1-on-1 Comparison

Side-by-Side Comparison

Anthem MRX 1140 8K

Yamaha Aventage RX-A2010

SCORE:
91
SCORE:
80

Highlights

  • 11.2 channels
  • 15.2 channel processing
  • 140 W (8 Ω, 1 kHz, 2 channel driven)
  • HDMI 2.1
  • Dolby Atmos, DTS:X Pro capable
  • HDR10, HDR10+, Dolby Vision, 8K Passthrough
  • AirPlay 2, Chromecast
  • Ethernet, Wi-Fi, Bluetooth
  • USB and Phono inputs

Highlights

  • 9.2 channels
  • 9.1 channel processing
  • 140 W (8 Ω, 20 Hz - 20 kHz, 2 channel driven)
  • 1080p Upscaling, 1080p Passthrough
  • DLNA
  • Ethernet, Bluetooth
  • USB and Phono inputs

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Content

Overview

Here we are comparing Anthem MRX 1140 8K to Yamaha Aventage RX-A2010 to reveal their common strengths and weaknesses as well as the differences between them which will help you in making a correct decision before the purchase. The Anthem MRX 1140 8K has 11 channel and the Yamaha Aventage RX-A2010 has 9 channel amplifiers with Anthem MRX 1140 8K's being less powerful.


Anthem MRX 1140 8K Yamaha Aventage RX-A2010

Anthem MRX 1140 8K was introduced in 2021 and represents a current flagship model of a manufacturer. It is equipped with 11 channel amplifier with 140 W (8 Ω, 1 kHz, 2 channel driven) power per channel and is capable of 15.2 maximum channel processing. It supports Dolby Atmos and DTS:X, passes 8K/60Hz and 4K/120Hz video signal.

Yamaha Aventage RX-A2010 was introduced in 2011. It is equipped with 9 channel amplifier with 140 W (8 Ω, 20 Hz - 20 kHz and 2 channel driven) power per channel and is capable of 9.1 maximum channel processing. It , passes 1080/60p and upscales up to 1080p (HQV Vida VHD1900) video signal.

We evaluated the a/v receiver and gave 91 overall score out of 100. Our ranking system is based on the amplifier specifications, audio and video features, connectivity, multizone capabilities, radio and many other details.

We evaluated the a/v receiver and gave 80 overall score out of 100. Our ranking system is based on the amplifier specifications, audio and video features, connectivity, multizone capabilities, radio and many other details.

AMPLIFIER
92
VIDEO FEATURES
100
AUDIO FEATURES
94
CONNECTIVITY
90
MULTIZONE
77
MISCELLANEOUS
83
RADIO
73
OVERALL
91
AMPLIFIER
95
VIDEO FEATURES
55
AUDIO FEATURES
73
CONNECTIVITY
87
MULTIZONE
93
MISCELLANEOUS
76
RADIO
88
OVERALL
80

Advantage of Anthem MRX 1140 8K

This section shows those features and specifications which are the reason to choose Anthem MRX 1140 8K over Yamaha Aventage RX-A2010.

Anthem MRX 1140 8K has more channels, higher DAC specs, more channel processing, more analog pre-outs, bigger power supply and higher signal to noise ratio. It supports front wide channels, Dolby Atmos, DTS:X, IMAX Enhanced and Spotify. It has DTS Dialog Control. In video department only Anthem MRX 1140 8K supports HDR10, Dolby Vision and Hybrid Log Gamma.

Anthem MRX 1140 8K vs Yamaha Aventage RX-A2010
More Channels 11.2 vs 9.2
Front Wide Channel Support vs
Higher DAC Specs 768 kHz/32 Bit vs 192 kHz/24 Bit
More Channel Processing 15.2 vs 9.1
Dolby Atmos up to 9.1.6 with external amp vs
Dolby Surround Upmixer vs
DTS:X Pro up to 9.1.6 with external amp vs
DTS Neural:X vs
DTS Virtual:X vs
IMAX Enhanced vs
DTS Dialog Control vs
Enhanced Audio Return Channel (eARC) vs
HDR10 vs
HDR10+ vs
Dolby Vision vs
HLG vs
BT.2020 color space vs
Auto Low Latency Mode Pass-through vs
VRR vs
QFT vs
Video Signal Passthrough up to 8K 50/60Hz and 4K 100/120Hz 4:4:4 vs up to 1080p
Chromecast Built-In vs
AirPlay AirPlay 2 vs
Wi-Fi vs
Bluetooth vs via optional YBA-10 adapter (sold separately)
More HDMI Outputs 3 (2 for MAIN, 1 for ZONE2) vs 2
More 8K Inputs 7 vs
More Analog Pre-Outs 15.2 vs 7.2
Zone 2 Outs HDMI, Pre Out vs Component, S-Video, Composite, Pre Out
+12V Trigger Output 3 vs 2
Spotify vs
Bigger Power Supply 570 W vs 490 W/620 VA
Higher S/N Ratio (Line, IHF-A) 110 dB vs 100 dB

Advantage of Yamaha Aventage RX-A2010

This section shows those features and specifications which are the reason to choose Yamaha Aventage RX-A2010 over Anthem MRX 1140 8K.

Yamaha Aventage RX-A2010 has more power per channel and more zones. It supports DSD streaming via HDMI, Pandora and SiriusXM. It has analog multi-channel input.

Anthem MRX 1140 8K vs Yamaha Aventage RX-A2010
Dolby Pro Logic vs PLIIx
DTS Neo vs Neo:6
DSD via HDMI vs 2-ch/Multi-ch Input
More HDMI Inputs 7 vs 8 (1 front)
USB Input for factory service vs iPod/iPhone, USB Memory, Portable Audio Player
More Analog Audio Line Inputs 4 vs 9 (1 front)
More Optical Inputs 3 vs 4 (1 front)
More Coaxial Inputs/Outputs 2 vs 3
More Composite Video Inputs vs 5 (1 front)
More Composite Video Outputs vs 2
More S-Video Inputs vs 5 (1 front)
More S-Video Outputs vs 2
More Component Video Inputs vs 4
More Component Video Outputs vs 1
Multi-Channel Input vs 7.1
Front A/V Inputs vs HDMI, USB, Analog Audio, Optical, Composite and S-video
More Zones 2 vs 3
More Powered Zones vs Zone 2/3
Remote (IR) Input/Output 1 / 0 vs 2 / 2
Digital Radio vs HD Radio with iTunes Tagging
Pandora vs
SiriusXM Internet Radio vs
Higher Power Output (8 Ω, 1 kHz, 2 channel Driven, FTC) 140 W (1% THD) on Channels 1-5, 60 W (1% THD) on Remaining Channels vs 155 W (0.9% THD)

Common Strengths and Weaknesses

Here we list common strengths and weaknesses of both receivers.

STRENGTHS
  15 and 9 Channel Processing
  Auto Speaker Calibration System with Mic.
  Ethernet
  Bluetooth
  Many HDMI Inputs
  Phono Input
  Analog Pre-Outs
  Zones
  Analog Tuner
WEAKNESSES
  No Dolby Atmos Height Virtualization
  No Auro 3D with Auro-Matic Upmixer
  Does not Work with Amazon Alexa
  No Tidal

Audio Section

Amplifier

Anthem MRX 1140 8K Yamaha Aventage RX-A2010

11 channel Class A/B Amplifier: Anthem MRX 1140 8K features 11 channel power amplifier with Class A/B design on Channels 1-5 and Class D design on the rest. It is rated at 140 W (8 Ω, 1 kHz, 2 channel driven) and is able to drive 4 ohm speakers.

9 channel Amplifier: Yamaha Aventage RX-A2010 features 9 channel power amplifier. It is rated at 140 W (8 Ω, 20 Hz - 20 kHz, 2 channel driven) and is able to drive 4 ohm speakers.

  • Toroidal Transformer: Anthem MRX 1140 8K has a toroidal transformer which in general costs several times more than a regular C-core transformer and radiates less electromagnetic noise outside its donut shaped core.

Speaker Configurations

Anthem MRX 1140 8K's and Yamaha Aventage RX-A2010's amplifiers can be assigned for different speaker configurations.

  • Dolby Atmos Configurations: The following speaker configurations are supported for Dolby Atmos:
  • Anthem MRX 1140 8K: 5.2.2, 5.2.4, 5.2.6, 7.2.2, 7.2.4, 9.2.2 with internal amplifier and 7.2.6, 9.2.4 with addition of external 2 channel amplifier and 9.2.6 with addition of external 4 channel amplifier.
  • Yamaha Aventage RX-A2010: Not supported.
  • DTS:X Configurations: The following speaker configurations are supported for DTS:X:
  • Anthem MRX 1140 8K: This model supports DTS:X but not DTS:X Pro. Since DTS:X is limited with 11 channel processing some of the speaker configurations for Dolby Atmos are not supported here. The supported configurations are 5.2.2, 5.2.4, 5.2.6, 7.2.2, 7.2.4, 9.2.2 with internal amplifier.
  • Yamaha Aventage RX-A2010: Not supported.
  • Configurations without height channels: There are also other speaker configurations available which do not include height channels:
  • Anthem MRX 1140 8K: 5.2, 7.2, 9.2 with internal amplifier.
  • Yamaha Aventage RX-A2010: 5.2, 7.2 with internal amplifier.
  • Front Wide Channel support: With the presence of two front wide speakers you can enhance the front surround stage. The following speaker configurations are available for front wide channels:
  • Anthem MRX 1140 8K: 9.2, 9.2.2, 9.2.4, 9.2.6.
  • Yamaha Aventage RX-A2010: Does not support.
  • Bi-Amp: You can bi-amp Anthem MRX 1140 8K's and Yamaha Aventage RX-A2010's front left and right speakers. During bi-amplification two amplifiers are used for one speaker. One amplifier powers the midrange and tweeter section of the speaker and another amplifier powers the low frequency woofers. Each amplifier is less loaded and performs better. In order to use this feature speakers must have 2 pairs of connectors.

Dolby Atmos

Anthem MRX 1140 8K supports Dolby Atmos. It is a cinematic audio format in which sounds exist as individual entities, called audio objects. In Dolby Atmos, any sound can exist as an independent audio object, free of channel restrictions. They can be precisely placed and moved anywhere in your room, including overhead, to flow above and around you in three-dimensional space. Through the use of audio objects, overhead sound, and all the richness, clarity, and power of Dolby sound, Dolby Atmos turns your room into an amazing place for entertainment. The format supports up to 128 simultaneous independent audio objects in a mix for rich, realistic, and breathtaking sound. It recreates the director's original concept through descriptive metadata to provide customized playback for home theater and delivers sounds above you through overhead speakers, special upward-firing Dolby Atmos speakers, or a Dolby Atmos enabled sound bar.

  • Dolby Surround Upmixer: Anthem MRX 1140 8K supports Dolby Surround Upmixer. If the content is not mixed in Dolby Atmos then the Dolby surround upmixer will expand the audio to all channels including ceiling speakers. The upmixer has replaced the Dolby Pro Logic II family with improved upmixing algorithms.

DTS:X

Anthem MRX 1140 8K supports DTS:X. A technique used in DTS:X is similar to the one used in Dolby Atmos. Instead of a fixed number of channels, DTS:X defines object locations from the listener in polar coordinates. An a/v receiver then dynamically renders sound according to the current speaker configuration. The speaker layout employed by DTS:X is the sum of Dolby Atmos and Auro-3D. It has standard 7.1 channel base layer, a 5 channel height layer above the base layer on the front and side walls, and 3 rows of speakers on the ceiling.

  • DTS Neural:X: Anthem MRX 1140 8K supports DTS Neural:X which is an advanced upmixer that can take non DTS:X content and upmix it to the DTS:X speaker layout. It has replaced the DTS Neo family with improved flexibility.
  • DTS Virtual:X: Anthem MRX 1140 8K supports DTS Virtual:X which bridges the gap between DTS:X codec and the reality of so many consumers' homes, allowing you to enjoy multi-dimensional sound regardless of room size, layout, or speaker configuration. If you have a limited speaker setup you will miss a full immersive potential of your entertainment system. DTS Virtual:X adds height and surround audio effect to your system without adding height speakers. It works with multiple configurations and delivers immersive sound experience out of 5.1 or even 2.1 speaker layouts.
  • DTS Dialog Control: Anthem MRX 1140 8K supports DTS Dialog Control. This function adjusts the dialog levels during playback of the DTS:X stream. It allows you to separately increase the dialog levels in contrast with the background sound and hear dialog easily even under noisy circumstances.

Enhanced Audio Return Channel (eARC)

Anthem MRX 1140 8K supports Audio Return Channel (ARC) feature allows the compatible TV to send audio signal to the a/v receiver through the same HDMI cable which is used to send audio and video signals to the TV. So one HDMI cable is used to transfer audio signal in both directions. New Enhanced ARC will support uncompressed audio formats such as Dolby Atmos, DTS:X, Dolby TrueHD and DTS HD Master Audio whereas the previous ARC could support only Dolby Digital, Dolby Digital Plus, DTS, DTS HD, and PCM.



Sound Processing

  • Compressed Music Enhancer: Yamaha Aventage RX-A2010 features Compressed Music Enhancer which enhances the quality of the music files with lossy compression.

Room Calibration

Anthem MRX 1140 8K comes with Anthem Room Correction (ARC Genesis) and Yamaha Aventage RX-A2010 comes with YPAO (R.S.C. with Multipoint measurement) room correction system.

  • YPAO: The Yamaha Parametric room Acoustic Optimizer (YPAO) function detects speaker connections, measures the distances from them to your listening position(s), and then automatically optimizes the speaker settings, such as volume balance and acoustic parameters, to suit your room.

Video Section

HDMI 2.1

Anthem MRX 1140 8K comes with 7 HDMI 2.1 inputs with 8K support. It has 3 outputs - 2 for MAIN and 1 for ZONE2.

Yamaha Aventage RX-A2010 comes with 8 HDMI inputs. It has 2 outputs which work parallelly and output the same signal.

  • 8K/60Hz and 4K/120Hz Passthrough on Anthem MRX 1140 8K: All inputs pass up to 8K 50/60Hz and 4K 100/120Hz 4:4:4 video signal.
    1080/60p Passthrough on Yamaha Aventage RX-A2010: All inputs pass up to 1080p video signal.
  • 1080p Upscaling on Yamaha Aventage RX-A2010: It can upscale up to 1080p (HQV Vida VHD1900) from HDMI and analog sources.
  • Analog To HDMI Upconversion: Yamaha Aventage RX-A2010 supports analog to HDMI Upconversion, so you can input your analog video sources and output them digitally via HDMI. This means that you will need only one HDMI cable to connect to your TV.
  • BT.2020 Color Space: BT.2020 or Rec. 2020 is a color standard which delivers a wider color gamut compared to Rec. 709. It covers approximately 75% of the total visual spectrum while the Rec. 709 covers only 35% (available on Anthem MRX 1140 8K only).
  • HDCP 2.3 Copy Protection: Anthem MRX 1140 8K is HDCP 2.3 compliant which is a requirement for 4K/HDR copy-protected content transmission.
  • 3D Ready: Both receivers are able to pass 3D video through HDMI.

HDR (High Dynamic Range)

Anthem MRX 1140 8K supports HDR10, HDR10+, Dolby Vision and Hybrid Log-Gamma.

Yamaha Aventage RX-A2010 does not support HDR.

High dynamic range video has greater dynamic range than standard dynamic range (SDR) video with brighter whites and deeper blacks. The result is greater contrast and more details in dark and bright areas, better color and depth.

  • HDR10: HDR10 uses the wide-gamut Rec. 2020 color space. It sends static metadata via video stream to the TV which calibrates its screen brightness and color according to that. HDR10 supports 10-bit color which corresponds to 1024 shades of the primary RGB colors. It is technically limited to a maximum of 10,000 nits peak brightness, however common HDR10 contents are mastered with peak brightness from 1,000 to 4,000 nits.
  • HDR10+: HDR10+ is an HDR video technology that adds dynamic metadata to HDR10 source files. The dynamic metadata are used to adjust brightness levels on a scene-by-scene or even frame-by-frame basis. HDR10+ supports maximum of 10,000 nits peak brightness and 10-bit or more (up to 16-bit) color bit depth. It uses Samsung's dynamic metadata defined in SMPTE ST 2094-40.
  • Dolby Vision: Dolby Vision is a set of technologies developed by Dolby Laboratories for high dynamic range (HDR) video. It covers content creation, distribution, and playback. Like HDR10+, it includes dynamic metadata that are used to adjust and optimize each frame of the HDR video to the consumer display's capabilities in a way specified by the content creator. Dolby Vision allows for a maximum resolution of 8K up to 12-bit color depth, maximum peak brightness of 10,000 nits and a color gamut up to Rec. 2020. It uses Dolby's proprietary dynamic metadata defined in SMPTE ST 2094-10.
  • Hybrid Log-Gamma (HLG): The Hybrid Log-Gamma (HLG) is a transfer function developed mainly for HDR live video feed and over-the-air broadcasts. It is an HDR format that uses BT.2020 color primaries and a bitdepth of 10-bit. It is backward compatible with the transfer function of SDR and is designed to be better-suited for television broadcasting, where the metadata required for other HDR formats is not backward compatible with non-HDR displays. HLG defines a non-linear optical-electro transfer function, in which the lower half of the signal values use a gamma curve and the upper half of the signal values use a logarithmic curve.

IMAX Enhanced

Anthem MRX 1140 8K is IMAX Enhanced certified. To qualify for IMAX Enhanced certification, 4K HDR televisions, projectors, sound bars, a/v receivers, loudspeakers, powered subwoofers and other premium home entertainment devices must meet carefully prescribed performance requirements established by IMAX, DTS and Hollywood's leading experts.

  • What makes an IMAX Enhanced A/V receiver different from an A/V receiver with DTS:X technology? DTS:X technology is commonly found in most multi-channel A/V receivers on the market today. All IMAX Enhanced A/V receivers include DTS:X technology and deliver additional features, such as auto-sensing of IMAX Enhanced content, via IMAX Mode. IMAX Mode indicates that your A/V receiver supports fully immersive IMAX signature sound.
  • IMAX Enhanced Content: IMAX Enhanced studio partners have announced IMAX Enhanced versions of movies that exclusively feature IMAX's signature picture, sound and scale.
  • Picture: Stunning, ultra-vivid 4K HDR picture that utilizes the newest, proprietary Digital Media Remastering technology (DMR) developed by IMAX. DMR accurately reduces noise and grain under the filmmaker’s guidance to best optimize the content for a much higher-quality, higher-brightness display. Without this technology, high-dynamic range content can actually look worse than what was originally seen and intended by the filmmaker.
  • Sound: IMAX and DTS have partnered with award-winning Hollywood sound mixers leveraging DTS:X codec technology integrated in home audio equipment and select televisions to deliver an IMAX signature sound experience with deeper bass and more dynamic range.
  • Scale: Select IMAX Enhanced titles that were shot with IMAX-certified cameras or specially formatted for IMAX theatres feature its exclusive expanded aspect ratio, enabling viewers to see the full scale and scope of the picture on 4K HDR TVs.
  • Streaming Services: IMAX Enhanced is now available on the world’s biggest streaming services, including Disney+, BRAVIA CORE, Tencent, iQiyi and more.

Gaming Features

Anthem MRX 1140 8K supports Auto Low Latency Mode (ALLM), Variable Refresh Rate (VRR) and Quick Frame Transport (QFT) for lag-free and smooth gaming.

  • Auto Low Latency Mode (ALLM): Auto Low Latency Mode enables the ideal latency setting to automatically be set allowing for smooth, lag-free and uninterrupted viewing and interactivity. When the receiver detects a gaming signal it will enter ALLM. The signal will also be sent to the TV causing it to automatically switch to a low-latency, low-lag mode for gaming. Some functions will not be available on the receiver and TV during ALLM.
  • Variable Refresh Rate (VRR): VRR enables a gaming source such as a console or computer to deliver video frames as fast as it can, which in many cases is slower than the normal static refresh rate. It allows the TV to adapt to certain frame rate which reduces or eliminates lag, judder and frame tearing for more fluid and better detailed gameplay.
  • Quick Frame Transport (QFT): QFT reduces latency for smoother no-lag gaming, and real-time interactive virtual reality. It transports each frame at a higher rate to decrease display latency, which is the amount of time between a frame being ready for transport in the GPU and that frame being completely displayed.

Inputs and Outputs

Audio

  • Phono Input: There is an MM phono input on Anthem MRX 1140 8K and Yamaha Aventage RX-A2010 with built-in phono stage for connecting the moving magnet cartridge output of the turntable directly to the receiver.
  • 7.1 Multichannel Input: In case you have a high quality Blu-Ray or a DVD player with multichannel analog outputs you may connect it to a 7.1 multichannel analog inputs of Yamaha Aventage RX-A2010 and use high quality DACs of the player instead of the ones in the receiver.
  • Analog Pre-Outs: Anthem MRX 1140 8K has 15.2 and Yamaha Aventage RX-A2010 has 7.2 preamplifier outputs which allow you to connect the receivers to the external power amplifiers. You may want to use a high quality external amplifier for certain channels, usually for front L/R and center, and use the receiver to power the rest. Also, Anthem MRX 1140 8K has 15 channel processing but has only 11 channel amplifier, so it needs external amplifier connected to the analog pre-outs in order to reach its maximum speaker configuration.
  • Analog Line Inputs and Outputs: There are 4 pair of line inputs on Anthem MRX 1140 8K and 9 pair of line inputs on Yamaha Aventage RX-A2010 for connecting sources with analog outputs. There are also 1 pair of line outputs on the receivers.
  • Digital Inputs and Outputs: 3 optical inputs, 1 optical output and 2 coaxial inputs are available on Anthem MRX 1140 8K and 4 optical inputs, 1 optical output and 3 coaxial inputs are available on Yamaha Aventage RX-A2010 for digital audio connections.
  • Headphone Output: There is a 6.3 mm (1/4") headphone output jack on the front panel of each receiver.

Video

  • HDMI:
  • Anthem MRX 1140 8K
    Inputs:
    7   Outputs: 3 (2 for MAIN, 1 for ZONE2)
    8K Inputs: 7.
  • Yamaha Aventage RX-A2010
    Inputs:
    8 (1 front)   Outputs: 2
    8K Inputs: 0.
  • Composite Video: Connect you VCR, Laserdisc player and other old video equipment with composite video cables.
  • Anthem MRX 1140 8K
    Inputs:
    0   Outputs: 0.
  • Yamaha Aventage RX-A2010
    Inputs:
    5   Outputs: 2.
  • S-Video:
  • Anthem MRX 1140 8K
    Inputs:
    0   Outputs: 0.
  • Yamaha Aventage RX-A2010
    Inputs:
    5   Outputs: 2.
  • Component Video: Component video connection gives you the higher quality video compared to the composite video connection. So in case your old DVD player and other equipment do not have an HDMI output but have Component video output use this connection over the composite one. resolution on Component video connectors.
  • Yamaha Aventage RX-A2010 supports up to 1080i resolution on Component video connectors.
  • Anthem MRX 1140 8K
    Inputs:
    0   Outputs: 0.
  • Yamaha Aventage RX-A2010
    Inputs:
    4   Outputs: 1.

Front A/V Inputs

  • Anthem MRX 1140 8K: None
  • Yamaha Aventage RX-A2010: HDMI, USB, Analog Audio, Optical, Composite and S-video

Anthem MRX 1140 8K

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Yamaha Aventage RX-A2010

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Specifications

And in the end let us list all the available specifications of the receivers side-by-side.

BASICS Anthem MRX 1140 8K Yamaha Aventage RX-A2010
BrandAnthemYamaha
SeriesAventage
ModelMRX 1140 8KRX-A2010
TypeA/V ReceiverA/V Receiver
CountryNorth AmericaUSA
Release Year20212011
AMPLIFIER Anthem MRX 1140 8K Yamaha Aventage RX-A2010
Channels11.29.2
Front Wide Channel Support
AmplifierClass A/B on Channels 1-5 and Class D on the rest
THX™ Certification
Continuous 6 Ω Rated
Certified 4 Ω Performance
Bi-amp Capability
AUDIO Anthem MRX 1140 8K Yamaha Aventage RX-A2010
Digital Signal Processing (DSP) EngineNext-Generation DSP Platform
Surround:AI™
DACBurr-Brown
DAC Specs768 kHz/32 Bit192 kHz/24 Bit
Maximum Channel Processing15.29.1
Air Studios Monitor Certification
Dolby Atmos up to 9.1.6 with external amp
Dolby Atmos Height Virtualization
Dolby Atmos Music
Dolby TrueHD
Dolby Digital Plus
Dolby Surround Upmixer
Dolby Pro Logic PLIIx
Dolby Digital EX
DTS:X Pro up to 9.1.6 with external amp
DTS Neural:X
DTS Virtual:X
DTS Neo Neo:6
DTS-HD Master Audio
DTS-HD High Resolution Audio
DTS 96/24
DTS Express
DTS-ES Discrete 6.1, Matrix 6.1 Discrete 6.1, Matrix 6.1
IMAX Enhanced
Auro 3D with Auro-Matic Upmixer
PCM 2-ch/Multi-ch Input 2-ch/Multi-ch Input
Music Playback via USBMP3, WMA, AAC, WAV, FLAC
High Resolution Music Playback via USB and/or Network up to 96 kHz
High Resolution Audio Formats via USBWAV, FLAC
Multi-Channel Music File Playback via USB
Gapless Playback
DSD via HDMI 2-ch/Multi-ch Input
DSD via USB
DSD to PCM Converter
USB DAC
DTS Dialog Control
Dialog Level Adjustment
Dialog Normalization
Dialogue Lift
Compressed Music Enhancer
High-resolution Music Enhancer
Adaptive DRC (Dynamic Range Control)
Initial Volume & Maximum Volume Setting
Audyssey Dynamic EQ
Audyssey Dynamic Volume
Audyssey LFC
Audyssey Sub EQ HT
Audyssey DSX
Straight Decoding Mode
Pure Direct Mode
CINEMA DSP 3D
DSP Programs23
SILENT CINEMA / Virtual CINEMA DSP
Virtual Speakers
Independent Subwoofer Outputs
CALIBRATION Anthem MRX 1140 8K Yamaha Aventage RX-A2010
Auto Speaker Calibration System with Mic.Anthem Room Correction (ARC Genesis) YPAO sound optimization (R.S.C. with Multipoint measurement)
YPAO Volume
PEQ for SUBDown to 31 Hz
VIDEO Anthem MRX 1140 8K Yamaha Aventage RX-A2010
HDMI Version2.1
Enhanced ARC
HDCP Version2.3
HDR10
HDR10+
Dynamic HDR
Dolby Vision
HLG (Hybrid Log Gamma)
BT.2020 color space
QMS (Quick Media Switching)
ALLM (Auto Low Latency Mode)
VRR (Variable Refresh Rate)
QFT (Quick Frame transport)
3-D Ready
Video Signal Passthroughup to 8K 50/60Hz and 4K 100/120Hz 4:4:4up to 1080p
Video Signal Upscaling up to 1080p (HQV Vida VHD1900)
Analog To HDMI Upconversion Component****, S-Video, Composite
Component Video Upscaling
Analog to Analog Video conversion (Component**, S-Video, Composite) to (Component, S-Video, Composite)
Component Video Maximum Resolution1080i
Video Parameter Adjustments
isf Certified Calibration Control
CONNECTIVITY Anthem MRX 1140 8K Yamaha Aventage RX-A2010
MHL Input
DLNA 1.5
FireConnect
FlareConnect
MusicCast
Chromecast Built-In
DTS Play-Fi
Works with Amazon Alexa
Google assistant
Apple Siri
Works with SONOS
AirPlay AirPlay 2
Apple Product Connection iPod, iPhone and iPad iPod and iPhone via front USB, YDS-12 Dock (sold separately) or YID-W100 Wireless Dock (sold separately)
Remote App Anthem Remote App
InstaPrevue Input Source Prevue
Ethernet
Ethernet Switch
Wi-Fi
Bluetooth via optional YBA-10 adapter (sold separately)
HDBaseT Compatible
HDMI Inputs78 (1 front)
HDMI Outputs3 (2 for MAIN, 1 for ZONE2)2
8K Inputs7
USB Input for factory serviceiPod/iPhone, USB Memory, Portable Audio Player
USB DC Out Port
Analog Audio Line Input49 (1 front)
Analog Audio Line Output11
Phono Input
Optical Inputs34 (1 front)
Optical Outputs11
Coaxial Inputs23
Composite Video Input5 (1 front)
Composite Video Output2
S-Video Input5 (1 front)
S-Video Output2
Component Video Input4
Component Video Output1
PC In
Multi-Channel Input 7.1
Analog Pre-Outs15.27.2
XLR Inputs
XLR Pre-outs
Front A/V InputsHDMI, USB, Analog Audio, Optical, Composite and S-video
Speaker A/B
Headphone Out6.3 mm (1/4")6.3 mm (1/4")
ZONES Anthem MRX 1140 8K Yamaha Aventage RX-A2010
Zones23
Powered ZonesZone 2/3
Zone 2 OutsHDMI, Pre OutComponent, S-Video, Composite, Pre Out
Zone 3 OutsComponent, S-Video, Composite, Pre Out
Zone B Video Output
Zone GUI
RS-232C Interface
+12V Trigger Output32
Remote (IR) Input/Output1 / 02 / 2
Party Mode
MISC Anthem MRX 1140 8K Yamaha Aventage RX-A2010
On-Screen DisplayAdvanced Graphical User Interface with Status
SCENESCENE PLUS (12 sets)
Web Browser Control
IP Control for CI
PreAmp Mode
Display
Remote Controller (Preset, Learning, Macro)
Detachable Power Cord
dockport1 (for optional YDS-12, YID-W10 or YBA-10 adapter)
RADIO Anthem MRX 1140 8K Yamaha Aventage RX-A2010
Analog Tuner FM/AM
Presets40
Digital Radio HD Radio with iTunes Tagging
Internet Radio vTuner
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CONSTRUCTION Anthem MRX 1140 8K Yamaha Aventage RX-A2010
Solid Aluminum FrontAluminum
A.R.T. Wedge
Speaker Terminals1111
Large Speaker Terminals1111
Color-Coded Speaker Terminals
Gold plated RCA terminals
POWER Anthem MRX 1140 8K Yamaha Aventage RX-A2010
Power SupplyAC 120 V, 60 HzAC 120 V, 60 Hz
Toroidal Transformer
Power Consumption570 W490 W/620 VA
Standby Power0.3 W0.3 W
GENERAL Anthem MRX 1140 8K Yamaha Aventage RX-A2010
Auto Power Standby
Dimensions (W x H x D)431.8 mm x 152.4 mm x 364 mm
17" x 6" x 14-1/2" x
435 mm x 192 mm x 467 mm
17-1/8" x 7-1/2" x 18-3/8"
Weight15.2 kg (33.6 lbs)17.1 kg (37.7 lbs)
Warranty3 years
SPECS Anthem MRX 1140 8K Yamaha Aventage RX-A2010
Power Output (8 Ω, 20 Hz - 20 kHz, 2140 W (0.06% THD)
Power Output (8 Ω, 1 kHz, 2140 W (1% THD) on Channels 1-5, 60 W (1% THD) on Remaining Channels155 W (0.9% THD)
Rated Power Output (8 Ω, 1 kHz, 1 channel Driven)175 W (0.9% THD)
Maximum Effective Output Power (8 Ω, 1 kHz, 1 channel Driven, JEITA)220 W (10% THD)
Power Output (6 Ω, 1 kHz, 2170 W (1% THD) on Channels 1-5, 75 W (1% THD) on Remaining Channels
Rated Power Output (4 Ω, 1 kHz, 1 channel Driven)220 W (0.9% THD, Front)
Dynamic Power per Channel (2405 W
Dynamic Power per Channel (4 Ω, Front)285 W
Dynamic Power per Channel (6 Ω, Front)210 W
Dynamic Power per Channel (8 Ω, Front)165 W
THD0.04% (MULTI CH INPUT to Speaker Out, Pure Direct, 70 W, 8 Ω)
THD (Phono)0.02% (Phono to AV OUT)
Damping Factor150 (Front, 1 kHz, 8 Ω)
Input Sensitivity and Impedance (Line)200 mV/47 kΩ
Input Sensitivity and Impedance (Phono MM)3.5 mV/47 kΩ
Maximum Input Sensitivity (Line)2.4 V
Maximum Input Sensitivity (Phono)60 mV
Rated Preout Level and Impedance1.0 V/1.2 kΩ
Rated Lineout Level and Impedance200 mV/1.2 kΩ (AV OUT)
Maximum Preout Level and Impedance5.2 VRMS, 7.1 VRMS
Rated Headphone Jack Output Level and Impedance32 Ω - 600 Ω150 mV/100 Ω
S/N Ratio (Line, IHF-A)110 dB100 dB
S/N Ratio (Phono MM, IHF-A)86 dB
Frequency Response (Analog In)20 Hz - 30 kHz +/-0.2 dB+0/-3 dB (10 Hz to 100 kHz)
Residual Noise (IHF-A Network)150 µV (Front L/R Speaker Out)
Channel Separation at 1 kHz/10 kHz (LINE)60 dB/45 dB
Channel Separation at 1 kHz/10 kHz (PHONO)60 dB/55 dB
DSD Sampling Rates via HDMI2.8 MHz
Video Input Sensitivity/Output Level and Impedance1 Vp-p/75 Ω (Component Y and S-Video Y)
0.7 Vp-p/75 Ω (Component PB/CB, PR/CR)
1 Vp-p/75 Ω (Composite)
0.286 Vp-p/75 Ω (S-Video C)
Video Maximum Input1.5 Vp-p
Video Frequency Response5 Hz to 100 MHz, ±3 dB (Component)
Video S/N Ratio60 dB
Ethernet Standard10BASE-T/100BASE-TX
USB TerminalUSB2.0 5 V, 1 A
FM Frequency87.5 MHz - 107.9 MHz
FM 50 dB Quiet Sensitivity (IHF, 1 kHz, 100% MOD.)Mono: 3 µV (20.8 dBf)
FM S/N RatioHD: 80 dB, Mono/Stereo: 72 dB/ 70 dB
FM Harmonic Distortion (IHF, 1 kHz)HD: 0.03%, Mono/Stereo: 0.3%/0.5%
AM Frequency530 MHz - 1710 MHz

* - 480i/576i and 480p/576p only
** - 480i/576i only
*** - no 1080p/24 upconversion
**** - 1080p signal is not converted

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