO | Marantz SR5015 | vs | Marantz SR5014 |
|---|---|---|---|
| Analog Tuner | FM/AM with RDS | vs | FM/AM with RDS |
| Digital Radio | vs | ||
| Internet Radio | TuneIn | vs | TuneIn |
| Pandora | vs | ||
| Spotify | vs | ||
| Tidal | vs | ||
| Deezer | vs | ||
| Napster | vs | ||
| SiriusXM Internet Radio | vs |
| CONSTRUCTION | Marantz SR5015 | vs | Marantz SR5014 |
|---|---|---|---|
| Front Panel | Metal | vs | Metal |
| Speaker Terminals | 7 | vs | 7 |
| Large Speaker Terminals | 7 | vs | 7 |
| Color-Coded Speaker Terminals | vs | ||
| Transparent High-Grade Speaker Terminals | vs | ||
| High Grade Audio Components | vs | ||
| Gold plated RCA terminals | vs |
| POWER | Marantz SR5015 | vs | Marantz SR5014 |
|---|---|---|---|
| Power Supply | AC 230 V, 50/60 Hz | vs | AC 230 V, 50/60 Hz |
| Toroidal Transformer | (EI) | vs | (EI) |
| Power Consumption | 650 W | vs | 650 W |
| No Sound Power | ECO On/Off: 45 W/75 W | vs | ECO On/Off: 45 W/75 W |
| Standby Power | 0.2 W | vs | 0.2 W |
| GENERAL | Marantz SR5015 | vs | Marantz SR5014 |
|---|---|---|---|
| ECO Mode / Hybrid Standby Function | vs | ||
| Auto Power off | vs | ||
| Dimensions (W x H x D) | 440 mm x 161 mm x 348 mm (with antenna: 440 mm x 231 mm x 348 mm) 17-3/8" x 6-3/8" x 13-3/4" (with antenna: 17-3/8" x 9-1/8" x 13-3/4") | vs | 440 mm x 161 mm x 348 mm (with antenna: 440 mm x 231 mm x 348 mm) 17-3/8" x 6-3/8" x 13-3/4" (with antenna: 17-3/8" x 9-1/8" x 13-3/4") |
| Dimensions of Package (W x H x D) | 520 mm x 243 mm x 429 mm | vs | 519 mm x 242 mm x 428 mm |
| Weight | 10.1 kg (22.2 lbs) | vs | 10.1 kg (22.2 lbs) |
| Weight of Package | 12.3 kg | vs | 12.3 kg |
| Warranty | 3 Years | vs | 3 Years |
| SPECS | Marantz SR5015 | vs | Marantz SR5014 |
|---|---|---|---|
| Power Output (8 Ω, 20 Hz - 20 kHz, 2 | 100 W (0.08% THD) | vs | 100 W (0.08% THD) |
| Power Output (6 Ω, 1 kHz, 2 | 140 W (0.7% THD) | vs | 140 W (0.7% THD) |
| Maximum Effective Power Output (6 Ω, 1 kHz, 1 channel driven, JEITA) | 200 W (10% THD) | vs | 200 W (10% THD) |
| Rated Power Output (6 Ω, 1 kHz, 1 channel driven, IEC) | 180 W (1% THD) | vs | 180 W (1% THD) |
| Phono Distortion | 0.03% (1 kHz, 3 V) | vs | 0.03% (1 kHz, 3 V) |
| Input Sensitivity and Impedance (Line) | 200 mV/47 kΩ | vs | 200 mV/47 kΩ |
| Input Sensitivity and Impedance (Phono MM) | 2.5 mV | vs | 2.5 mV |
| S/N Ratio (Line, IHF-A) | 100 dB | vs | 100 dB |
| S/N Ratio (Phono MM, IHF-A) | 74 dB | vs | 74 dB |
| Phono RIAA Deviation | ±1 dB (20 Hz to 20 kHz) | vs | ±1 dB (20 Hz to 20 kHz) |
| Frequency Response (Analog In) | +1/-3 dB (10 Hz to 100 kHz, Direct mode) | vs | +1/-3 dB (10 Hz to 100 kHz, Direct mode) |
| DSD Sampling Rates via USB | 5.6 MHz, 2.8 MHz | vs | 5.6 MHz, 2.8 MHz |
| Video Input Sensitivity/Output Level and Impedance | 1 Vp-p/75 Ω (Component Y) 0.7 Vp-p/75 Ω (Component PB/CB, PR/CR) 1 Vp-p/75 Ω (Composite) | vs | 1 Vp-p/75 Ω (Component Y) 0.7 Vp-p/75 Ω (Component PB/CB, PR/CR) 1 Vp-p/75 Ω (Composite) |
| Video Frequency Response | 5 Hz - 60 MHz, 0, -3 dB (Component) 5 Hz - 10 MHz, 0, -3 dB (Composite) | vs | 5 Hz - 60 MHz, 0, -3 dB (Component) 5 Hz - 10 MHz, 0, -3 dB (Composite) |
| Ethernet Standard | 100BASE-TX | vs | 100BASE-TX |
| Wi-Fi Standard | IEEE 802.11 a/b/g/n | vs | IEEE 802.11 a/b/g/n |
| Wi-Fi Terminal Frequency | 5 GHz, 2.4 GHz | vs | 5 GHz, 2.4 GHz |
| Bluetooth Version | 4.2 | vs | 4.1 |
| Bluetooth Frequency | 2.4 GHz | vs | 2.4 GHz |
| USB Terminal | USB2.0 5V, 1 A | vs | USB2.0 5V, 1 A |
| FM Frequency | 87.5 MHz - 108.0 MHz | vs | 87.5 MHz - 108.0 MHz |
| FM 50 dB Quiet Sensitivity (IHF, 1 kHz, 100% MOD.) | Mono: 2.8 µV (20.2 dBf) | vs | Mono: 2.8 µV (20.2 dBf) |
| FM Effective Sensitivity | 1.2 µV (12.8 dBf) | vs | 1.2 µV (12.8 dBf) |
| FM S/N Ratio | Mono/Stereo: 70 dB/67 dB | vs | Mono/Stereo: 70 dB/67 dB |
| FM Harmonic Distortion (IHF, 1 kHz) | Mono/Stereo: 0.7%/1.0% | vs | Mono/Stereo: 0.7%/1.0% |
| AM Frequency | 522 kHz - 1611 kHz | vs | 522 kHz - 1611 kHz |
| AM Effective Sensitivity | 18 µV | vs | 18 µV |
* - 480i/576i and 480p/576p only
** - 480i/576i only
*** - no 1080p/24 upconversion
**** - 1080p signal is not converted
